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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #848689 it is the complementary color #7B7976. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #848689. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #848689: #898684, #9A9897, #ABAAAA, #BCBCBD and #CDCED0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #848689. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #848689: #848689, #737476, #626263, #515050 and #403E3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 2 / 0 / 46

HEX #848689

RGB 132 134 137

HSL 216, 0.02%, 0.53%

LAB 55.85, -0.13, -1.87

 

Complementary color

CMYK 0 / 2 / 4 / 52

HEX #7B7976

RGB 123 121 118

HSL 36, 0.02%, 0.47%

LAB 50.91, 0.17, 1.9

 

CMYK 0 / 2 / 4 / 46

HEX #898684

RGB 137 134 132

HSL 24, 0.02%, 0.53%

LAB 56.12, 0.73, 1.46

 

CMYK 0 / 1 / 2 / 40

HEX #9A9897

RGB 154 152 151

HSL 20, 0.01%, 0.6%

LAB 62.98, 0.54, 0.77

 

CMYK 0 / 1 / 1 / 33

HEX #ABAAAA

RGB 171 170 170

HSL 0, 0.01%, 0.67%

LAB 69.69, 0.36, 0.12

 

CMYK 1 / 1 / 0 / 26

HEX #BCBCBD

RGB 188 188 189

HSL 240, 0.01%, 0.74%

LAB 76.27, 0.19, -0.51

 

CMYK 1 / 1 / 0 / 18

HEX #CDCED0

RGB 205 206 208

HSL 220, 0.03%, 0.81%

LAB 82.74, 0.03, -1.12

 

CMYK 4 / 2 / 0 / 46

HEX #848689

RGB 132 134 137

HSL 216, 0.02%, 0.53%

LAB 55.85, -0.13, -1.87

 

CMYK 3 / 2 / 0 / 54

HEX #737476

RGB 115 116 118

HSL 220, 0.01%, 0.46%

LAB 48.81, 0.03, -1.24

 

CMYK 1 / 1 / 0 / 61

HEX #626263

RGB 98 98 99

HSL 240, 0.01%, 0.39%

LAB 41.58, 0.21, -0.57

 

CMYK 0 / 1 / 1 / 68

HEX #515050

RGB 81 80 80

HSL 0, 0.01%, 0.32%

LAB 34.12, 0.41, 0.14

 

CMYK 0 / 3 / 5 / 75

HEX #403E3D

RGB 64 62 61

HSL 20, 0.02%, 0.25%

LAB 26.37, 0.63, 0.91

 

CMYK 4 / 2 / 0 / 46

HEX #848689

RGB 132 134 137

HSL 216, 0.02%, 0.53%

LAB 55.85, -0.13, -1.87

 

CMYK 4 / 3 / 0 / 46

HEX #848589

RGB 132 133 137

HSL 228, 0.02%, 0.53%

LAB 55.57, 0.44, -2.28

 

CMYK 4 / 3 / 0 / 46

HEX #848589

RGB 132 133 137

HSL 228, 0.02%, 0.53%

LAB 55.57, 0.44, -2.28

 

CMYK 3 / 4 / 0 / 46

HEX #858489

RGB 133 132 137

HSL 252, 0.02%, 0.53%

LAB 55.38, 1.37, -2.56

 

CMYK 2 / 4 / 0 / 46

HEX #868489

RGB 134 132 137

HSL 264, 0.02%, 0.53%

LAB 55.46, 1.74, -2.43

 

CMYK 4 / 2 / 0 / 46

HEX #848689

RGB 132 134 137

HSL 216, 0.02%, 0.53%

LAB 55.85, -0.13, -1.87

 

CMYK 4 / 2 / 0 / 26

HEX #B5B8BC

RGB 181 184 188

HSL 214.29, 0.05%, 0.72%

LAB 74.66, -0.28, -2.4

 

CMYK 4 / 2 / 0 / 6

HEX #E6EAEF

RGB 230 234 239

HSL 213.33, 0.22%, 0.92%

LAB 92.53, -0.42, -2.89

 

CMYK 3 / 3 / 0 / 86

HEX #222223

RGB 34 34 35

HSL 240, 0.01%, 0.14%

LAB 13.26, 0.25, -0.67

Pantone® Neutral Blac

CMYK 3 / 2 / 0 / 66

HEX #535456

RGB 83 84 86

HSL 220, 0.02%, 0.33%

LAB 35.7, 0.04, -1.31

 

CMYK 4 / 2 / 0 / 46

HEX #848689

RGB 132 134 137

HSL 216, 0.02%, 0.53%

LAB 55.85, -0.13, -1.87

 

CMYK 1 / 4 / 0 / 46

HEX #888489

RGB 136 132 137

HSL 288, 0.02%, 0.53%

LAB 55.63, 2.48, -2.16

 

CMYK 1 / 0 / 4 / 46

HEX #888984

RGB 136 137 132

HSL 72, 0.02%, 0.53%

LAB 56.87, -1.34, 2.54

 

CMYK 4 / 2 / 0 / 46

HEX #848689

RGB 132 134 137

HSL 216, 0.02%, 0.53%

LAB 55.85, -0.13, -1.87

 

CMYK 0 / 4 / 2 / 46

HEX #898486

RGB 137 132 134

HSL 336, 0.02%, 0.53%

LAB 55.63, 2.26, -0.42

 

CMYK 2 / 0 / 4 / 46

HEX #868984

RGB 134 137 132

HSL 96, 0.02%, 0.53%

LAB 56.71, -2.08, 2.28

 

CMYK 4 / 2 / 0 / 46

HEX #848689

RGB 132 134 137

HSL 216, 0.02%, 0.53%

LAB 55.85, -0.13, -1.87

 

CMYK 1 / 4 / 0 / 46

HEX #888489

RGB 136 132 137

HSL 288, 0.02%, 0.53%

LAB 55.63, 2.48, -2.16

 

CMYK 0 / 1 / 4 / 46

HEX #898784

RGB 137 135 132

HSL 36, 0.02%, 0.53%

LAB 56.4, 0.17, 1.87

 

CMYK 3 / 0 / 4 / 46

HEX #858984

RGB 133 137 132

HSL 108, 0.02%, 0.53%

LAB 56.63, -2.46, 2.16

 

CMYK 4 / 2 / 0 / 46

HEX #848689

RGB 132 134 137

HSL 216, 0.02%, 0.53%

LAB 55.85, -0.13, -1.87

 

CMYK 0 / 4 / 0 / 46

HEX #898489

RGB 137 132 137

HSL 300, 0.02%, 0.53%

LAB 55.71, 2.85, -2.03

 

CMYK 0 / 1 / 4 / 46

HEX #898784

RGB 137 135 132

HSL 36, 0.02%, 0.53%

LAB 56.4, 0.17, 1.87

 

CMYK 4 / 0 / 3 / 46

HEX #848985

RGB 132 137 133

HSL 132, 0.02%, 0.53%

LAB 56.58, -2.63, 1.5

 

Description

Color code: HEX #848689 | qconv.com Color code: HEX #848689 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 134 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 134 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 2 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 2% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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