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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #847245 it is the complementary color #7B8DBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #847245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #847245: #897240, #9A8453, #AB9666, #BCA879 and #CDBA8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #847245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #847245: #847245, #736032, #624E1F, #513C0C and #402A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 48 / 48

HEX #847245

RGB 132 114 69

HSL 42.86, 0.31%, 0.39%

LAB 48.72, 0.55, 27.45

 

Complementary color

CMYK 34 / 24 / 0 / 27

HEX #7B8DBA

RGB 123 141 186

HSL 222.86, 0.31%, 0.61%

LAB 58.79, 4.48, -25.58

 

CMYK 0 / 17 / 53 / 46

HEX #897240

RGB 137 114 64

HSL 41.1, 0.36%, 0.39%

LAB 49.16, 2.28, 30.87

 

CMYK 0 / 14 / 46 / 40

HEX #9A8453

RGB 154 132 83

HSL 41.41, 0.3%, 0.46%

LAB 56.08, 1.49, 29.48

 

CMYK 0 / 12 / 40 / 33

HEX #AB9666

RGB 171 150 102

HSL 41.74, 0.29%, 0.54%

LAB 62.87, 0.86, 28.18

 

CMYK 0 / 11 / 36 / 26

HEX #BCA879

RGB 188 168 121

HSL 42.09, 0.33%, 0.61%

LAB 69.52, 0.32, 26.96

 

CMYK 0 / 9 / 32 / 20

HEX #CDBA8C

RGB 205 186 140

HSL 42.46, 0.39%, 0.68%

LAB 76.06, -0.13, 25.82

 

CMYK 0 / 14 / 48 / 48

HEX #847245

RGB 132 114 69

HSL 42.86, 0.31%, 0.39%

LAB 48.72, 0.55, 27.45

 

CMYK 0 / 17 / 57 / 55

HEX #736032

RGB 115 96 50

HSL 42.46, 0.39%, 0.32%

LAB 41.6, 1.37, 28.86

 

CMYK 0 / 20 / 68 / 62

HEX #624E1F

RGB 98 78 31

HSL 42.09, 0.52%, 0.25%

LAB 34.28, 2.47, 30.26

 

CMYK 0 / 26 / 85 / 68

HEX #513C0C

RGB 81 60 12

HSL 41.74, 0.74%, 0.18%

LAB 26.76, 3.99, 31.19

 

CMYK 0 / 34 / 100 / 75

HEX #402A00

RGB 64 42 0

HSL 39.38, 1%, 0.13%

LAB 19, 6.15, 27.39

 

CMYK 0 / 14 / 48 / 48

HEX #847245

RGB 132 114 69

HSL 42.86, 0.31%, 0.39%

LAB 48.72, 0.55, 27.45

 

CMYK 0 / 6 / 48 / 49

HEX #827A44

RGB 130 122 68

HSL 52.26, 0.31%, 0.39%

LAB 50.78, -5, 30.53

 

CMYK 2 / 0 / 48 / 49

HEX #808244

RGB 128 130 68

HSL 61.94, 0.31%, 0.39%

LAB 52.92, -10.31, 33.11

 

CMYK 10 / 0 / 48 / 49

HEX #758244

RGB 117 130 68

HSL 72.58, 0.31%, 0.39%

LAB 52.02, -15.06, 31.81

 

CMYK 18 / 0 / 48 / 49

HEX #6B8244

RGB 107 130 68

HSL 82.26, 0.31%, 0.39%

LAB 51.28, -19.25, 30.72

 

CMYK 0 / 14 / 48 / 48

HEX #847245

RGB 132 114 69

HSL 42.86, 0.31%, 0.39%

LAB 48.72, 0.55, 27.45

 

CMYK 0 / 14 / 48 / 28

HEX #B79E60

RGB 183 158 96

HSL 42.76, 0.38%, 0.55%

LAB 66.03, 0.88, 35.66

 

CMYK 0 / 14 / 48 / 8

HEX #EACA7A

RGB 234 202 122

HSL 42.86, 0.73%, 0.7%

LAB 82.45, 1.1, 43.9

 

CMYK 0 / 13 / 47 / 88

HEX #1E1A10

RGB 30 26 16

HSL 42.86, 0.3%, 0.09%

LAB 9.42, -0.06, 7.08

 

CMYK 0 / 14 / 48 / 68

HEX #51462A

RGB 81 70 42

HSL 43.08, 0.32%, 0.24%

LAB 30.15, 0.18, 18.57

 

CMYK 0 / 14 / 48 / 48

HEX #847245

RGB 132 114 69

HSL 42.86, 0.31%, 0.39%

LAB 48.72, 0.55, 27.45

 

CMYK 43 / 0 / 48 / 49

HEX #4A8244

RGB 74 130 68

HSL 114.19, 0.31%, 0.39%

LAB 49.3, -31.68, 27.83

 

CMYK 33 / 48 / 0 / 49

HEX #574482

RGB 87 68 130

HSL 258.39, 0.31%, 0.39%

LAB 33.5, 22.88, -32.17

 

CMYK 0 / 14 / 48 / 48

HEX #847245

RGB 132 114 69

HSL 42.86, 0.31%, 0.39%

LAB 48.72, 0.55, 27.45

 

CMYK 48 / 0 / 15 / 49

HEX #44826F

RGB 68 130 111

HSL 161.61, 0.31%, 0.39%

LAB 49.91, -24.92, 4.11

 

CMYK 15 / 48 / 0 / 49

HEX #6F4482

RGB 111 68 130

HSL 281.61, 0.31%, 0.39%

LAB 36.22, 30.19, -27.7

 

CMYK 0 / 14 / 48 / 48

HEX #847245

RGB 132 114 69

HSL 42.86, 0.31%, 0.39%

LAB 48.72, 0.55, 27.45

 

CMYK 43 / 0 / 48 / 49

HEX #4A8244

RGB 74 130 68

HSL 114.19, 0.31%, 0.39%

LAB 49.3, -31.68, 27.83

 

CMYK 48 / 33 / 0 / 49

HEX #445782

RGB 68 87 130

HSL 221.61, 0.31%, 0.39%

LAB 37.22, 5.23, -26.42

 

CMYK 5 / 48 / 0 / 49

HEX #7C4482

RGB 124 68 130

HSL 294.19, 0.31%, 0.39%

LAB 37.9, 34.28, -24.96

 

CMYK 0 / 14 / 48 / 48

HEX #847245

RGB 132 114 69

HSL 42.86, 0.31%, 0.39%

LAB 48.72, 0.55, 27.45

 

CMYK 48 / 0 / 38 / 49

HEX #448250

RGB 68 130 80

HSL 131.61, 0.31%, 0.39%

LAB 49.22, -31.59, 21.03

 

CMYK 48 / 33 / 0 / 49

HEX #445782

RGB 68 87 130

HSL 221.61, 0.31%, 0.39%

LAB 37.22, 5.23, -26.42

 

CMYK 0 / 48 / 10 / 49

HEX #824475

RGB 130 68 117

HSL 312.58, 0.31%, 0.39%

LAB 38.14, 33.72, -16.49

 

Description

Color code: HEX #847245 | qconv.com Color code: HEX #847245 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 114 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 114 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 48 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 48% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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