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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84ABDE it is the complementary color #7B5421. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84ABDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #84ABDE: #89ABD9, #9ABDEC, #ABCFFF, #BCE1FF and #CDF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84ABDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #84ABDE: #84ABDE, #7399CB, #6287B8, #5175A5 and #406392

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 23 / 0 / 13

HEX #84ABDE

RGB 132 171 222

HSL 214, 0.58%, 0.69%

LAB 68.97, -0.31, -29.91

 

Complementary color

CMYK 0 / 32 / 73 / 52

HEX #7B5421

RGB 123 84 33

HSL 34, 0.58%, 0.31%

LAB 39, 11.02, 35.21

 

CMYK 37 / 21 / 0 / 15

HEX #89ABD9

RGB 137 171 217

HSL 214.5, 0.51%, 0.69%

LAB 69.08, -0.31, -26.98

 

CMYK 35 / 20 / 0 / 7

HEX #9ABDEC

RGB 154 189 236

HSL 214.39, 0.68%, 0.76%

LAB 75.65, -0.6, -27.15

 

CMYK 33 / 19 / 0 / 0

HEX #ABCFFF

RGB 171 207 255

HSL 214.29, 1%, 0.84%

LAB 82.11, -0.86, -27.35

 

CMYK 26 / 12 / 0 / 0

HEX #BCE1FF

RGB 188 225 255

HSL 206.87, 1%, 0.87%

LAB 87.85, -5.52, -18.53

 

CMYK 20 / 5 / 0 / 0

HEX #CDF3FF

RGB 205 243 255

HSL 194.4, 1%, 0.9%

LAB 93.58, -9.72, -9.85

 

CMYK 41 / 23 / 0 / 13

HEX #84ABDE

RGB 132 171 222

HSL 214, 0.58%, 0.69%

LAB 68.97, -0.31, -29.91

 

CMYK 43 / 25 / 0 / 20

HEX #7399CB

RGB 115 153 203

HSL 214.09, 0.46%, 0.62%

LAB 62.29, 0.09, -29.8

 

CMYK 47 / 27 / 0 / 28

HEX #6287B8

RGB 98 135 184

HSL 214.19, 0.38%, 0.55%

LAB 55.47, 0.58, -29.71

 

CMYK 51 / 29 / 0 / 35

HEX #5175A5

RGB 81 117 165

HSL 214.29, 0.34%, 0.48%

LAB 48.5, 1.18, -29.66

 

CMYK 56 / 32 / 0 / 43

HEX #406392

RGB 64 99 146

HSL 214.39, 0.39%, 0.41%

LAB 41.36, 1.95, -29.65

 

CMYK 41 / 23 / 0 / 13

HEX #84ABDE

RGB 132 171 222

HSL 214, 0.58%, 0.69%

LAB 68.97, -0.31, -29.91

 

CMYK 41 / 30 / 0 / 13

HEX #829ADD

RGB 130 154 221

HSL 224.18, 0.57%, 0.69%

LAB 64.22, 8.49, -36.74

 

CMYK 41 / 37 / 0 / 13

HEX #828BDD

RGB 130 139 221

HSL 234.07, 0.57%, 0.69%

LAB 60.28, 17.2, -42.92

 

CMYK 38 / 41 / 0 / 13

HEX #8882DD

RGB 136 130 221

HSL 243.96, 0.57%, 0.69%

LAB 58.43, 24.03, -45.8

 

CMYK 32 / 41 / 0 / 13

HEX #9782DD

RGB 151 130 221

HSL 253.85, 0.57%, 0.69%

LAB 59.68, 28.04, -43.75

 

CMYK 41 / 23 / 0 / 13

HEX #84ABDE

RGB 132 171 222

HSL 214, 0.58%, 0.69%

LAB 68.97, -0.31, -29.91

 

CMYK 39 / 22 / 0 / 93

HEX #0B0E12

RGB 11 14 18

HSL 214.29, 0.24%, 0.06%

LAB 3.87, -0.14, -2.39

 

CMYK 41 / 23 / 0 / 73

HEX #293545

RGB 41 53 69

HSL 214.29, 0.25%, 0.22%

LAB 21.75, -0.25, -11.54

 

CMYK 41 / 23 / 0 / 53

HEX #475C78

RGB 71 92 120

HSL 214.29, 0.26%, 0.37%

LAB 38.46, -0.17, -18.35

 

CMYK 40 / 23 / 0 / 33

HEX #6684AB

RGB 102 132 171

HSL 213.91, 0.29%, 0.54%

LAB 54.31, -0.4, -24.03

 

CMYK 41 / 23 / 0 / 13

HEX #84ABDE

RGB 132 171 222

HSL 214, 0.58%, 0.69%

LAB 68.97, -0.31, -29.91

 

CMYK 10 / 41 / 0 / 13

HEX #C882DD

RGB 200 130 221

HSL 286.15, 0.57%, 0.69%

LAB 64.54, 42.14, -35.79

 

CMYK 7 / 0 / 41 / 13

HEX #CEDD82

RGB 206 221 130

HSL 69.89, 0.57%, 0.69%

LAB 85.22, -18.8, 42.91

 

CMYK 41 / 23 / 0 / 13

HEX #84ABDE

RGB 132 171 222

HSL 214, 0.58%, 0.69%

LAB 68.97, -0.31, -29.91

 

CMYK 0 / 41 / 24 / 13

HEX #DD82A9

RGB 221 130 169

HSL 334.29, 0.57%, 0.69%

LAB 65.12, 39.92, -5.45

 

CMYK 24 / 0 / 41 / 13

HEX #A9DD82

RGB 169 221 130

HSL 94.29, 0.57%, 0.69%

LAB 82.79, -32.53, 39.31

 

CMYK 41 / 23 / 0 / 13

HEX #84ABDE

RGB 132 171 222

HSL 214, 0.58%, 0.69%

LAB 68.97, -0.31, -29.91

 

CMYK 10 / 41 / 0 / 13

HEX #C882DD

RGB 200 130 221

HSL 286.15, 0.57%, 0.69%

LAB 64.54, 42.14, -35.79

 

CMYK 0 / 18 / 41 / 13

HEX #DDB682

RGB 221 182 130

HSL 34.29, 0.57%, 0.69%

LAB 76.34, 7.16, 31.74

 

CMYK 32 / 0 / 41 / 13

HEX #97DD82

RGB 151 221 130

HSL 106.15, 0.57%, 0.69%

LAB 81.79, -38.7, 37.83

 

CMYK 41 / 23 / 0 / 13

HEX #84ABDE

RGB 132 171 222

HSL 214, 0.58%, 0.69%

LAB 68.97, -0.31, -29.91

 

CMYK 0 / 41 / 3 / 13

HEX #DD82D7

RGB 221 130 215

HSL 303.96, 0.57%, 0.69%

LAB 66.71, 47.32, -28.9

 

CMYK 0 / 18 / 41 / 13

HEX #DDB682

RGB 221 182 130

HSL 34.29, 0.57%, 0.69%

LAB 76.34, 7.16, 31.74

 

CMYK 41 / 0 / 38 / 13

HEX #82DD88

RGB 130 221 136

HSL 123.96, 0.57%, 0.69%

LAB 80.87, -44.4, 33.42

 

Description

Color code: HEX #84ABDE | qconv.com Color code: HEX #84ABDE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 171 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 171 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 23 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 23% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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