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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8453C5 it is the complementary color #7BAC3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8453C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8453C5 shade: #8953C0, #9A65D3, #AB77E6, #BC89F9 and #CD9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8453C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8453C5 shade: #8453C5, #7341B2, #622F9F, #511D8C and #400B79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8453C5 shade: #8453C6, #A353C6, #C253C6, #C653AA and #C6538B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8453C5 shade: #8453C6, #6553C6 and #5353C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8453C5 shade matches the following richer shades: #8453C6, #8240D8, #7F2EEB and #7C1BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8453C5 shade: #8453C6, #8765B3, #8978A0, #8C8B8E and #8F9D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8453C5 shade: #5360C6, #6453C6, #8353C6, #A153C6 and #C053C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8453C5 shade: #5C3194, #6F3CB3, #8453C6, #9A72D0 and #B091DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8453C5 shade: #8453C5, #C6537F and #53C655

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8453C5 shade: #8453C5, #C68353 and #53C683

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8453C5 shade: #8453C5, #C6537F, #96C653 and #53C69A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8453C5 shade: #8453C5, #C6535C, #96C653 and #53C6BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 58 / 0 / 23

HEX #8453C5

RGB 132 83 197

HSL 265.79, 0.5%, 0.55%

LAB 45.8, 43.77, -52.29

 

Complementary color

CMYK 28 / 0 / 66 / 33

HEX #7BAC3A

RGB 123 172 58

HSL 85.79, 0.5%, 0.45%

LAB 64.98, -34.41, 51.47

 

CMYK 29 / 57 / 0 / 25

HEX #8953C0

RGB 137 83 192

HSL 269.72, 0.46%, 0.54%

LAB 46.06, 43.75, -48.95

 

CMYK 27 / 52 / 0 / 17

HEX #9A65D3

RGB 154 101 211

HSL 268.91, 0.56%, 0.61%

LAB 52.82, 42.81, -48.96

 

CMYK 26 / 48 / 0 / 10

HEX #AB77E6

RGB 171 119 230

HSL 268.11, 0.69%, 0.68%

LAB 59.49, 41.88, -48.94

 

CMYK 24 / 45 / 0 / 2

HEX #BC89F9

RGB 188 137 249

HSL 267.32, 0.9%, 0.76%

LAB 66.08, 41, -48.92

 

CMYK 20 / 39 / 0 / 0

HEX #CD9BFF

RGB 205 155 255

HSL 270, 1%, 0.8%

LAB 71.99, 37.27, -42.79

 

CMYK 33 / 58 / 0 / 23

HEX #8453C5

RGB 132 83 197

HSL 265.79, 0.5%, 0.55%

LAB 45.8, 43.77, -52.29

 

CMYK 35 / 63 / 0 / 30

HEX #7341B2

RGB 115 65 178

HSL 266.55, 0.47%, 0.48%

LAB 38.97, 44.77, -52.28

 

CMYK 38 / 70 / 0 / 38

HEX #622F9F

RGB 98 47 159

HSL 267.32, 0.54%, 0.4%

LAB 32.11, 45.62, -52.11

 

CMYK 42 / 79 / 0 / 45

HEX #511D8C

RGB 81 29 140

HSL 268.11, 0.66%, 0.33%

LAB 25.33, 46.05, -51.6

 

CMYK 47 / 91 / 0 / 53

HEX #400B79

RGB 64 11 121

HSL 268.91, 0.83%, 0.26%

LAB 18.84, 45.36, -50.33

 

CMYK 33 / 58 / 0 / 22

HEX #8453C6

RGB 132 83 198

HSL 265.57, 0.5%, 0.55%

LAB 45.87, 44.02, -52.76

 

CMYK 18 / 58 / 0 / 22

HEX #A353C6

RGB 163 83 198

HSL 281.74, 0.5%, 0.55%

LAB 49.56, 51.66, -46.65

 

CMYK 2 / 58 / 0 / 22

HEX #C253C6

RGB 194 83 198

HSL 297.91, 0.5%, 0.55%

LAB 53.74, 59.58, -39.75

 

CMYK 0 / 58 / 14 / 22

HEX #C653AA

RGB 198 83 170

HSL 314.61, 0.5%, 0.55%

LAB 53.05, 56.03, -24.57

 

CMYK 0 / 58 / 30 / 22

HEX #C6538B

RGB 198 83 139

HSL 330.78, 0.5%, 0.55%

LAB 51.9, 51.65, -8.05

 

CMYK 33 / 58 / 0 / 22

HEX #8453C6

RGB 132 83 198

HSL 265.57, 0.5%, 0.55%

LAB 45.87, 44.02, -52.76

 

CMYK 49 / 58 / 0 / 22

HEX #6553C6

RGB 101 83 198

HSL 249.39, 0.5%, 0.55%

LAB 42.81, 37.08, -57.85

 

CMYK 58 / 58 / 0 / 22

HEX #5353C6

RGB 83 83 198

HSL 240, 0.5%, 0.55%

LAB 41.38, 33.58, -60.23

 

CMYK 33 / 58 / 0 / 22

HEX #8453C6

RGB 132 83 198

HSL 265.57, 0.5%, 0.55%

LAB 45.87, 44.02, -52.76

 

CMYK 40 / 70 / 0 / 15

HEX #8240D8

RGB 130 64 216

HSL 266.05, 0.66%, 0.55%

LAB 43.32, 57.85, -67.26

 

CMYK 46 / 80 / 0 / 8

HEX #7F2EEB

RGB 127 46 235

HSL 265.71, 0.83%, 0.55%

LAB 41.94, 69.42, -80.34

 

CMYK 51 / 89 / 0 / 1

HEX #7C1BFD

RGB 124 27 253

HSL 265.75, 0.98%, 0.55%

LAB 41.47, 78.65, -91.27

 

CMYK 33 / 58 / 0 / 22

HEX #8453C6

RGB 132 83 198

HSL 265.57, 0.5%, 0.55%

LAB 45.87, 44.02, -52.76

 

CMYK 25 / 44 / 0 / 30

HEX #8765B3

RGB 135 101 179

HSL 266.15, 0.34%, 0.55%

LAB 49.15, 29.79, -36.51

 

CMYK 14 / 25 / 0 / 37

HEX #8978A0

RGB 137 120 160

HSL 265.5, 0.17%, 0.55%

LAB 53.26, 14.72, -19.05

 

CMYK 1 / 2 / 0 / 44

HEX #8C8B8E

RGB 140 139 142

HSL 260, 0.01%, 0.55%

LAB 58.03, 0.96, -1.47

 

CMYK 9 / 0 / 22 / 38

HEX #8F9D7B

RGB 143 157 123

HSL 84.71, 0.15%, 0.55%

LAB 62.83, -11.26, 16.16

 

CMYK 58 / 52 / 0 / 22

HEX #5360C6

RGB 83 96 198

HSL 233.22, 0.5%, 0.55%

LAB 44.63, 25.47, -54.97

 

CMYK 49 / 58 / 0 / 22

HEX #6453C6

RGB 100 83 198

HSL 248.87, 0.5%, 0.55%

LAB 42.72, 36.87, -57.99

 

CMYK 34 / 58 / 0 / 22

HEX #8353C6

RGB 131 83 198

HSL 265.04, 0.5%, 0.55%

LAB 45.76, 43.78, -52.95

 

CMYK 19 / 58 / 0 / 22

HEX #A153C6

RGB 161 83 198

HSL 280.7, 0.5%, 0.55%

LAB 49.3, 51.15, -47.07

 

CMYK 3 / 58 / 0 / 22

HEX #C053C6

RGB 192 83 198

HSL 296.87, 0.5%, 0.55%

LAB 53.46, 59.07, -40.22

 

CMYK 38 / 67 / 0 / 42

HEX #5C3194

RGB 92 49 148

HSL 266.06, 0.5%, 0.39%

LAB 30.9, 40.44, -47.4

 

CMYK 38 / 66 / 0 / 30

HEX #6F3CB3

RGB 111 60 179

HSL 265.71, 0.5%, 0.47%

LAB 37.6, 46.8, -55.1

 

CMYK 33 / 58 / 0 / 22

HEX #8453C6

RGB 132 83 198

HSL 265.57, 0.5%, 0.55%

LAB 45.87, 44.02, -52.76

 

CMYK 26 / 45 / 0 / 18

HEX #9A72D0

RGB 154 114 208

HSL 265.53, 0.5%, 0.63%

LAB 55.54, 34.8, -42.94

 

CMYK 19 / 33 / 0 / 15

HEX #B091DA

RGB 176 145 218

HSL 265.48, 0.5%, 0.71%

LAB 65.39, 26, -32.98

 

CMYK 33 / 58 / 0 / 23

HEX #8453C5

RGB 132 83 197

HSL 265.79, 0.5%, 0.55%

LAB 45.8, 43.77, -52.29

 

CMYK 0 / 58 / 36 / 22

HEX #C6537F

RGB 198 83 127

HSL 337.04, 0.5%, 0.55%

LAB 51.52, 50.18, -1.46

 

CMYK 58 / 0 / 57 / 22

HEX #53C655

RGB 83 198 85

HSL 121.04, 0.5%, 0.55%

LAB 71.48, -54.99, 46.32

 

CMYK 33 / 58 / 0 / 23

HEX #8453C5

RGB 132 83 197

HSL 265.79, 0.5%, 0.55%

LAB 45.8, 43.77, -52.29

 

CMYK 0 / 34 / 58 / 22

HEX #C68353

RGB 198 131 83

HSL 25.04, 0.5%, 0.55%

LAB 60.66, 20.87, 36.24

 

CMYK 58 / 0 / 34 / 22

HEX #53C683

RGB 83 198 131

HSL 145.04, 0.5%, 0.55%

LAB 72.14, -47.78, 24.07

 

CMYK 33 / 58 / 0 / 23

HEX #8453C5

RGB 132 83 197

HSL 265.79, 0.5%, 0.55%

LAB 45.8, 43.77, -52.29

 

CMYK 0 / 58 / 36 / 22

HEX #C6537F

RGB 198 83 127

HSL 337.04, 0.5%, 0.55%

LAB 51.52, 50.18, -1.46

 

CMYK 24 / 0 / 58 / 22

HEX #96C653

RGB 150 198 83

HSL 85.04, 0.5%, 0.55%

LAB 74.51, -34.02, 51.52

 

CMYK 58 / 0 / 22 / 22

HEX #53C69A

RGB 83 198 154

HSL 157.04, 0.5%, 0.55%

LAB 72.6, -43.01, 12.43

 

CMYK 33 / 58 / 0 / 23

HEX #8453C5

RGB 132 83 197

HSL 265.79, 0.5%, 0.55%

LAB 45.8, 43.77, -52.29

 

CMYK 0 / 58 / 54 / 22

HEX #C6535C

RGB 198 83 92

HSL 355.3, 0.5%, 0.55%

LAB 50.65, 46.66, 18.24

 

CMYK 24 / 0 / 58 / 22

HEX #96C653

RGB 150 198 83

HSL 85.04, 0.5%, 0.55%

LAB 74.51, -34.02, 51.52

 

CMYK 58 / 0 / 5 / 22

HEX #53C6BC

RGB 83 198 188

HSL 174.78, 0.5%, 0.55%

LAB 73.45, -34.73, -4.76

 

Description

Color code: HEX #8453C5 | qconv.com Color code: HEX #8453C5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 83 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 83 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 58 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 58% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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