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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84CDE4 it is the complementary color #7B321B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84CDE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #84CDE4: #89CDDF, #9ADFF2, #ABF1FF, #BCFFFF and #CDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84CDE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #84CDE4: #84CDE4, #73BBD1, #62A9BE, #5197AB and #408598

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 10 / 0 / 11

HEX #84CDE4

RGB 132 205 228

HSL 194.38, 0.64%, 0.71%

LAB 78.56, -16.88, -18.53

 

Complementary color

CMYK 0 / 59 / 78 / 52

HEX #7B321B

RGB 123 50 27

HSL 14.38, 0.64%, 0.29%

LAB 30.81, 30.33, 29.72

 

CMYK 39 / 8 / 0 / 13

HEX #89CDDF

RGB 137 205 223

HSL 192.56, 0.57%, 0.71%

LAB 78.64, -16.9, -15.7

 

CMYK 36 / 8 / 0 / 5

HEX #9ADFF2

RGB 154 223 242

HSL 192.95, 0.77%, 0.78%

LAB 85.03, -16.93, -16.13

 

CMYK 33 / 5 / 0 / 0

HEX #ABF1FF

RGB 171 241 255

HSL 190, 1%, 0.84%

LAB 91.14, -18.37, -13.7

 

CMYK 26 / 0 / 0 / 0

HEX #BCFFFF

RGB 188 255 255

HSL 180, 1%, 0.87%

LAB 95.76, -20.62, -6.73

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 42 / 10 / 0 / 11

HEX #84CDE4

RGB 132 205 228

HSL 194.38, 0.64%, 0.71%

LAB 78.56, -16.88, -18.53

 

CMYK 45 / 11 / 0 / 18

HEX #73BBD1

RGB 115 187 209

HSL 194.04, 0.51%, 0.64%

LAB 72.09, -16.76, -18.12

 

CMYK 48 / 11 / 0 / 25

HEX #62A9BE

RGB 98 169 190

HSL 193.7, 0.41%, 0.56%

LAB 65.51, -16.59, -17.69

 

CMYK 53 / 12 / 0 / 33

HEX #5197AB

RGB 81 151 171

HSL 193.33, 0.36%, 0.49%

LAB 58.81, -16.35, -17.25

 

CMYK 58 / 13 / 0 / 40

HEX #408598

RGB 64 133 152

HSL 192.95, 0.41%, 0.42%

LAB 51.99, -16, -16.77

 

CMYK 42 / 10 / 0 / 11

HEX #84CDE4

RGB 132 205 228

HSL 194.38, 0.64%, 0.71%

LAB 78.56, -16.88, -18.53

 

CMYK 42 / 17 / 0 / 11

HEX #85BEE4

RGB 133 190 228

HSL 204, 0.64%, 0.71%

LAB 74.45, -8.78, -24.76

 

CMYK 42 / 24 / 0 / 11

HEX #85AEE4

RGB 133 174 228

HSL 214.11, 0.64%, 0.71%

LAB 70.08, -0.08, -31.49

 

CMYK 42 / 31 / 0 / 11

HEX #859EE4

RGB 133 158 228

HSL 224.21, 0.64%, 0.71%

LAB 65.78, 8.93, -38.16

 

CMYK 42 / 37 / 0 / 11

HEX #858FE4

RGB 133 143 228

HSL 233.68, 0.64%, 0.71%

LAB 61.85, 17.6, -44.31

 

CMYK 42 / 10 / 0 / 11

HEX #84CDE4

RGB 132 205 228

HSL 194.38, 0.64%, 0.71%

LAB 78.56, -16.88, -18.53

 

CMYK 42 / 8 / 0 / 91

HEX #0E1618

RGB 14 22 24

HSL 192, 0.26%, 0.07%

LAB 6.62, -2.62, -2.49

 

CMYK 43 / 11 / 0 / 71

HEX #2B434B

RGB 43 67 75

HSL 195, 0.27%, 0.23%

LAB 26.84, -6.85, -7.77

 

CMYK 42 / 10 / 0 / 51

HEX #49717E

RGB 73 113 126

HSL 194.72, 0.27%, 0.39%

LAB 45.27, -10.36, -11.6

 

CMYK 42 / 10 / 0 / 31

HEX #669FB1

RGB 102 159 177

HSL 194.4, 0.32%, 0.55%

LAB 62.33, -13.85, -15.21

 

CMYK 42 / 10 / 0 / 11

HEX #84CDE4

RGB 132 205 228

HSL 194.38, 0.64%, 0.71%

LAB 78.56, -16.88, -18.53

 

CMYK 24 / 42 / 0 / 11

HEX #AE85E4

RGB 174 133 228

HSL 265.89, 0.64%, 0.71%

LAB 62.82, 34.46, -42.56

 

CMYK 0 / 7 / 42 / 11

HEX #E4D485

RGB 228 212 133

HSL 49.89, 0.64%, 0.71%

LAB 84.62, -5.35, 41.02

 

CMYK 42 / 10 / 0 / 11

HEX #84CDE4

RGB 132 205 228

HSL 194.38, 0.64%, 0.71%

LAB 78.56, -16.88, -18.53

 

CMYK 0 / 42 / 10 / 11

HEX #E485CE

RGB 228 133 206

HSL 313.89, 0.64%, 0.71%

LAB 67.82, 46.4, -22.11

 

CMYK 10 / 0 / 42 / 11

HEX #CEE485

RGB 206 228 133

HSL 73.89, 0.64%, 0.71%

LAB 87.14, -21.88, 43.86

 

CMYK 42 / 10 / 0 / 11

HEX #84CDE4

RGB 132 205 228

HSL 194.38, 0.64%, 0.71%

LAB 78.56, -16.88, -18.53

 

CMYK 24 / 42 / 0 / 11

HEX #AE85E4

RGB 174 133 228

HSL 265.89, 0.64%, 0.71%

LAB 62.82, 34.46, -42.56

 

CMYK 0 / 32 / 42 / 11

HEX #E49B85

RGB 228 155 133

HSL 13.89, 0.64%, 0.71%

LAB 70.62, 24.69, 22.61

 

CMYK 18 / 0 / 42 / 11

HEX #BBE485

RGB 187 228 133

HSL 85.89, 0.64%, 0.71%

LAB 85.88, -28.96, 41.99

 

CMYK 42 / 10 / 0 / 11

HEX #84CDE4

RGB 132 205 228

HSL 194.38, 0.64%, 0.71%

LAB 78.56, -16.88, -18.53

 

CMYK 11 / 42 / 0 / 11

HEX #CB85E4

RGB 203 133 228

HSL 284.21, 0.64%, 0.71%

LAB 65.81, 42.83, -37.67

 

CMYK 0 / 32 / 42 / 11

HEX #E49B85

RGB 228 155 133

HSL 13.89, 0.64%, 0.71%

LAB 70.62, 24.69, 22.61

 

CMYK 31 / 0 / 42 / 11

HEX #9EE485

RGB 158 228 133

HSL 104.21, 0.64%, 0.71%

LAB 84.2, -39.11, 39.51

 

Description

Color code: HEX #84CDE4 | qconv.com Color code: HEX #84CDE4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 205 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 205 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 10 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 10% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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