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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8440B3 it is the complementary color #7BBF4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8440B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8440B3: #8940AE, #9A52C1, #AB64D4, #BC76E7 and #CD88FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8440B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8440B3: #8440B3, #732EA0, #621C8D, #510A7A and #400067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 64 / 0 / 30

HEX #8440B3

RGB 132 64 179

HSL 275.48, 0.47%, 0.48%

LAB 40.94, 49.39, -49.58

 

Complementary color

CMYK 36 / 0 / 60 / 25

HEX #7BBF4C

RGB 123 191 76

HSL 95.48, 0.47%, 0.52%

LAB 70.87, -41.32, 50.14

 

CMYK 21 / 63 / 0 / 32

HEX #8940AE

RGB 137 64 174

HSL 279.82, 0.46%, 0.47%

LAB 41.28, 49.45, -46.04

 

CMYK 20 / 58 / 0 / 24

HEX #9A52C1

RGB 154 82 193

HSL 278.92, 0.47%, 0.54%

LAB 47.95, 48.8, -46.39

 

CMYK 19 / 53 / 0 / 17

HEX #AB64D4

RGB 171 100 212

HSL 278.04, 0.57%, 0.61%

LAB 54.58, 48.03, -46.61

 

CMYK 19 / 49 / 0 / 9

HEX #BC76E7

RGB 188 118 231

HSL 277.17, 0.7%, 0.68%

LAB 61.15, 47.21, -46.77

 

CMYK 18 / 46 / 0 / 2

HEX #CD88FA

RGB 205 136 250

HSL 276.32, 0.92%, 0.76%

LAB 67.64, 46.4, -46.88

 

CMYK 26 / 64 / 0 / 30

HEX #8440B3

RGB 132 64 179

HSL 275.48, 0.47%, 0.48%

LAB 40.94, 49.39, -49.58

 

CMYK 28 / 71 / 0 / 37

HEX #732EA0

RGB 115 46 160

HSL 276.32, 0.55%, 0.4%

LAB 34.27, 49.84, -49.11

 

CMYK 30 / 80 / 0 / 45

HEX #621C8D

RGB 98 28 141

HSL 277.17, 0.67%, 0.33%

LAB 27.71, 49.66, -48.22

 

CMYK 34 / 92 / 0 / 52

HEX #510A7A

RGB 81 10 122

HSL 278.04, 0.85%, 0.26%

LAB 21.47, 48.2, -46.55

 

CMYK 38 / 100 / 0 / 60

HEX #400067

RGB 64 0 103

HSL 277.28, 1%, 0.2%

LAB 15.85, 44.45, -43.55

 

CMYK 26 / 64 / 0 / 30

HEX #8440B3

RGB 132 64 179

HSL 275.48, 0.47%, 0.48%

LAB 40.94, 49.39, -49.58

 

CMYK 16 / 64 / 0 / 30

HEX #9740B3

RGB 151 64 179

HSL 285.39, 0.47%, 0.48%

LAB 43.51, 53.86, -45.33

 

CMYK 5 / 64 / 0 / 30

HEX #AA40B3

RGB 170 64 179

HSL 295.3, 0.47%, 0.48%

LAB 46.27, 58.44, -40.77

 

CMYK 0 / 64 / 5 / 30

HEX #B340AA

RGB 179 64 170

HSL 304.7, 0.47%, 0.48%

LAB 47.17, 59.12, -33.95

 

CMYK 0 / 64 / 16 / 30

HEX #B34097

RGB 179 64 151

HSL 314.61, 0.47%, 0.48%

LAB 46.29, 56.12, -24.03

 

CMYK 26 / 64 / 0 / 30

HEX #8440B3

RGB 132 64 179

HSL 275.48, 0.47%, 0.48%

LAB 40.94, 49.39, -49.58

 

CMYK 26 / 64 / 0 / 10

HEX #AA52E6

RGB 170 82 230

HSL 275.68, 0.75%, 0.61%

LAB 52.17, 60.68, -60.65

 

CMYK 27 / 65 / 0 / 90

HEX #13091A

RGB 19 9 26

HSL 275.29, 0.49%, 0.07%

LAB 3.69, 6.74, -8.31

 

CMYK 26 / 64 / 0 / 70

HEX #391C4D

RGB 57 28 77

HSL 275.51, 0.47%, 0.21%

LAB 16.68, 24.56, -24.8

 

CMYK 27 / 64 / 0 / 50

HEX #5E2E80

RGB 94 46 128

HSL 275.12, 0.47%, 0.34%

LAB 29.14, 37.39, -37.84

 

CMYK 26 / 64 / 0 / 30

HEX #8440B3

RGB 132 64 179

HSL 275.48, 0.47%, 0.48%

LAB 40.94, 49.39, -49.58

 

CMYK 0 / 64 / 50 / 30

HEX #B34059

RGB 179 64 89

HSL 346.96, 0.47%, 0.48%

LAB 44.19, 48.6, 10.7

 

CMYK 64 / 0 / 53 / 30

HEX #40B355

RGB 64 179 85

HSL 130.96, 0.47%, 0.48%

LAB 64.95, -52.16, 38.37

 

CMYK 26 / 64 / 0 / 30

HEX #8440B3

RGB 132 64 179

HSL 275.48, 0.47%, 0.48%

LAB 40.94, 49.39, -49.58

 

CMYK 0 / 27 / 64 / 30

HEX #B38340

RGB 179 131 64

HSL 34.96, 0.47%, 0.48%

LAB 58.21, 11.34, 42.65

 

CMYK 64 / 0 / 27 / 30

HEX #40B383

RGB 64 179 131

HSL 154.96, 0.47%, 0.48%

LAB 65.72, -43.73, 15.18

 

CMYK 26 / 64 / 0 / 30

HEX #8440B3

RGB 132 64 179

HSL 275.48, 0.47%, 0.48%

LAB 40.94, 49.39, -49.58

 

CMYK 0 / 64 / 50 / 30

HEX #B34059

RGB 179 64 89

HSL 346.96, 0.47%, 0.48%

LAB 44.19, 48.6, 10.7

 

CMYK 37 / 0 / 64 / 30

HEX #70B340

RGB 112 179 64

HSL 94.96, 0.47%, 0.48%

LAB 66.56, -41.04, 50.46

 

CMYK 64 / 0 / 14 / 30

HEX #40B39A

RGB 64 179 154

HSL 166.96, 0.47%, 0.48%

LAB 66.26, -38.25, 3.3

 

CMYK 26 / 64 / 0 / 30

HEX #8440B3

RGB 132 64 179

HSL 275.48, 0.47%, 0.48%

LAB 40.94, 49.39, -49.58

 

CMYK 0 / 59 / 64 / 30

HEX #B34A40

RGB 179 74 64

HSL 5.22, 0.47%, 0.48%

LAB 45.43, 42.05, 27.51

 

CMYK 37 / 0 / 64 / 30

HEX #70B340

RGB 112 179 64

HSL 94.96, 0.47%, 0.48%

LAB 66.56, -41.04, 50.46

 

CMYK 64 / 5 / 0 / 30

HEX #40AAB3

RGB 64 170 179

HSL 184.7, 0.47%, 0.48%

LAB 64.24, -27.1, -13.6

 

Description

Color code: HEX #8440B3 | qconv.com Color code: HEX #8440B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 64 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 64 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 64 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 64% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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