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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84AC36 it is the complementary color #7B53C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84AC36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84AC36 shade: #89AC31, #9ABE44, #ABD057, #BCE26A and #CDF47D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84AC36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84AC36 shade: #84AC36, #739A23, #628810, #517600 and #406400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84AC36 shade: #83AB36, #A2AB36, #AB9336, #AB7436 and #AB5436

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84AC36 shade: #83AB36, #64AB36, #44AB36, #36AB47 and #36AB67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84AC36 shade matches the following richer shades: #83AB36, #89BD24 and #8FCF12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84AC36 shade: #83AB36, #7D9848, #77865A, #71746C and #6C627E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84AC36 shade: #AB9336, #A3AB36, #84AB36, #65AB36 and #45AB36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84AC36 shade: #536C22, #6B8B2C, #83AB36, #99C445 and #AACE65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84AC36 shade: #84AC36, #36AB74 and #A336AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84AC36 shade: #84AC36, #3684AB and #AB3684

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84AC36 shade: #84AC36, #36AB74, #5D36AB and #AB366C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84AC36 shade: #84AC36, #36AB97, #5D36AB and #AB3649

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 69 / 33

HEX #84AC36

RGB 132 172 54

HSL 80.34, 0.52%, 0.44%

LAB 65.5, -31.2, 53.81

 

Complementary color

CMYK 39 / 59 / 0 / 21

HEX #7B53C9

RGB 123 83 201

HSL 260.34, 0.52%, 0.56%

LAB 45.1, 42.71, -55.78

 

CMYK 20 / 0 / 72 / 33

HEX #89AC31

RGB 137 172 49

HSL 77.07, 0.56%, 0.43%

LAB 65.78, -29.52, 56.14

 

CMYK 19 / 0 / 64 / 25

HEX #9ABE44

RGB 154 190 68

HSL 77.7, 0.48%, 0.51%

LAB 72.3, -29.97, 55.68

 

CMYK 18 / 0 / 58 / 18

HEX #ABD057

RGB 171 208 87

HSL 78.35, 0.56%, 0.58%

LAB 78.73, -30.3, 54.87

 

CMYK 17 / 0 / 53 / 11

HEX #BCE26A

RGB 188 226 106

HSL 79, 0.67%, 0.65%

LAB 85.06, -30.54, 53.87

 

CMYK 16 / 0 / 49 / 4

HEX #CDF47D

RGB 205 244 125

HSL 79.66, 0.84%, 0.72%

LAB 91.31, -30.7, 52.8

 

CMYK 23 / 0 / 69 / 33

HEX #84AC36

RGB 132 172 54

HSL 80.34, 0.52%, 0.44%

LAB 65.5, -31.2, 53.81

 

CMYK 25 / 0 / 77 / 40

HEX #739A23

RGB 115 154 35

HSL 79.66, 0.63%, 0.37%

LAB 58.86, -30.69, 53.9

 

CMYK 28 / 0 / 88 / 47

HEX #628810

RGB 98 136 16

HSL 79, 0.79%, 0.3%

LAB 52.11, -29.93, 52.87

 

CMYK 31 / 0 / 100 / 54

HEX #517600

RGB 81 118 0

HSL 78.81, 1%, 0.23%

LAB 45.23, -28.89, 50.13

 

CMYK 36 / 0 / 100 / 61

HEX #406400

RGB 64 100 0

HSL 81.6, 1%, 0.2%

LAB 38.21, -27.4, 44.29

 

CMYK 23 / 0 / 68 / 33

HEX #83AB36

RGB 131 171 54

HSL 80.51, 0.52%, 0.44%

LAB 65.13, -31.13, 53.42

 

CMYK 5 / 0 / 68 / 33

HEX #A2AB36

RGB 162 171 54

HSL 64.62, 0.52%, 0.44%

LAB 67.33, -18.27, 56.37

 

CMYK 0 / 14 / 68 / 33

HEX #AB9336

RGB 171 147 54

HSL 47.69, 0.52%, 0.44%

LAB 61.47, -1.67, 50.62

 

CMYK 0 / 32 / 68 / 33

HEX #AB7436

RGB 171 116 54

HSL 31.79, 0.52%, 0.44%

LAB 53.4, 15.59, 42

 

CMYK 0 / 51 / 68 / 33

HEX #AB5436

RGB 171 84 54

HSL 15.38, 0.52%, 0.44%

LAB 45.99, 33.27, 33.64

 

CMYK 23 / 0 / 68 / 33

HEX #83AB36

RGB 131 171 54

HSL 80.51, 0.52%, 0.44%

LAB 65.13, -31.13, 53.42

 

CMYK 42 / 0 / 68 / 33

HEX #64AB36

RGB 100 171 54

HSL 96.41, 0.52%, 0.44%

LAB 63.43, -42.58, 51.11

 

CMYK 60 / 0 / 68 / 33

HEX #44AB36

RGB 68 171 54

HSL 112.82, 0.52%, 0.44%

LAB 62.19, -51.95, 49.42

 

CMYK 68 / 0 / 58 / 33

HEX #36AB47

RGB 54 171 71

HSL 128.72, 0.52%, 0.44%

LAB 61.97, -53.14, 41.52

 

CMYK 68 / 0 / 40 / 33

HEX #36AB67

RGB 54 171 103

HSL 145.13, 0.52%, 0.44%

LAB 62.41, -48.06, 25.8

 

CMYK 23 / 0 / 68 / 33

HEX #83AB36

RGB 131 171 54

HSL 80.51, 0.52%, 0.44%

LAB 65.13, -31.13, 53.42

 

CMYK 28 / 0 / 81 / 26

HEX #89BD24

RGB 137 189 36

HSL 80.39, 0.68%, 0.44%

LAB 70.76, -38.01, 65.04

 

CMYK 31 / 0 / 91 / 19

HEX #8FCF12

RGB 143 207 18

HSL 80.32, 0.84%, 0.44%

LAB 76.38, -44.13, 73.66

 

CMYK 23 / 0 / 68 / 33

HEX #83AB36

RGB 131 171 54

HSL 80.51, 0.52%, 0.44%

LAB 65.13, -31.13, 53.42

 

CMYK 18 / 0 / 53 / 40

HEX #7D9848

RGB 125 152 72

HSL 80.25, 0.36%, 0.44%

LAB 59.24, -22.72, 38.6

 

CMYK 11 / 0 / 33 / 47

HEX #77865A

RGB 119 134 90

HSL 80.45, 0.2%, 0.44%

LAB 53.72, -13.49, 21.93

 

CMYK 3 / 0 / 7 / 55

HEX #71746C

RGB 113 116 108

HSL 82.5, 0.04%, 0.44%

LAB 48.37, -2.74, 4.02

 

CMYK 14 / 22 / 0 / 51

HEX #6C627E

RGB 108 98 126

HSL 261.43, 0.13%, 0.44%

LAB 43.4, 9.99, -14.18

 

CMYK 0 / 14 / 68 / 33

HEX #AB9336

RGB 171 147 54

HSL 47.69, 0.52%, 0.44%

LAB 61.47, -1.67, 50.62

 

CMYK 5 / 0 / 68 / 33

HEX #A3AB36

RGB 163 171 54

HSL 64.1, 0.52%, 0.44%

LAB 67.41, -17.84, 56.47

 

CMYK 23 / 0 / 68 / 33

HEX #84AB36

RGB 132 171 54

HSL 80, 0.52%, 0.44%

LAB 65.2, -30.73, 53.51

 

CMYK 41 / 0 / 68 / 33

HEX #65AB36

RGB 101 171 54

HSL 95.9, 0.52%, 0.44%

LAB 63.47, -42.24, 51.17

 

CMYK 60 / 0 / 68 / 33

HEX #45AB36

RGB 69 171 54

HSL 112.31, 0.52%, 0.44%

LAB 62.22, -51.71, 49.46

 

CMYK 23 / 0 / 69 / 58

HEX #536C22

RGB 83 108 34

HSL 80.27, 0.52%, 0.28%

LAB 42.28, -21.46, 37.04

 

CMYK 23 / 0 / 68 / 45

HEX #6B8B2C

RGB 107 139 44

HSL 80.21, 0.52%, 0.36%

LAB 53.79, -26.16, 45.26

 

CMYK 23 / 0 / 68 / 33

HEX #83AB36

RGB 131 171 54

HSL 80.51, 0.52%, 0.44%

LAB 65.13, -31.13, 53.42

 

CMYK 22 / 0 / 65 / 23

HEX #99C445

RGB 153 196 69

HSL 80.31, 0.52%, 0.52%

LAB 73.99, -33.1, 57.04

 

CMYK 17 / 0 / 51 / 19

HEX #AACE65

RGB 170 206 101

HSL 80.57, 0.52%, 0.6%

LAB 78.24, -28.44, 47.86

 

CMYK 23 / 0 / 69 / 33

HEX #84AC36

RGB 132 172 54

HSL 80.34, 0.52%, 0.44%

LAB 65.5, -31.2, 53.81

 

CMYK 68 / 0 / 32 / 33

HEX #36AB74

RGB 54 171 116

HSL 151.79, 0.52%, 0.44%

LAB 62.65, -45.45, 19.1

 

CMYK 5 / 68 / 0 / 33

HEX #A336AB

RGB 163 54 171

HSL 295.9, 0.52%, 0.44%

LAB 43.31, 59.4, -40.81

 

CMYK 23 / 0 / 69 / 33

HEX #84AC36

RGB 132 172 54

HSL 80.34, 0.52%, 0.44%

LAB 65.5, -31.2, 53.81

 

CMYK 68 / 23 / 0 / 33

HEX #3684AB

RGB 54 132 171

HSL 200, 0.52%, 0.44%

LAB 52.09, -11.11, -27.64

 

CMYK 0 / 68 / 23 / 33

HEX #AB3684

RGB 171 54 132

HSL 320, 0.52%, 0.44%

LAB 42.71, 55.24, -18.16

 

CMYK 23 / 0 / 69 / 33

HEX #84AC36

RGB 132 172 54

HSL 80.34, 0.52%, 0.44%

LAB 65.5, -31.2, 53.81

 

CMYK 68 / 0 / 32 / 33

HEX #36AB74

RGB 54 171 116

HSL 151.79, 0.52%, 0.44%

LAB 62.65, -45.45, 19.1

 

CMYK 46 / 68 / 0 / 33

HEX #5D36AB

RGB 93 54 171

HSL 260, 0.52%, 0.44%

LAB 33.79, 44.23, -56.63

 

CMYK 0 / 68 / 37 / 33

HEX #AB366C

RGB 171 54 108

HSL 332.31, 0.52%, 0.44%

LAB 41.81, 52.22, -4.71

 

CMYK 23 / 0 / 69 / 33

HEX #84AC36

RGB 132 172 54

HSL 80.34, 0.52%, 0.44%

LAB 65.5, -31.2, 53.81

 

CMYK 68 / 0 / 12 / 33

HEX #36AB97

RGB 54 171 151

HSL 169.74, 0.52%, 0.44%

LAB 63.46, -37.06, 0.87

 

CMYK 46 / 68 / 0 / 33

HEX #5D36AB

RGB 93 54 171

HSL 260, 0.52%, 0.44%

LAB 33.79, 44.23, -56.63

 

CMYK 0 / 68 / 57 / 33

HEX #AB3649

RGB 171 54 73

HSL 350.26, 0.52%, 0.44%

LAB 40.86, 48.88, 15.84

 

Description

Color code: HEX #84AC36 | qconv.com Color code: HEX #84AC36 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 172 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 172 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 69 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 69% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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