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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84AE34 it is the complementary color #7B51CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84AE34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84AE34 shade: #89AE2F, #9AC042, #ABD255, #BCE468 and #CDF67B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84AE34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84AE34 shade: #84AE34, #739C21, #628A0E, #517800 and #406600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84AE34 shade: #83AD34, #A4AD34, #AD9534, #AD7434 and #AD5434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84AE34 shade: #83AD34, #62AD34, #42AD34, #34AD46 and #34AD67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84AE34 shade matches the following richer shades: #83AD34, #89BF21 and #8ED10F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84AE34 shade: #83AD34, #7D9B46, #788858, #72766A and #6C647C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84AE34 shade: #AD9534, #A5AD34, #84AD34, #64AD34 and #44AD34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84AE34 shade: #536D21, #6B8D2A, #83AD34, #99C743 and #ABD063

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84AE34 shade: #84AE34, #34AD74 and #A534AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84AE34 shade: #84AE34, #3484AD and #AD3484

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84AE34 shade: #84AE34, #34AD74, #5C34AD and #AD346C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84AE34 shade: #84AE34, #34AD99, #5C34AD and #AD3448

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 70 / 32

HEX #84AE34

RGB 132 174 52

HSL 80.66, 0.54%, 0.44%

LAB 66.08, -32.27, 55.19

 

Complementary color

CMYK 39 / 60 / 0 / 20

HEX #7B51CB

RGB 123 81 203

HSL 260.66, 0.54%, 0.56%

LAB 44.81, 44.36, -57.4

 

CMYK 21 / 0 / 73 / 32

HEX #89AE2F

RGB 137 174 47

HSL 77.48, 0.57%, 0.43%

LAB 66.36, -30.58, 57.44

 

CMYK 20 / 0 / 66 / 25

HEX #9AC042

RGB 154 192 66

HSL 78.1, 0.5%, 0.51%

LAB 72.87, -31.06, 57.1

 

CMYK 19 / 0 / 60 / 18

HEX #ABD255

RGB 171 210 85

HSL 78.72, 0.58%, 0.58%

LAB 79.28, -31.41, 56.36

 

CMYK 18 / 0 / 54 / 11

HEX #BCE468

RGB 188 228 104

HSL 79.35, 0.7%, 0.65%

LAB 85.59, -31.65, 55.4

 

CMYK 17 / 0 / 50 / 4

HEX #CDF67B

RGB 205 246 123

HSL 80, 0.87%, 0.72%

LAB 91.83, -31.83, 54.35

 

CMYK 24 / 0 / 70 / 32

HEX #84AE34

RGB 132 174 52

HSL 80.66, 0.54%, 0.44%

LAB 66.08, -32.27, 55.19

 

CMYK 26 / 0 / 79 / 39

HEX #739C21

RGB 115 156 33

HSL 80, 0.65%, 0.37%

LAB 59.46, -31.73, 55.12

 

CMYK 29 / 0 / 90 / 46

HEX #628A0E

RGB 98 138 14

HSL 79.35, 0.82%, 0.3%

LAB 52.74, -30.94, 53.83

 

CMYK 33 / 0 / 100 / 53

HEX #517800

RGB 81 120 0

HSL 79.5, 1%, 0.24%

LAB 45.88, -29.83, 50.64

 

CMYK 37 / 0 / 100 / 60

HEX #406600

RGB 64 102 0

HSL 82.35, 1%, 0.2%

LAB 38.89, -28.34, 44.81

 

CMYK 24 / 0 / 70 / 32

HEX #83AD34

RGB 131 173 52

HSL 80.83, 0.54%, 0.44%

LAB 65.72, -32.2, 54.81

 

CMYK 5 / 0 / 70 / 32

HEX #A4AD34

RGB 164 173 52

HSL 64.46, 0.54%, 0.44%

LAB 68.04, -18.54, 57.9

 

CMYK 0 / 14 / 70 / 32

HEX #AD9534

RGB 173 149 52

HSL 48.1, 0.54%, 0.44%

LAB 62.19, -1.98, 52.28

 

CMYK 0 / 33 / 70 / 32

HEX #AD7434

RGB 173 116 52

HSL 31.74, 0.54%, 0.44%

LAB 53.62, 16.36, 43.3

 

CMYK 0 / 51 / 70 / 32

HEX #AD5434

RGB 173 84 52

HSL 15.87, 0.54%, 0.44%

LAB 46.28, 33.96, 35.15

 

CMYK 24 / 0 / 70 / 32

HEX #83AD34

RGB 131 173 52

HSL 80.83, 0.54%, 0.44%

LAB 65.72, -32.2, 54.81

 

CMYK 43 / 0 / 70 / 32

HEX #62AD34

RGB 98 173 52

HSL 97.19, 0.54%, 0.44%

LAB 63.94, -44.24, 52.42

 

CMYK 62 / 0 / 70 / 32

HEX #42AD34

RGB 66 173 52

HSL 113.06, 0.54%, 0.44%

LAB 62.75, -53.34, 50.81

 

CMYK 70 / 0 / 60 / 32

HEX #34AD46

RGB 52 173 70

HSL 128.93, 0.54%, 0.44%

LAB 62.56, -54.35, 42.67

 

CMYK 70 / 0 / 40 / 32

HEX #34AD67

RGB 52 173 103

HSL 145.29, 0.54%, 0.44%

LAB 63.01, -49.19, 26.58

 

CMYK 24 / 0 / 70 / 32

HEX #83AD34

RGB 131 173 52

HSL 80.83, 0.54%, 0.44%

LAB 65.72, -32.2, 54.81

 

CMYK 28 / 0 / 83 / 25

HEX #89BF21

RGB 137 191 33

HSL 80.51, 0.71%, 0.44%

LAB 71.34, -39.02, 66.34

 

CMYK 32 / 0 / 93 / 18

HEX #8ED10F

RGB 142 209 15

HSL 80.72, 0.87%, 0.44%

LAB 76.91, -45.4, 74.46

 

CMYK 24 / 0 / 70 / 32

HEX #83AD34

RGB 131 173 52

HSL 80.83, 0.54%, 0.44%

LAB 65.72, -32.2, 54.81

 

CMYK 19 / 0 / 55 / 39

HEX #7D9B46

RGB 125 155 70

HSL 81.18, 0.38%, 0.44%

LAB 60.11, -24.43, 40.62

 

CMYK 12 / 0 / 35 / 47

HEX #788858

RGB 120 136 88

HSL 80, 0.21%, 0.44%

LAB 54.35, -14.46, 23.9

 

CMYK 3 / 0 / 10 / 54

HEX #72766A

RGB 114 118 106

HSL 80, 0.05%, 0.44%

LAB 48.98, -3.88, 6.09

 

CMYK 13 / 19 / 0 / 51

HEX #6C647C

RGB 108 100 124

HSL 260, 0.11%, 0.44%

LAB 43.88, 8.31, -12.24

 

CMYK 0 / 14 / 70 / 32

HEX #AD9534

RGB 173 149 52

HSL 48.1, 0.54%, 0.44%

LAB 62.19, -1.98, 52.28

 

CMYK 5 / 0 / 70 / 32

HEX #A5AD34

RGB 165 173 52

HSL 63.97, 0.54%, 0.44%

LAB 68.12, -18.11, 58

 

CMYK 24 / 0 / 70 / 32

HEX #84AD34

RGB 132 173 52

HSL 80.33, 0.54%, 0.44%

LAB 65.78, -31.8, 54.89

 

CMYK 42 / 0 / 70 / 32

HEX #64AD34

RGB 100 173 52

HSL 96.2, 0.54%, 0.44%

LAB 64.03, -43.58, 52.54

 

CMYK 61 / 0 / 70 / 32

HEX #44AD34

RGB 68 173 52

HSL 112.07, 0.54%, 0.44%

LAB 62.81, -52.86, 50.89

 

CMYK 24 / 0 / 70 / 57

HEX #536D21

RGB 83 109 33

HSL 80.53, 0.54%, 0.28%

LAB 42.59, -22.06, 37.82

 

CMYK 24 / 0 / 70 / 45

HEX #6B8D2A

RGB 107 141 42

HSL 80.61, 0.54%, 0.36%

LAB 54.39, -27.29, 46.72

 

CMYK 24 / 0 / 70 / 32

HEX #83AD34

RGB 131 173 52

HSL 80.83, 0.54%, 0.44%

LAB 65.72, -32.2, 54.81

 

CMYK 23 / 0 / 66 / 22

HEX #99C743

RGB 153 199 67

HSL 80.91, 0.54%, 0.52%

LAB 74.84, -34.63, 58.75

 

CMYK 18 / 0 / 52 / 18

HEX #ABD063

RGB 171 208 99

HSL 80.37, 0.54%, 0.6%

LAB 78.85, -29.21, 49.54

 

CMYK 24 / 0 / 70 / 32

HEX #84AE34

RGB 132 174 52

HSL 80.66, 0.54%, 0.44%

LAB 66.08, -32.27, 55.19

 

CMYK 70 / 0 / 33 / 32

HEX #34AD74

RGB 52 173 116

HSL 151.74, 0.54%, 0.44%

LAB 63.24, -46.6, 19.89

 

CMYK 5 / 70 / 0 / 32

HEX #A534AD

RGB 165 52 173

HSL 296.03, 0.54%, 0.44%

LAB 43.47, 60.97, -41.72

 

CMYK 24 / 0 / 70 / 32

HEX #84AE34

RGB 132 174 52

HSL 80.66, 0.54%, 0.44%

LAB 66.08, -32.27, 55.19

 

CMYK 70 / 24 / 0 / 32

HEX #3484AD

RGB 52 132 173

HSL 200.33, 0.54%, 0.44%

LAB 52.12, -10.74, -28.76

 

CMYK 0 / 70 / 24 / 32

HEX #AD3484

RGB 173 52 132

HSL 320.33, 0.54%, 0.44%

LAB 42.77, 56.55, -18.03

 

CMYK 24 / 0 / 70 / 32

HEX #84AE34

RGB 132 174 52

HSL 80.66, 0.54%, 0.44%

LAB 66.08, -32.27, 55.19

 

CMYK 70 / 0 / 33 / 32

HEX #34AD74

RGB 52 173 116

HSL 151.74, 0.54%, 0.44%

LAB 63.24, -46.6, 19.89

 

CMYK 47 / 70 / 0 / 32

HEX #5C34AD

RGB 92 52 173

HSL 259.83, 0.54%, 0.44%

LAB 33.45, 45.67, -58.38

 

CMYK 0 / 70 / 38 / 32

HEX #AD346C

RGB 173 52 108

HSL 332.23, 0.54%, 0.44%

LAB 41.88, 53.59, -4.57

 

CMYK 24 / 0 / 70 / 32

HEX #84AE34

RGB 132 174 52

HSL 80.66, 0.54%, 0.44%

LAB 66.08, -32.27, 55.19

 

CMYK 70 / 0 / 12 / 32

HEX #34AD99

RGB 52 173 153

HSL 170.08, 0.54%, 0.44%

LAB 64.09, -37.73, 0.67

 

CMYK 47 / 70 / 0 / 32

HEX #5C34AD

RGB 92 52 173

HSL 259.83, 0.54%, 0.44%

LAB 33.45, 45.67, -58.38

 

CMYK 0 / 70 / 58 / 32

HEX #AD3448

RGB 173 52 72

HSL 350.08, 0.54%, 0.44%

LAB 40.91, 50.26, 16.59

 

Description

Color code: HEX #84AE34 | qconv.com Color code: HEX #84AE34 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 174 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 174 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 70 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 70% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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