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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84B0F2 it is the complementary color #7B4F0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84B0F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84B0F2 shade: #89B0ED, #9AC2FF, #ABD4FF, #BCE6FF and #CDF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84B0F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84B0F2 shade: #84B0F2, #739EDF, #628CCC, #517AB9 and #4068A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84B0F2 shade: #82AFF2, #8291F2, #9282F2, #B082F2 and #CE82F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84B0F2 shade: #82AFF2, #8291F2 and #8282F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84B0F2 shade matches the following richer shades: #82AFF2 and #77ADFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84B0F2 shade: #82AFF2, #8EB1E7, #99B3DC, #A4B6D0 and #AFB8C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84B0F2 shade: #82EAF2, #82CDF2, #82AFF2, #8291F2 and #9182F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84B0F2 shade: #387FEA, #5D97EE, #82AFF2, #A8C7F6 and #CDDFFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84B0F2 shade: #84B0F2, #DC82F2 and #DCF282

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84B0F2 shade: #84B0F2, #F282AF and #AFF282

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84B0F2 shade: #84B0F2, #DC82F2, #F2C582 and #99F282

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84B0F2 shade: #84B0F2, #F282E7, #F2C582 and #82F28E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 27 / 0 / 5

HEX #84B0F2

RGB 132 176 242

HSL 216, 0.81%, 0.73%

LAB 71.12, 2.47, -37.5

 

Complementary color

CMYK 0 / 36 / 89 / 52

HEX #7B4F0D

RGB 123 79 13

HSL 36, 0.81%, 0.27%

LAB 37.54, 13.16, 42.35

 

CMYK 42 / 26 / 0 / 7

HEX #89B0ED

RGB 137 176 237

HSL 216.6, 0.74%, 0.73%

LAB 71.2, 2.31, -34.63

 

CMYK 40 / 24 / 0 / 0

HEX #9AC2FF

RGB 154 194 255

HSL 216.24, 1%, 0.8%

LAB 77.68, 1.62, -34.24

 

CMYK 33 / 17 / 0 / 0

HEX #ABD4FF

RGB 171 212 255

HSL 210.71, 1%, 0.84%

LAB 83.42, -3.51, -25.34

 

CMYK 26 / 10 / 0 / 0

HEX #BCE6FF

RGB 188 230 255

HSL 202.39, 1%, 0.87%

LAB 89.16, -8.1, -16.57

 

CMYK 20 / 3 / 0 / 0

HEX #CDF8FF

RGB 205 248 255

HSL 188.4, 1%, 0.9%

LAB 94.88, -12.24, -7.93

 

CMYK 45 / 27 / 0 / 5

HEX #84B0F2

RGB 132 176 242

HSL 216, 0.81%, 0.73%

LAB 71.12, 2.47, -37.5

 

CMYK 48 / 29 / 0 / 13

HEX #739EDF

RGB 115 158 223

HSL 216.11, 0.63%, 0.66%

LAB 64.5, 3.05, -37.47

 

CMYK 52 / 31 / 0 / 20

HEX #628CCC

RGB 98 140 204

HSL 216.23, 0.51%, 0.59%

LAB 57.76, 3.75, -37.48

 

CMYK 56 / 34 / 0 / 27

HEX #517AB9

RGB 81 122 185

HSL 216.35, 0.43%, 0.52%

LAB 50.89, 4.61, -37.52

 

CMYK 61 / 37 / 0 / 35

HEX #4068A6

RGB 64 104 166

HSL 216.47, 0.44%, 0.45%

LAB 43.86, 5.7, -37.59

 

CMYK 46 / 28 / 0 / 5

HEX #82AFF2

RGB 130 175 242

HSL 215.89, 0.81%, 0.73%

LAB 70.74, 2.55, -38.09

 

CMYK 46 / 40 / 0 / 5

HEX #8291F2

RGB 130 145 242

HSL 231.96, 0.81%, 0.73%

LAB 62.85, 19.73, -50.49

 

CMYK 40 / 46 / 0 / 5

HEX #9282F2

RGB 146 130 242

HSL 248.57, 0.81%, 0.73%

LAB 60.33, 32.31, -54.43

 

CMYK 27 / 46 / 0 / 5

HEX #B082F2

RGB 176 130 242

HSL 264.64, 0.81%, 0.73%

LAB 63.02, 39.99, -49.99

 

CMYK 15 / 46 / 0 / 5

HEX #CE82F2

RGB 206 130 242

HSL 280.71, 0.81%, 0.73%

LAB 66.13, 48.15, -44.86

 

CMYK 46 / 28 / 0 / 5

HEX #82AFF2

RGB 130 175 242

HSL 215.89, 0.81%, 0.73%

LAB 70.74, 2.55, -38.09

 

CMYK 46 / 40 / 0 / 5

HEX #8291F2

RGB 130 145 242

HSL 231.96, 0.81%, 0.73%

LAB 62.85, 19.73, -50.49

 

CMYK 46 / 46 / 0 / 5

HEX #8282F2

RGB 130 130 242

HSL 240, 0.81%, 0.73%

LAB 59.09, 28.53, -56.47

 

CMYK 46 / 28 / 0 / 5

HEX #82AFF2

RGB 130 175 242

HSL 215.89, 0.81%, 0.73%

LAB 70.74, 2.55, -38.09

 

CMYK 53 / 32 / 0 / 1

HEX #77ADFD

RGB 119 173 253

HSL 215.82, 0.97%, 0.73%

LAB 70.11, 4.42, -45.1

 

CMYK 46 / 28 / 0 / 5

HEX #82AFF2

RGB 130 175 242

HSL 215.89, 0.81%, 0.73%

LAB 70.74, 2.55, -38.09

 

CMYK 39 / 23 / 0 / 9

HEX #8EB1E7

RGB 142 177 231

HSL 216.4, 0.65%, 0.73%

LAB 71.53, 1.43, -30.84

 

CMYK 30 / 19 / 0 / 14

HEX #99B3DC

RGB 153 179 220

HSL 216.72, 0.49%, 0.73%

LAB 72.35, 0.55, -23.53

 

CMYK 21 / 13 / 0 / 18

HEX #A4B6D0

RGB 164 182 208

HSL 215.45, 0.32%, 0.73%

LAB 73.48, -0.61, -15.19

 

CMYK 11 / 7 / 0 / 23

HEX #AFB8C5

RGB 175 184 197

HSL 215.45, 0.16%, 0.73%

LAB 74.46, -0.52, -7.65

 

CMYK 46 / 3 / 0 / 5

HEX #82EAF2

RGB 130 234 242

HSL 184.29, 0.81%, 0.73%

LAB 87, -28.17, -13.28

 

CMYK 46 / 15 / 0 / 5

HEX #82CDF2

RGB 130 205 242

HSL 199.82, 0.81%, 0.73%

LAB 78.94, -13.64, -25.46

 

CMYK 46 / 28 / 0 / 5

HEX #82AFF2

RGB 130 175 242

HSL 215.89, 0.81%, 0.73%

LAB 70.74, 2.55, -38.09

 

CMYK 46 / 40 / 0 / 5

HEX #8291F2

RGB 130 145 242

HSL 231.96, 0.81%, 0.73%

LAB 62.85, 19.73, -50.49

 

CMYK 40 / 46 / 0 / 5

HEX #9182F2

RGB 145 130 242

HSL 248.04, 0.81%, 0.73%

LAB 60.24, 32.07, -54.56

 

CMYK 76 / 46 / 0 / 8

HEX #387FEA

RGB 56 127 234

HSL 216.07, 0.81%, 0.57%

LAB 53.98, 14.69, -60.42

 

CMYK 61 / 37 / 0 / 7

HEX #5D97EE

RGB 93 151 238

HSL 216, 0.81%, 0.65%

LAB 62.2, 7.17, -49.45

 

CMYK 46 / 28 / 0 / 5

HEX #82AFF2

RGB 130 175 242

HSL 215.89, 0.81%, 0.73%

LAB 70.74, 2.55, -38.09

 

CMYK 32 / 19 / 0 / 4

HEX #A8C7F6

RGB 168 199 246

HSL 216.15, 0.81%, 0.81%

LAB 79.51, 0.38, -26.54

 

CMYK 18 / 11 / 0 / 2

HEX #CDDFFA

RGB 205 223 250

HSL 216, 0.82%, 0.89%

LAB 88.28, -0.52, -15.15

 

CMYK 45 / 27 / 0 / 5

HEX #84B0F2

RGB 132 176 242

HSL 216, 0.81%, 0.73%

LAB 71.12, 2.47, -37.5

 

CMYK 9 / 46 / 0 / 5

HEX #DC82F2

RGB 220 130 242

HSL 288.21, 0.81%, 0.73%

LAB 67.72, 52.04, -42.26

 

CMYK 9 / 0 / 46 / 5

HEX #DCF282

RGB 220 242 130

HSL 71.79, 0.81%, 0.73%

LAB 91.83, -23.61, 51.33

 

CMYK 45 / 27 / 0 / 5

HEX #84B0F2

RGB 132 176 242

HSL 216, 0.81%, 0.73%

LAB 71.12, 2.47, -37.5

 

CMYK 0 / 46 / 28 / 5

HEX #F282AF

RGB 242 130 175

HSL 335.89, 0.81%, 0.73%

LAB 67.97, 47.86, -4.33

 

CMYK 28 / 0 / 46 / 5

HEX #AFF282

RGB 175 242 130

HSL 95.89, 0.81%, 0.73%

LAB 89.03, -39.99, 47.25

 

CMYK 45 / 27 / 0 / 5

HEX #84B0F2

RGB 132 176 242

HSL 216, 0.81%, 0.73%

LAB 71.12, 2.47, -37.5

 

CMYK 9 / 46 / 0 / 5

HEX #DC82F2

RGB 220 130 242

HSL 288.21, 0.81%, 0.73%

LAB 67.72, 52.04, -42.26

 

CMYK 0 / 19 / 46 / 5

HEX #F2C582

RGB 242 197 130

HSL 35.89, 0.81%, 0.73%

LAB 82.07, 7.67, 39.54

 

CMYK 37 / 0 / 46 / 5

HEX #99F282

RGB 153 242 130

HSL 107.68, 0.81%, 0.73%

LAB 87.91, -47.21, 45.62

 

CMYK 45 / 27 / 0 / 5

HEX #84B0F2

RGB 132 176 242

HSL 216, 0.81%, 0.73%

LAB 71.12, 2.47, -37.5

 

CMYK 0 / 46 / 5 / 5

HEX #F282E7

RGB 242 130 231

HSL 305.89, 0.81%, 0.73%

LAB 69.9, 56.31, -32.61

 

CMYK 0 / 19 / 46 / 5

HEX #F2C582

RGB 242 197 130

HSL 35.89, 0.81%, 0.73%

LAB 82.07, 7.67, 39.54

 

CMYK 46 / 0 / 41 / 5

HEX #82F28E

RGB 130 242 142

HSL 126.43, 0.81%, 0.73%

LAB 87.1, -52.27, 38.53

 

Description

Color code: HEX #84B0F2 | qconv.com Color code: HEX #84B0F2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 176 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 176 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 27 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 27% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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