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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #845052 it is the complementary color #7BAFAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #845052. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #845052: #89504D, #9A6260, #AB7473, #BC8686 and #CD9899

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #845052. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #845052: #845052, #733E3F, #622C2C, #511A19 and #400806

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 38 / 48

HEX #845052

RGB 132 80 82

HSL 357.69, 0.25%, 0.42%

LAB 40, 22.09, 8.09

 

Complementary color

CMYK 30 / 0 / 1 / 31

HEX #7BAFAD

RGB 123 175 173

HSL 177.69, 0.25%, 0.58%

LAB 67.94, -17.48, -4.49

 

CMYK 0 / 42 / 44 / 46

HEX #89504D

RGB 137 80 77

HSL 3, 0.28%, 0.42%

LAB 40.56, 23.53, 12.06

 

CMYK 0 / 36 / 38 / 40

HEX #9A6260

RGB 154 98 96

HSL 2.07, 0.23%, 0.49%

LAB 47.56, 22.47, 10.61

 

CMYK 0 / 32 / 33 / 33

HEX #AB7473

RGB 171 116 115

HSL 1.07, 0.25%, 0.56%

LAB 54.43, 21.54, 9.36

 

CMYK 0 / 29 / 29 / 26

HEX #BC8686

RGB 188 134 134

HSL 0, 0.29%, 0.63%

LAB 61.19, 20.72, 8.26

 

CMYK 0 / 26 / 25 / 20

HEX #CD9899

RGB 205 152 153

HSL 358.87, 0.35%, 0.7%

LAB 67.83, 19.99, 7.26

 

CMYK 0 / 39 / 38 / 48

HEX #845052

RGB 132 80 82

HSL 357.69, 0.25%, 0.42%

LAB 40, 22.09, 8.09

 

CMYK 0 / 46 / 45 / 55

HEX #733E3F

RGB 115 62 63

HSL 358.87, 0.3%, 0.35%

LAB 32.81, 23.2, 9.64

 

CMYK 0 / 55 / 55 / 62

HEX #622C2C

RGB 98 44 44

HSL 0, 0.38%, 0.28%

LAB 25.5, 24.44, 11.62

 

CMYK 0 / 68 / 69 / 68

HEX #511A19

RGB 81 26 25

HSL 1.07, 0.53%, 0.21%

LAB 18.18, 25.69, 14.35

 

CMYK 0 / 88 / 91 / 75

HEX #400806

RGB 64 8 6

HSL 2.07, 0.83%, 0.14%

LAB 11.11, 26.36, 14.85

 

CMYK 0 / 39 / 38 / 48

HEX #845052

RGB 132 80 82

HSL 357.69, 0.25%, 0.42%

LAB 40, 22.09, 8.09

 

CMYK 0 / 35 / 40 / 48

HEX #855650

RGB 133 86 80

HSL 6.79, 0.25%, 0.42%

LAB 41.57, 18.72, 11.53

 

CMYK 0 / 29 / 40 / 48

HEX #855F50

RGB 133 95 80

HSL 16.98, 0.25%, 0.42%

LAB 43.87, 13.4, 14.7

 

CMYK 0 / 22 / 40 / 48

HEX #856850

RGB 133 104 80

HSL 27.17, 0.25%, 0.42%

LAB 46.27, 8.1, 17.95

 

CMYK 0 / 15 / 40 / 48

HEX #857150

RGB 133 113 80

HSL 37.36, 0.25%, 0.42%

LAB 48.73, 2.85, 21.23

 

CMYK 0 / 39 / 38 / 48

HEX #845052

RGB 132 80 82

HSL 357.69, 0.25%, 0.42%

LAB 40, 22.09, 8.09

 

CMYK 0 / 39 / 38 / 28

HEX #B76F72

RGB 183 111 114

HSL 357.5, 0.33%, 0.58%

LAB 54.71, 28.89, 10.54

 

CMYK 0 / 39 / 38 / 8

HEX #EA8E91

RGB 234 142 145

HSL 358.04, 0.69%, 0.74%

LAB 68.67, 35.2, 13.39

 

CMYK 0 / 40 / 37 / 88

HEX #1E1213

RGB 30 18 19

HSL 355, 0.25%, 0.09%

LAB 6.83, 6.18, 1.53

 

CMYK 0 / 40 / 38 / 68

HEX #513132

RGB 81 49 50

HSL 358.13, 0.25%, 0.25%

LAB 24.25, 14.71, 5.46

 

CMYK 0 / 39 / 38 / 48

HEX #845052

RGB 132 80 82

HSL 357.69, 0.25%, 0.42%

LAB 40, 22.09, 8.09

 

CMYK 6 / 0 / 40 / 48

HEX #7D8550

RGB 125 133 80

HSL 69.06, 0.25%, 0.42%

LAB 53.72, -11.85, 27.58

 

CMYK 40 / 22 / 0 / 48

HEX #506885

RGB 80 104 133

HSL 212.83, 0.25%, 0.42%

LAB 43.21, -1, -18.89

 

CMYK 0 / 39 / 38 / 48

HEX #845052

RGB 132 80 82

HSL 357.69, 0.25%, 0.42%

LAB 40, 22.09, 8.09

 

CMYK 38 / 0 / 40 / 48

HEX #538550

RGB 83 133 80

HSL 116.6, 0.25%, 0.42%

LAB 50.91, -28.17, 23.4

 

CMYK 40 / 38 / 0 / 48

HEX #505385

RGB 80 83 133

HSL 236.6, 0.25%, 0.42%

LAB 37.09, 12.11, -28.4

 

CMYK 0 / 39 / 38 / 48

HEX #845052

RGB 132 80 82

HSL 357.69, 0.25%, 0.42%

LAB 40, 22.09, 8.09

 

CMYK 6 / 0 / 40 / 48

HEX #7D8550

RGB 125 133 80

HSL 69.06, 0.25%, 0.42%

LAB 53.72, -11.85, 27.58

 

CMYK 40 / 0 / 2 / 48

HEX #508583

RGB 80 133 131

HSL 177.74, 0.25%, 0.42%

LAB 51.97, -18.1, -4.49

 

CMYK 34 / 40 / 0 / 48

HEX #585085

RGB 88 80 133

HSL 249.06, 0.25%, 0.42%

LAB 36.94, 16.41, -28.59

 

CMYK 0 / 39 / 38 / 48

HEX #845052

RGB 132 80 82

HSL 357.69, 0.25%, 0.42%

LAB 40, 22.09, 8.09

 

CMYK 18 / 0 / 40 / 48

HEX #6D8550

RGB 109 133 80

HSL 87.17, 0.25%, 0.42%

LAB 52.51, -18.43, 25.79

 

CMYK 40 / 0 / 2 / 48

HEX #508583

RGB 80 133 131

HSL 177.74, 0.25%, 0.42%

LAB 51.97, -18.1, -4.49

 

CMYK 22 / 40 / 0 / 48

HEX #685085

RGB 104 80 133

HSL 267.17, 0.25%, 0.42%

LAB 38.51, 21.43, -26.02

 

Description

Color code: HEX #845052 | qconv.com Color code: HEX #845052 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 80 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 80 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 38 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 38% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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