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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #846461 it is the complementary color #7B9B9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #846461. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #846461: #89645C, #9A766F, #AB8882, #BC9A95 and #CDACA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #846461. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #846461: #846461, #73524E, #62403B, #512E28 and #401C15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 27 / 48

HEX #846461

RGB 132 100 97

HSL 5.14, 0.15%, 0.45%

LAB 45.47, 12.43, 6.69

 

Complementary color

CMYK 22 / 2 / 0 / 38

HEX #7B9B9E

RGB 123 155 158

HSL 185.14, 0.15%, 0.55%

LAB 61.76, -10.34, -5.23

 

CMYK 0 / 27 / 33 / 46

HEX #89645C

RGB 137 100 92

HSL 10.67, 0.2%, 0.45%

LAB 45.91, 13.76, 10.4

 

CMYK 0 / 23 / 28 / 40

HEX #9A766F

RGB 154 118 111

HSL 9.77, 0.18%, 0.52%

LAB 52.92, 13.02, 9.28

 

CMYK 0 / 20 / 24 / 33

HEX #AB8882

RGB 171 136 130

HSL 8.78, 0.2%, 0.59%

LAB 59.78, 12.39, 8.28

 

CMYK 0 / 18 / 21 / 26

HEX #BC9A95

RGB 188 154 149

HSL 7.69, 0.23%, 0.66%

LAB 66.5, 11.83, 7.37

 

CMYK 0 / 16 / 18 / 20

HEX #CDACA8

RGB 205 172 168

HSL 6.49, 0.27%, 0.73%

LAB 73.1, 11.34, 6.52

 

CMYK 0 / 24 / 27 / 48

HEX #846461

RGB 132 100 97

HSL 5.14, 0.15%, 0.45%

LAB 45.47, 12.43, 6.69

 

CMYK 0 / 29 / 32 / 55

HEX #73524E

RGB 115 82 78

HSL 6.49, 0.19%, 0.38%

LAB 38.25, 13.19, 7.8

 

CMYK 0 / 35 / 40 / 62

HEX #62403B

RGB 98 64 59

HSL 7.69, 0.25%, 0.31%

LAB 30.83, 14.12, 9.1

 

CMYK 0 / 43 / 51 / 68

HEX #512E28

RGB 81 46 40

HSL 8.78, 0.34%, 0.24%

LAB 23.19, 15.29, 10.72

 

CMYK 0 / 56 / 67 / 75

HEX #401C15

RGB 64 28 21

HSL 9.77, 0.51%, 0.17%

LAB 15.35, 16.75, 12.88

 

CMYK 0 / 24 / 27 / 48

HEX #846461

RGB 132 100 97

HSL 5.14, 0.15%, 0.45%

LAB 45.47, 12.43, 6.69

 

CMYK 0 / 19 / 26 / 49

HEX #836A61

RGB 131 106 97

HSL 15.88, 0.15%, 0.45%

LAB 46.97, 8.47, 8.79

 

CMYK 0 / 15 / 26 / 49

HEX #836F61

RGB 131 111 97

HSL 24.71, 0.15%, 0.45%

LAB 48.33, 5.53, 10.71

 

CMYK 0 / 11 / 26 / 49

HEX #837561

RGB 131 117 97

HSL 35.29, 0.15%, 0.45%

LAB 49.99, 2.04, 13.02

 

CMYK 0 / 6 / 26 / 49

HEX #837B61

RGB 131 123 97

HSL 45.88, 0.15%, 0.45%

LAB 51.67, -1.4, 15.34

 

CMYK 0 / 24 / 27 / 48

HEX #846461

RGB 132 100 97

HSL 5.14, 0.15%, 0.45%

LAB 45.47, 12.43, 6.69

 

CMYK 0 / 24 / 27 / 28

HEX #B78B86

RGB 183 139 134

HSL 6.12, 0.25%, 0.62%

LAB 61.87, 15.99, 9.16

 

CMYK 0 / 24 / 26 / 8

HEX #EAB1AC

RGB 234 177 172

HSL 4.84, 0.6%, 0.8%

LAB 77.23, 20.04, 10.63

 

CMYK 0 / 23 / 27 / 88

HEX #1E1716

RGB 30 23 22

HSL 7.5, 0.15%, 0.1%

LAB 8.54, 3.3, 2

 

CMYK 0 / 25 / 26 / 68

HEX #513D3C

RGB 81 61 60

HSL 2.86, 0.15%, 0.28%

LAB 27.88, 8.58, 3.99

 

CMYK 0 / 24 / 27 / 48

HEX #846461

RGB 132 100 97

HSL 5.14, 0.15%, 0.45%

LAB 45.47, 12.43, 6.69

 

CMYK 7 / 0 / 26 / 49

HEX #7A8361

RGB 122 131 97

HSL 75.88, 0.15%, 0.45%

LAB 53.2, -9.57, 17.32

 

CMYK 26 / 18 / 0 / 49

HEX #616C83

RGB 97 108 131

HSL 220.59, 0.15%, 0.45%

LAB 45.5, 1.38, -14.08

 

CMYK 0 / 24 / 27 / 48

HEX #846461

RGB 132 100 97

HSL 5.14, 0.15%, 0.45%

LAB 45.47, 12.43, 6.69

 

CMYK 26 / 0 / 24 / 49

HEX #618364

RGB 97 131 100

HSL 125.29, 0.15%, 0.45%

LAB 51.49, -18.64, 12.96

 

CMYK 24 / 26 / 0 / 49

HEX #646183

RGB 100 97 131

HSL 245.29, 0.15%, 0.45%

LAB 42.61, 9.07, -18.48

 

CMYK 0 / 24 / 27 / 48

HEX #846461

RGB 132 100 97

HSL 5.14, 0.15%, 0.45%

LAB 45.47, 12.43, 6.69

 

CMYK 7 / 0 / 26 / 49

HEX #7A8361

RGB 122 131 97

HSL 75.88, 0.15%, 0.45%

LAB 53.2, -9.57, 17.32

 

CMYK 26 / 2 / 0 / 49

HEX #618183

RGB 97 129 131

HSL 183.53, 0.15%, 0.45%

LAB 51.7, -10.79, -4.79

 

CMYK 18 / 26 / 0 / 49

HEX #6B6183

RGB 107 97 131

HSL 257.65, 0.15%, 0.45%

LAB 43.23, 11.45, -17.47

 

CMYK 0 / 24 / 27 / 48

HEX #846461

RGB 132 100 97

HSL 5.14, 0.15%, 0.45%

LAB 45.47, 12.43, 6.69

 

CMYK 15 / 0 / 26 / 49

HEX #6F8361

RGB 111 131 97

HSL 95.29, 0.15%, 0.45%

LAB 52.37, -13.93, 16.04

 

CMYK 26 / 2 / 0 / 49

HEX #618183

RGB 97 129 131

HSL 183.53, 0.15%, 0.45%

LAB 51.7, -10.79, -4.79

 

CMYK 11 / 26 / 0 / 49

HEX #756183

RGB 117 97 131

HSL 275.29, 0.15%, 0.45%

LAB 44.19, 14.95, -15.92

 

Description

Color code: HEX #846461 | qconv.com Color code: HEX #846461 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 100 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 100 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 27 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 27% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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