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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 21 / 13 / 0 / 18 it is the complementary color CMYK 0 / 19 / 49 / 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 21 / 13 / 0 / 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 21 / 13 / 0 / 18: CMYK 17 / 11 / 0 / 20, CMYK 16 / 10 / 0 / 13, CMYK 16 / 10 / 0 / 5, CMYK 13 / 7 / 0 / 0 and CMYK 7 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 21 / 13 / 0 / 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 21 / 13 / 0 / 18: CMYK 21 / 13 / 0 / 18, CMYK 22 / 14 / 0 / 25, CMYK 23 / 15 / 0 / 33, CMYK 25 / 16 / 0 / 40 and CMYK 27 / 17 / 0 / 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 13 / 0 / 18

HEX #A5B6D1

RGB 165 182 209

HSL 216.82, 0.32%, 0.73%

LAB 73.58, -0.07, -15.58

 

Complementary color

CMYK 0 / 19 / 49 / 65

HEX #5A492E

RGB 90 73 46

HSL 36.82, 0.32%, 0.27%

LAB 32.11, 3.11, 18.83

 

CMYK 17 / 11 / 0 / 20

HEX #AAB6CC

RGB 170 182 204

HSL 218.82, 0.25%, 0.73%

LAB 73.78, 0.41, -12.52

 

CMYK 16 / 10 / 0 / 13

HEX #BBC8DF

RGB 187 200 223

HSL 218.33, 0.36%, 0.8%

LAB 80.29, 0.25, -12.92

 

CMYK 16 / 10 / 0 / 5

HEX #CCDAF2

RGB 204 218 242

HSL 217.89, 0.59%, 0.87%

LAB 86.7, 0.1, -13.32

 

CMYK 13 / 7 / 0 / 0

HEX #DDECFF

RGB 221 236 255

HSL 213.53, 1%, 0.93%

LAB 92.83, -1.26, -10.85

 

CMYK 7 / 0 / 0 / 0

HEX #EEFEFF

RGB 238 254 255

HSL 183.53, 1%, 0.97%

LAB 98.54, -5.01, -2.28

 

CMYK 21 / 13 / 0 / 18

HEX #A5B6D1

RGB 165 182 209

HSL 216.82, 0.32%, 0.73%

LAB 73.58, -0.07, -15.58

 

CMYK 22 / 14 / 0 / 25

HEX #94A4BE

RGB 148 164 190

HSL 217.14, 0.24%, 0.66%

LAB 66.95, 0.1, -15.24

 

CMYK 23 / 15 / 0 / 33

HEX #8392AB

RGB 131 146 171

HSL 217.5, 0.19%, 0.59%

LAB 60.18, 0.28, -14.9

 

CMYK 25 / 16 / 0 / 40

HEX #728098

RGB 114 128 152

HSL 217.89, 0.16%, 0.52%

LAB 53.26, 0.48, -14.58

 

CMYK 27 / 17 / 0 / 48

HEX #616E85

RGB 97 110 133

HSL 218.33, 0.16%, 0.45%

LAB 46.16, 0.7, -14.28

 

CMYK 21 / 13 / 0 / 18

HEX #A5B6D1

RGB 165 182 209

HSL 216.82, 0.32%, 0.73%

LAB 73.58, -0.07, -15.58

 

CMYK 21 / 16 / 0 / 18

HEX #A4AED0

RGB 164 174 208

HSL 226.36, 0.32%, 0.73%

LAB 71.36, 3.76, -18.39

 

CMYK 21 / 20 / 0 / 18

HEX #A4A7D0

RGB 164 167 208

HSL 235.91, 0.32%, 0.73%

LAB 69.53, 7.63, -21.18

 

CMYK 19 / 21 / 0 / 18

HEX #A8A4D0

RGB 168 164 208

HSL 245.45, 0.32%, 0.73%

LAB 69.06, 10.56, -21.86

 

CMYK 16 / 21 / 0 / 18

HEX #AFA4D0

RGB 175 164 208

HSL 255, 0.32%, 0.73%

LAB 69.63, 12.79, -20.95

 

CMYK 21 / 13 / 0 / 18

HEX #A5B6D1

RGB 165 182 209

HSL 216.82, 0.32%, 0.73%

LAB 73.58, -0.07, -15.58

 

CMYK 20 / 20 / 0 / 98

HEX #040405

RGB 4 4 5

HSL 240, 0.11%, 0.02%

LAB 1.12, 0.14, -0.38

 

CMYK 21 / 13 / 0 / 78

HEX #2C3138

RGB 44 49 56

HSL 215, 0.12%, 0.2%

LAB 20.11, -0.31, -5.17

 

CMYK 21 / 13 / 0 / 58

HEX #545D6B

RGB 84 93 107

HSL 216.52, 0.12%, 0.37%

LAB 39.2, -0.13, -9.15

 

CMYK 21 / 13 / 0 / 38

HEX #7D8A9E

RGB 125 138 158

HSL 216.36, 0.15%, 0.55%

LAB 57.08, -0.22, -12.2

 

CMYK 21 / 13 / 0 / 18

HEX #A5B6D1

RGB 165 182 209

HSL 216.82, 0.32%, 0.73%

LAB 73.58, -0.07, -15.58

 

CMYK 4 / 21 / 0 / 18

HEX #C7A4D0

RGB 199 164 208

HSL 287.73, 0.32%, 0.73%

LAB 71.72, 20.65, -17.57

 

CMYK 4 / 0 / 21 / 18

HEX #C7D0A4

RGB 199 208 164

HSL 72.27, 0.32%, 0.73%

LAB 81.8, -10.51, 20.87

 

CMYK 21 / 13 / 0 / 18

HEX #A5B6D1

RGB 165 182 209

HSL 216.82, 0.32%, 0.73%

LAB 73.58, -0.07, -15.58

 

CMYK 0 / 21 / 13 / 18

HEX #D0A4B5

RGB 208 164 181

HSL 336.82, 0.32%, 0.73%

LAB 71.76, 18.88, -2.55

 

CMYK 13 / 0 / 21 / 18

HEX #B5D0A4

RGB 181 208 164

HSL 96.82, 0.32%, 0.73%

LAB 80.52, -17.02, 18.9

 

CMYK 21 / 13 / 0 / 18

HEX #A5B6D1

RGB 165 182 209

HSL 216.82, 0.32%, 0.73%

LAB 73.58, -0.07, -15.58

 

CMYK 4 / 21 / 0 / 18

HEX #C7A4D0

RGB 199 164 208

HSL 287.73, 0.32%, 0.73%

LAB 71.72, 20.65, -17.57

 

CMYK 0 / 9 / 21 / 18

HEX #D0BEA4

RGB 208 190 164

HSL 35.45, 0.32%, 0.73%

LAB 77.83, 2.21, 15.44

 

CMYK 17 / 0 / 21 / 18

HEX #ACD0A4

RGB 172 208 164

HSL 109.09, 0.32%, 0.73%

LAB 79.93, -20.17, 17.99

 

CMYK 21 / 13 / 0 / 18

HEX #A5B6D1

RGB 165 182 209

HSL 216.82, 0.32%, 0.73%

LAB 73.58, -0.07, -15.58

 

CMYK 0 / 21 / 2 / 18

HEX #D0A4CB

RGB 208 164 203

HSL 306.82, 0.32%, 0.73%

LAB 72.41, 22.73, -13.7

 

CMYK 0 / 9 / 21 / 18

HEX #D0BEA4

RGB 208 190 164

HSL 35.45, 0.32%, 0.73%

LAB 77.83, 2.21, 15.44

 

CMYK 21 / 0 / 19 / 18

HEX #A4D0A8

RGB 164 208 168

HSL 125.45, 0.32%, 0.73%

LAB 79.52, -22.21, 15.21

 

Description

Color code: CMYK 21 / 13 / 0 / 18 | qconv.com Color code: CMYK 21 / 13 / 0 / 18 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 182 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 182 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 13 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 13% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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