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Color name
HEX #CDF47D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDF47D it is the complementary color #320B82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDF47D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDF47D shade: #D2F478, #E3FF8B, #F4FF9E, #FFFFB1 and #FFFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDF47D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDF47D shade: #CDF47D, #BCE26A, #ABD057, #9ABE44 and #89AC31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDF47D shade: #CCF47C, #EDF47C, #F4DA7C, #F4BA7C and #F4997C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDF47D shade: #CCF47C, #ACF47C, #8CF47C, #7CF48C and #7CF4AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDF47D shade matches the following richer shades: #CCF47C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDF47D shade: #CCF47C, #C8E887, #C4DC93, #C0D19E and #BCC5AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDF47D shade: #F4DA7C, #EEF47C, #CEF47C, #AEF47C and #8EF47C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDF47D shade: #AFED30, #BEF056, #CCF47C, #DBF7A2 and #EAFAC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDF47D shade: #CDF47D, #7CF4BA and #EA7CF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDF47D shade: #CDF47D, #7CCEF4 and #F47CCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDF47D shade: #CDF47D, #7CF4BA, #A27CF4 and #F47CB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDF47D shade: #CDF47D, #7CF4DE, #A27CF4 and #F47C92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 49 / 4

HEX #CDF47D

RGB 205 244 125

HSL 79.66, 0.84%, 0.72%

LAB 91.31, -30.7, 52.8

 

Complementary color

CMYK 62 / 92 / 0 / 49

HEX #320B82

RGB 50 11 130

HSL 259.66, 0.84%, 0.28%

LAB 18.05, 46.21, -57.43

 

CMYK 14 / 0 / 51 / 4

HEX #D2F478

RGB 210 244 120

HSL 76.45, 0.85%, 0.71%

LAB 91.58, -29.32, 55.51

 

CMYK 11 / 0 / 45 / 0

HEX #E3FF8B

RGB 227 255 139

HSL 74.48, 1%, 0.77%

LAB 95.88, -26.23, 52.15

 

CMYK 4 / 0 / 38 / 0

HEX #F4FF9E

RGB 244 255 158

HSL 66.8, 1%, 0.81%

LAB 97.32, -17.85, 45.13

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 16 / 0 / 49 / 4

HEX #CDF47D

RGB 205 244 125

HSL 79.66, 0.84%, 0.72%

LAB 91.31, -30.7, 52.8

 

CMYK 17 / 0 / 53 / 11

HEX #BCE26A

RGB 188 226 106

HSL 79, 0.67%, 0.65%

LAB 85.06, -30.54, 53.87

 

CMYK 18 / 0 / 58 / 18

HEX #ABD057

RGB 171 208 87

HSL 78.35, 0.56%, 0.58%

LAB 78.73, -30.3, 54.87

 

CMYK 19 / 0 / 64 / 25

HEX #9ABE44

RGB 154 190 68

HSL 77.7, 0.48%, 0.51%

LAB 72.3, -29.97, 55.68

 

CMYK 20 / 0 / 72 / 33

HEX #89AC31

RGB 137 172 49

HSL 77.07, 0.56%, 0.43%

LAB 65.78, -29.52, 56.14

 

CMYK 16 / 0 / 49 / 4

HEX #CCF47C

RGB 204 244 124

HSL 80, 0.85%, 0.72%

LAB 91.23, -31.18, 53.16

 

CMYK 3 / 0 / 49 / 4

HEX #EDF47C

RGB 237 244 124

HSL 63.5, 0.85%, 0.72%

LAB 93.52, -18.58, 56.45

 

CMYK 0 / 11 / 49 / 4

HEX #F4DA7C

RGB 244 218 124

HSL 47, 0.85%, 0.72%

LAB 87.4, -2.9, 49.22

 

CMYK 0 / 24 / 49 / 4

HEX #F4BA7C

RGB 244 186 124

HSL 31, 0.85%, 0.72%

LAB 79.5, 13.67, 39.39

 

CMYK 0 / 37 / 49 / 4

HEX #F4997C

RGB 244 153 124

HSL 14.5, 0.85%, 0.72%

LAB 71.87, 31.06, 29.53

 

CMYK 16 / 0 / 49 / 4

HEX #CCF47C

RGB 204 244 124

HSL 80, 0.85%, 0.72%

LAB 91.23, -31.18, 53.16

 

CMYK 30 / 0 / 49 / 4

HEX #ACF47C

RGB 172 244 124

HSL 96, 0.85%, 0.72%

LAB 89.36, -42.58, 50.45

 

CMYK 43 / 0 / 49 / 4

HEX #8CF47C

RGB 140 244 124

HSL 112, 0.85%, 0.72%

LAB 87.84, -52.75, 48.25

 

CMYK 49 / 0 / 43 / 4

HEX #7CF48C

RGB 124 244 140

HSL 128, 0.85%, 0.72%

LAB 87.43, -54.97, 39.9

 

CMYK 49 / 0 / 30 / 4

HEX #7CF4AC

RGB 124 244 172

HSL 144, 0.85%, 0.72%

LAB 87.95, -49.59, 24.53

 

CMYK 16 / 0 / 49 / 4

HEX #CCF47C

RGB 204 244 124

HSL 80, 0.85%, 0.72%

LAB 91.23, -31.18, 53.16

 

CMYK 16 / 0 / 49 / 4

HEX #CCF47C

RGB 204 244 124

HSL 80, 0.85%, 0.72%

LAB 91.23, -31.18, 53.16

 

CMYK 14 / 0 / 42 / 9

HEX #C8E887

RGB 200 232 135

HSL 79.79, 0.68%, 0.72%

LAB 87.84, -25.84, 43.67

 

CMYK 11 / 0 / 33 / 14

HEX #C4DC93

RGB 196 220 147

HSL 79.73, 0.51%, 0.72%

LAB 84.5, -20.03, 33.3

 

CMYK 8 / 0 / 24 / 18

HEX #C0D19E

RGB 192 209 158

HSL 80, 0.36%, 0.72%

LAB 81.44, -14.48, 23.45

 

CMYK 5 / 0 / 14 / 23

HEX #BCC5AA

RGB 188 197 170

HSL 80, 0.19%, 0.72%

LAB 78.18, -7.9, 12.5

 

CMYK 0 / 11 / 49 / 4

HEX #F4DA7C

RGB 244 218 124

HSL 47, 0.85%, 0.72%

LAB 87.4, -2.9, 49.22

 

CMYK 2 / 0 / 49 / 4

HEX #EEF47C

RGB 238 244 124

HSL 63, 0.85%, 0.72%

LAB 93.6, -18.19, 56.55

 

CMYK 16 / 0 / 49 / 4

HEX #CEF47C

RGB 206 244 124

HSL 79, 0.85%, 0.72%

LAB 91.36, -30.43, 53.34

 

CMYK 29 / 0 / 49 / 4

HEX #AEF47C

RGB 174 244 124

HSL 95, 0.85%, 0.72%

LAB 89.47, -41.9, 50.61

 

CMYK 42 / 0 / 49 / 4

HEX #8EF47C

RGB 142 244 124

HSL 111, 0.85%, 0.72%

LAB 87.92, -52.16, 48.37

 

CMYK 26 / 0 / 80 / 7

HEX #AFED30

RGB 175 237 48

HSL 79.68, 0.84%, 0.56%

LAB 86.95, -44.19, 77.2

 

CMYK 21 / 0 / 64 / 6

HEX #BEF056

RGB 190 240 86

HSL 79.48, 0.84%, 0.64%

LAB 88.89, -37.82, 66.74

 

CMYK 16 / 0 / 49 / 4

HEX #CCF47C

RGB 204 244 124

HSL 80, 0.85%, 0.72%

LAB 91.23, -31.18, 53.16

 

CMYK 11 / 0 / 34 / 3

HEX #DBF7A2

RGB 219 247 162

HSL 79.76, 0.84%, 0.8%

LAB 93.53, -22.76, 37.92

 

CMYK 6 / 0 / 20 / 2

HEX #EAFAC8

RGB 234 250 200

HSL 79.2, 0.83%, 0.88%

LAB 96.01, -13.6, 22.27

 

CMYK 16 / 0 / 49 / 4

HEX #CDF47D

RGB 205 244 125

HSL 79.66, 0.84%, 0.72%

LAB 91.31, -30.7, 52.8

 

CMYK 49 / 0 / 24 / 4

HEX #7CF4BA

RGB 124 244 186

HSL 151, 0.85%, 0.72%

LAB 88.22, -46.89, 17.72

 

CMYK 4 / 49 / 0 / 4

HEX #EA7CF4

RGB 234 124 244

HSL 295, 0.85%, 0.72%

LAB 68.34, 59.25, -42.26

 

CMYK 16 / 0 / 49 / 4

HEX #CDF47D

RGB 205 244 125

HSL 79.66, 0.84%, 0.72%

LAB 91.31, -30.7, 52.8

 

CMYK 49 / 16 / 0 / 4

HEX #7CCEF4

RGB 124 206 244

HSL 199, 0.85%, 0.72%

LAB 79.02, -14.98, -26.43

 

CMYK 0 / 49 / 16 / 4

HEX #F47CCE

RGB 244 124 206

HSL 319, 0.85%, 0.72%

LAB 68.1, 55.82, -21.5

 

CMYK 16 / 0 / 49 / 4

HEX #CDF47D

RGB 205 244 125

HSL 79.66, 0.84%, 0.72%

LAB 91.31, -30.7, 52.8

 

CMYK 49 / 0 / 24 / 4

HEX #7CF4BA

RGB 124 244 186

HSL 151, 0.85%, 0.72%

LAB 88.22, -46.89, 17.72

 

CMYK 34 / 49 / 0 / 4

HEX #A27CF4

RGB 162 124 244

HSL 259, 0.85%, 0.72%

LAB 60.45, 40.21, -55.25

 

CMYK 0 / 49 / 25 / 4

HEX #F47CB6

RGB 244 124 182

HSL 331, 0.85%, 0.72%

LAB 67.3, 52.4, -9.24

 

CMYK 16 / 0 / 49 / 4

HEX #CDF47D

RGB 205 244 125

HSL 79.66, 0.84%, 0.72%

LAB 91.31, -30.7, 52.8

 

CMYK 49 / 0 / 9 / 4

HEX #7CF4DE

RGB 124 244 222

HSL 169, 0.85%, 0.72%

LAB 89.05, -39.06, 0.19

 

CMYK 34 / 49 / 0 / 4

HEX #A27CF4

RGB 162 124 244

HSL 259, 0.85%, 0.72%

LAB 60.45, 40.21, -55.25

 

CMYK 0 / 49 / 40 / 4

HEX #F47C92

RGB 244 124 146

HSL 349, 0.85%, 0.72%

LAB 66.31, 48.05, 9.68

 

Description

Color code: HEX #CDF47D | qconv.com Color code: HEX #CDF47D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 244 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 244 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 49 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 49% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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