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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6537F it is the complementary color #39AC80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6537F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6537F shade: #CB537A, #DC658D, #ED77A0, #FE89B3 and #FF9BC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6537F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6537F shade: #C6537F, #B5416C, #A42F59, #931D46 and #820B33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6537F shade: #C6537F, #C65360 and #C65353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6537F shade: #C6537F, #C6539E, #C653BD, #B053C6 and #9153C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6537F shade matches the following richer shades: #C6537F, #D8407A, #EB2E76 and #FD1B72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6537F shade: #C6537F, #B36583, #A07887, #8E8B8C and #7B9D90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6537F shade: #C653BC, #C6539D, #C6537F, #C65360 and #C66453

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6537F shade: #943157, #B33C6A, #C6537F, #D07296 and #DA91AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6537F shade: #C6537F, #C6B153 and #53ADC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6537F shade: #C6537F, #7FC653 and #537FC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6537F shade: #C6537F, #C6B153, #53C69A and #5368C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6537F shade: #C6537F, #B8C653, #53C69A and #6053C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 36 / 22

HEX #C6537F

RGB 198 83 127

HSL 337.04, 0.5%, 0.55%

LAB 51.52, 50.18, -1.46

 

Complementary color

CMYK 67 / 0 / 26 / 33

HEX #39AC80

RGB 57 172 128

HSL 157.04, 0.5%, 0.45%

LAB 63.29, -42.71, 13.4

 

CMYK 0 / 59 / 40 / 20

HEX #CB537A

RGB 203 83 122

HSL 340.5, 0.54%, 0.56%

LAB 52.16, 51.24, 2.55

 

CMYK 0 / 54 / 36 / 14

HEX #DC658D

RGB 220 101 141

HSL 339.83, 0.63%, 0.63%

LAB 58.46, 50.53, 0.82

 

CMYK 0 / 50 / 32 / 7

HEX #ED77A0

RGB 237 119 160

HSL 339.15, 0.77%, 0.7%

LAB 64.75, 49.73, -0.65

 

CMYK 0 / 46 / 30 / 0

HEX #FE89B3

RGB 254 137 179

HSL 338.46, 0.98%, 0.77%

LAB 71.02, 48.9, -1.91

 

CMYK 0 / 39 / 22 / 0

HEX #FF9BC6

RGB 255 155 198

HSL 334.2, 1%, 0.8%

LAB 75.31, 42.71, -6.09

 

CMYK 0 / 58 / 36 / 22

HEX #C6537F

RGB 198 83 127

HSL 337.04, 0.5%, 0.55%

LAB 51.52, 50.18, -1.46

 

CMYK 0 / 64 / 40 / 29

HEX #B5416C

RGB 181 65 108

HSL 337.76, 0.47%, 0.48%

LAB 45.2, 50.7, 0.48

 

CMYK 0 / 71 / 46 / 36

HEX #A42F59

RGB 164 47 89

HSL 338.46, 0.55%, 0.41%

LAB 38.98, 50.84, 2.93

 

CMYK 0 / 80 / 52 / 42

HEX #931D46

RGB 147 29 70

HSL 339.15, 0.67%, 0.35%

LAB 32.97, 50.29, 6.14

 

CMYK 0 / 92 / 61 / 49

HEX #820B33

RGB 130 11 51

HSL 339.83, 0.84%, 0.28%

LAB 27.36, 48.52, 10.47

 

CMYK 0 / 58 / 36 / 22

HEX #C6537F

RGB 198 83 127

HSL 337.04, 0.5%, 0.55%

LAB 51.52, 50.18, -1.46

 

CMYK 0 / 58 / 52 / 22

HEX #C65360

RGB 198 83 96

HSL 353.22, 0.5%, 0.55%

LAB 50.73, 47, 15.97

 

CMYK 0 / 58 / 58 / 22

HEX #C65353

RGB 198 83 83

HSL 0, 0.5%, 0.55%

LAB 50.47, 45.95, 23.35

 

CMYK 0 / 58 / 36 / 22

HEX #C6537F

RGB 198 83 127

HSL 337.04, 0.5%, 0.55%

LAB 51.52, 50.18, -1.46

 

CMYK 0 / 58 / 20 / 22

HEX #C6539E

RGB 198 83 158

HSL 320.87, 0.5%, 0.55%

LAB 52.58, 54.24, -18.27

 

CMYK 0 / 58 / 5 / 22

HEX #C653BD

RGB 198 83 189

HSL 304.7, 0.5%, 0.55%

LAB 53.88, 59.08, -34.31

 

CMYK 11 / 58 / 0 / 22

HEX #B053C6

RGB 176 83 198

HSL 288.52, 0.5%, 0.55%

LAB 51.26, 54.96, -43.84

 

CMYK 27 / 58 / 0 / 22

HEX #9153C6

RGB 145 83 198

HSL 272.35, 0.5%, 0.55%

LAB 47.34, 47.17, -50.31

 

CMYK 0 / 58 / 36 / 22

HEX #C6537F

RGB 198 83 127

HSL 337.04, 0.5%, 0.55%

LAB 51.52, 50.18, -1.46

 

CMYK 0 / 70 / 44 / 15

HEX #D8407A

RGB 216 64 122

HSL 337.11, 0.66%, 0.55%

LAB 51.46, 62.98, 1.81

 

CMYK 0 / 80 / 50 / 8

HEX #EB2E76

RGB 235 46 118

HSL 337.14, 0.83%, 0.55%

LAB 52.87, 73.14, 6.68

 

CMYK 0 / 89 / 55 / 1

HEX #FD1B72

RGB 253 27 114

HSL 336.9, 0.98%, 0.55%

LAB 54.95, 80.79, 12.52

 

CMYK 0 / 58 / 36 / 22

HEX #C6537F

RGB 198 83 127

HSL 337.04, 0.5%, 0.55%

LAB 51.52, 50.18, -1.46

 

CMYK 0 / 44 / 27 / 30

HEX #B36583

RGB 179 101 131

HSL 336.92, 0.34%, 0.55%

LAB 52.43, 35.1, -2.82

 

CMYK 0 / 25 / 16 / 37

HEX #A07887

RGB 160 120 135

HSL 337.5, 0.17%, 0.55%

LAB 54.72, 18.04, -2.07

 

CMYK 0 / 2 / 1 / 44

HEX #8E8B8C

RGB 142 139 140

HSL 340, 0.01%, 0.55%

LAB 58.14, 1.31, -0.15

 

CMYK 22 / 0 / 8 / 38

HEX #7B9D90

RGB 123 157 144

HSL 157.06, 0.15%, 0.55%

LAB 61.95, -14.51, 2.94

 

CMYK 0 / 58 / 5 / 22

HEX #C653BC

RGB 198 83 188

HSL 305.22, 0.5%, 0.55%

LAB 53.84, 58.91, -33.81

 

CMYK 0 / 58 / 21 / 22

HEX #C6539D

RGB 198 83 157

HSL 321.39, 0.5%, 0.55%

LAB 52.54, 54.1, -17.74

 

CMYK 0 / 58 / 36 / 22

HEX #C6537F

RGB 198 83 127

HSL 337.04, 0.5%, 0.55%

LAB 51.52, 50.18, -1.46

 

CMYK 0 / 58 / 52 / 22

HEX #C65360

RGB 198 83 96

HSL 353.22, 0.5%, 0.55%

LAB 50.73, 47, 15.97

 

CMYK 0 / 49 / 58 / 22

HEX #C66453

RGB 198 100 83

HSL 8.87, 0.5%, 0.55%

LAB 53.76, 37.51, 27.6

 

CMYK 0 / 67 / 41 / 42

HEX #943157

RGB 148 49 87

HSL 336.97, 0.5%, 0.39%

LAB 36.33, 44.83, -0

 

CMYK 0 / 66 / 41 / 30

HEX #B33C6A

RGB 179 60 106

HSL 336.81, 0.5%, 0.47%

LAB 44.03, 51.98, -0.05

 

CMYK 0 / 58 / 36 / 22

HEX #C6537F

RGB 198 83 127

HSL 337.04, 0.5%, 0.55%

LAB 51.52, 50.18, -1.46

 

CMYK 0 / 45 / 28 / 18

HEX #D07296

RGB 208 114 150

HSL 337.02, 0.5%, 0.63%

LAB 59.57, 41.11, -2.98

 

CMYK 0 / 33 / 21 / 15

HEX #DA91AD

RGB 218 145 173

HSL 336.99, 0.5%, 0.71%

LAB 68.15, 31.5, -3.28

 

CMYK 0 / 58 / 36 / 22

HEX #C6537F

RGB 198 83 127

HSL 337.04, 0.5%, 0.55%

LAB 51.52, 50.18, -1.46

 

CMYK 0 / 11 / 58 / 22

HEX #C6B153

RGB 198 177 83

HSL 49.04, 0.5%, 0.55%

LAB 72.28, -4.04, 49.95

 

CMYK 58 / 13 / 0 / 22

HEX #53ADC6

RGB 83 173 198

HSL 193.04, 0.5%, 0.55%

LAB 66.37, -19.58, -20.87

 

CMYK 0 / 58 / 36 / 22

HEX #C6537F

RGB 198 83 127

HSL 337.04, 0.5%, 0.55%

LAB 51.52, 50.18, -1.46

 

CMYK 36 / 0 / 58 / 22

HEX #7FC653

RGB 127 198 83

HSL 97.04, 0.5%, 0.55%

LAB 73.24, -42.3, 49.74

 

CMYK 58 / 36 / 0 / 22

HEX #537FC6

RGB 83 127 198

HSL 217.04, 0.5%, 0.55%

LAB 53.05, 6.3, -41.54

 

CMYK 0 / 58 / 36 / 22

HEX #C6537F

RGB 198 83 127

HSL 337.04, 0.5%, 0.55%

LAB 51.52, 50.18, -1.46

 

CMYK 0 / 11 / 58 / 22

HEX #C6B153

RGB 198 177 83

HSL 49.04, 0.5%, 0.55%

LAB 72.28, -4.04, 49.95

 

CMYK 58 / 0 / 22 / 22

HEX #53C69A

RGB 83 198 154

HSL 157.04, 0.5%, 0.55%

LAB 72.6, -43.01, 12.43

 

CMYK 58 / 47 / 0 / 22

HEX #5368C6

RGB 83 104 198

HSL 229.04, 0.5%, 0.55%

LAB 46.73, 20.46, -51.59

 

CMYK 0 / 58 / 36 / 22

HEX #C6537F

RGB 198 83 127

HSL 337.04, 0.5%, 0.55%

LAB 51.52, 50.18, -1.46

 

CMYK 7 / 0 / 58 / 22

HEX #B8C653

RGB 184 198 83

HSL 67.3, 0.5%, 0.55%

LAB 76.8, -20.62, 54.73

 

CMYK 58 / 0 / 22 / 22

HEX #53C69A

RGB 83 198 154

HSL 157.04, 0.5%, 0.55%

LAB 72.6, -43.01, 12.43

 

CMYK 52 / 58 / 0 / 22

HEX #6053C6

RGB 96 83 198

HSL 246.78, 0.5%, 0.55%

LAB 42.38, 36.06, -58.55

 

Description

Color code: HEX #C6537F | qconv.com Color code: HEX #C6537F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 83 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 83 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 36 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 36% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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