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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #842E67 it is the complementary color #7BD198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #842E67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #842E67: #892E62, #9A4075, #AB5288, #BC649B and #CD76AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #842E67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #842E67: #842E67, #731C54, #620A41, #51002E and #40001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 22 / 48

HEX #842E67

RGB 132 46 103

HSL 320.23, 0.48%, 0.35%

LAB 33.64, 43.24, -14.53

 

Complementary color

CMYK 41 / 0 / 27 / 18

HEX #7BD198

RGB 123 209 152

HSL 140.23, 0.48%, 0.65%

LAB 77.33, -38.39, 20.31

 

CMYK 0 / 66 / 28 / 46

HEX #892E62

RGB 137 46 98

HSL 325.71, 0.5%, 0.36%

LAB 34.3, 44.05, -10.26

 

CMYK 0 / 58 / 24 / 40

HEX #9A4075

RGB 154 64 117

HSL 324.67, 0.41%, 0.43%

LAB 40.93, 43.7, -11.9

 

CMYK 0 / 52 / 20 / 33

HEX #AB5288

RGB 171 82 136

HSL 323.6, 0.35%, 0.5%

LAB 47.59, 43.07, -13.15

 

CMYK 0 / 47 / 18 / 26

HEX #BC649B

RGB 188 100 155

HSL 322.5, 0.4%, 0.56%

LAB 54.21, 42.33, -14.16

 

CMYK 0 / 42 / 15 / 20

HEX #CD76AE

RGB 205 118 174

HSL 321.38, 0.47%, 0.63%

LAB 60.77, 41.56, -15.01

 

CMYK 0 / 65 / 22 / 48

HEX #842E67

RGB 132 46 103

HSL 320.23, 0.48%, 0.35%

LAB 33.64, 43.24, -14.53

 

CMYK 0 / 76 / 27 / 55

HEX #731C54

RGB 115 28 84

HSL 321.38, 0.61%, 0.28%

LAB 27.06, 43.01, -12.54

 

CMYK 0 / 90 / 34 / 62

HEX #620A41

RGB 98 10 65

HSL 322.5, 0.81%, 0.21%

LAB 20.81, 41.52, -9.54

 

CMYK 0 / 100 / 43 / 68

HEX #51002E

RGB 81 0 46

HSL 325.93, 1%, 0.16%

LAB 15.2, 37.75, -4.92

 

CMYK 0 / 100 / 58 / 75

HEX #40001B

RGB 64 0 27

HSL 334.69, 1%, 0.13%

LAB 10.33, 31.4, 1.63

 

CMYK 0 / 65 / 22 / 48

HEX #842E67

RGB 132 46 103

HSL 320.23, 0.48%, 0.35%

LAB 33.64, 43.24, -14.53

 

CMYK 0 / 65 / 33 / 48

HEX #842E59

RGB 132 46 89

HSL 330, 0.48%, 0.35%

LAB 33.09, 41.27, -6.38

 

CMYK 0 / 65 / 44 / 48

HEX #842E4A

RGB 132 46 74

HSL 340.47, 0.48%, 0.35%

LAB 32.6, 39.45, 2.62

 

CMYK 0 / 65 / 55 / 48

HEX #842E3C

RGB 132 46 60

HSL 350.23, 0.48%, 0.35%

LAB 32.23, 38.05, 11.22

 

CMYK 0 / 65 / 65 / 48

HEX #842E2E

RGB 132 46 46

HSL 0, 0.48%, 0.35%

LAB 31.94, 36.94, 19.87

 

CMYK 0 / 65 / 22 / 48

HEX #842E67

RGB 132 46 103

HSL 320.23, 0.48%, 0.35%

LAB 33.64, 43.24, -14.53

 

CMYK 0 / 65 / 22 / 28

HEX #B7408F

RGB 183 64 143

HSL 320.17, 0.48%, 0.48%

LAB 46.6, 56.07, -18.69

 

CMYK 0 / 65 / 22 / 8

HEX #EA52B7

RGB 234 82 183

HSL 320.13, 0.78%, 0.62%

LAB 58.92, 68.18, -22.61

 

CMYK 0 / 67 / 23 / 88

HEX #1E0A17

RGB 30 10 23

HSL 321, 0.5%, 0.08%

LAB 5.01, 11.11, -3.88

 

CMYK 0 / 65 / 22 / 68

HEX #511C3F

RGB 81 28 63

HSL 320.38, 0.49%, 0.21%

LAB 19.8, 29.3, -10.01

 

CMYK 0 / 65 / 22 / 48

HEX #842E67

RGB 132 46 103

HSL 320.23, 0.48%, 0.35%

LAB 33.64, 43.24, -14.53

 

CMYK 0 / 30 / 65 / 48

HEX #845C2E

RGB 132 92 46

HSL 32.09, 0.48%, 0.35%

LAB 42.39, 11.32, 32.48

 

CMYK 65 / 0 / 5 / 48

HEX #2E847E

RGB 46 132 126

HSL 175.81, 0.48%, 0.35%

LAB 50.2, -26.8, -4.33

 

CMYK 0 / 65 / 22 / 48

HEX #842E67

RGB 132 46 103

HSL 320.23, 0.48%, 0.35%

LAB 33.64, 43.24, -14.53

 

CMYK 22 / 0 / 65 / 48

HEX #67842E

RGB 103 132 46

HSL 80.23, 0.48%, 0.35%

LAB 51.36, -24.19, 41.73

 

CMYK 65 / 22 / 0 / 48

HEX #2E6784

RGB 46 103 132

HSL 200.23, 0.48%, 0.35%

LAB 41.13, -9.11, -21.64

 

CMYK 0 / 65 / 22 / 48

HEX #842E67

RGB 132 46 103

HSL 320.23, 0.48%, 0.35%

LAB 33.64, 43.24, -14.53

 

CMYK 0 / 30 / 65 / 48

HEX #845C2E

RGB 132 92 46

HSL 32.09, 0.48%, 0.35%

LAB 42.39, 11.32, 32.48

 

CMYK 65 / 0 / 44 / 48

HEX #2E844A

RGB 46 132 74

HSL 139.53, 0.48%, 0.35%

LAB 48.98, -39.31, 23.92

 

CMYK 65 / 35 / 0 / 48

HEX #2E5684

RGB 46 86 132

HSL 212.09, 0.48%, 0.35%

LAB 35.8, 1.38, -29.97

 

CMYK 0 / 65 / 22 / 48

HEX #842E67

RGB 132 46 103

HSL 320.23, 0.48%, 0.35%

LAB 33.64, 43.24, -14.53

 

CMYK 0 / 11 / 65 / 48

HEX #84752E

RGB 132 117 46

HSL 49.53, 0.48%, 0.35%

LAB 49.28, -3.2, 40.17

 

CMYK 65 / 0 / 44 / 48

HEX #2E844A

RGB 46 132 74

HSL 139.53, 0.48%, 0.35%

LAB 48.98, -39.31, 23.92

 

CMYK 65 / 55 / 0 / 48

HEX #2E3C84

RGB 46 60 132

HSL 230.23, 0.48%, 0.35%

LAB 28.06, 18.76, -42.32

 

Description

Color code: HEX #842E67 | qconv.com Color code: HEX #842E67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 46 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 46 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 22 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 22% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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