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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #842683 it is the complementary color #7BD97C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #842683. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #842683: #89267E, #9A3891, #AB4AA4, #BC5CB7 and #CD6ECA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #842683. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #842683: #842683, #731470, #62025D, #51004A and #400037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 1 / 48

HEX #842683

RGB 132 38 131

HSL 300.64, 0.55%, 0.33%

LAB 33.84, 51.15, -31.87

 

Complementary color

CMYK 43 / 0 / 43 / 15

HEX #7BD97C

RGB 123 217 124

HSL 120.64, 0.55%, 0.67%

LAB 79.21, -46.56, 37.26

 

CMYK 0 / 72 / 8 / 46

HEX #89267E

RGB 137 38 126

HSL 306.67, 0.57%, 0.34%

LAB 34.42, 51.53, -27.78

 

CMYK 0 / 64 / 6 / 40

HEX #9A3891

RGB 154 56 145

HSL 305.51, 0.47%, 0.41%

LAB 40.8, 51.81, -29.26

 

CMYK 0 / 57 / 4 / 33

HEX #AB4AA4

RGB 171 74 164

HSL 304.33, 0.4%, 0.48%

LAB 47.28, 51.57, -30.32

 

CMYK 0 / 51 / 3 / 26

HEX #BC5CB7

RGB 188 92 183

HSL 303.13, 0.42%, 0.55%

LAB 53.78, 51.06, -31.12

 

CMYK 0 / 46 / 1 / 20

HEX #CD6ECA

RGB 205 110 202

HSL 301.89, 0.49%, 0.62%

LAB 60.24, 50.42, -31.76

 

CMYK 0 / 71 / 1 / 48

HEX #842683

RGB 132 38 131

HSL 300.64, 0.55%, 0.33%

LAB 33.84, 51.15, -31.87

 

CMYK 0 / 83 / 3 / 55

HEX #731470

RGB 115 20 112

HSL 301.89, 0.7%, 0.26%

LAB 27.61, 49.96, -29.94

 

CMYK 0 / 98 / 5 / 62

HEX #62025D

RGB 98 2 93

HSL 303.13, 0.96%, 0.2%

LAB 21.69, 47.47, -27.16

 

CMYK 0 / 100 / 9 / 68

HEX #51004A

RGB 81 0 74

HSL 305.19, 1%, 0.16%

LAB 16.72, 41.57, -22.42

 

CMYK 0 / 100 / 14 / 75

HEX #400037

RGB 64 0 55

HSL 308.44, 1%, 0.13%

LAB 11.73, 34.98, -17.15

 

CMYK 0 / 71 / 1 / 48

HEX #842683

RGB 132 38 131

HSL 300.64, 0.55%, 0.33%

LAB 33.84, 51.15, -31.87

 

CMYK 0 / 72 / 12 / 49

HEX #822573

RGB 130 37 115

HSL 309.68, 0.56%, 0.33%

LAB 32.5, 48.33, -23.97

 

CMYK 0 / 72 / 24 / 49

HEX #822563

RGB 130 37 99

HSL 320, 0.56%, 0.33%

LAB 31.74, 45.9, -14.92

 

CMYK 0 / 72 / 35 / 49

HEX #822554

RGB 130 37 84

HSL 329.68, 0.56%, 0.33%

LAB 31.14, 43.9, -6.1

 

CMYK 0 / 72 / 48 / 49

HEX #822544

RGB 130 37 68

HSL 340, 0.56%, 0.33%

LAB 30.61, 42.11, 3.64

 

CMYK 0 / 71 / 1 / 48

HEX #842683

RGB 132 38 131

HSL 300.64, 0.55%, 0.33%

LAB 33.84, 51.15, -31.87

 

CMYK 0 / 71 / 1 / 28

HEX #B735B6

RGB 183 53 182

HSL 300.46, 0.55%, 0.46%

LAB 46.96, 66.16, -41.3

 

CMYK 0 / 71 / 1 / 8

HEX #EA43E8

RGB 234 67 232

HSL 300.72, 0.8%, 0.59%

LAB 59.28, 80.49, -49.89

 

CMYK 0 / 70 / 0 / 88

HEX #1E091E

RGB 30 9 30

HSL 300, 0.54%, 0.08%

LAB 5.1, 13.52, -9.23

 

CMYK 0 / 72 / 1 / 68

HEX #511750

RGB 81 23 80

HSL 301.03, 0.56%, 0.2%

LAB 19.81, 34.83, -21.63

 

CMYK 0 / 71 / 1 / 48

HEX #842683

RGB 132 38 131

HSL 300.64, 0.55%, 0.33%

LAB 33.84, 51.15, -31.87

 

CMYK 0 / 57 / 72 / 49

HEX #823825

RGB 130 56 37

HSL 12.26, 0.56%, 0.33%

LAB 33.37, 30.53, 27.08

 

CMYK 72 / 0 / 28 / 49

HEX #25825D

RGB 37 130 93

HSL 156.13, 0.56%, 0.33%

LAB 48.45, -36.2, 12.38

 

CMYK 0 / 71 / 1 / 48

HEX #842683

RGB 132 38 131

HSL 300.64, 0.55%, 0.33%

LAB 33.84, 51.15, -31.87

 

CMYK 0 / 0 / 72 / 49

HEX #828225

RGB 130 130 37

HSL 60, 0.56%, 0.33%

LAB 52.78, -11.89, 47.69

 

CMYK 72 / 0 / 0 / 49

HEX #258282

RGB 37 130 130

HSL 180, 0.56%, 0.33%

LAB 49.46, -26.04, -7.81

 

CMYK 0 / 71 / 1 / 48

HEX #842683

RGB 132 38 131

HSL 300.64, 0.55%, 0.33%

LAB 33.84, 51.15, -31.87

 

CMYK 0 / 57 / 72 / 49

HEX #823825

RGB 130 56 37

HSL 12.26, 0.56%, 0.33%

LAB 33.37, 30.53, 27.08

 

CMYK 72 / 0 / 72 / 49

HEX #258225

RGB 37 130 37

HSL 120, 0.56%, 0.33%

LAB 47.61, -45.63, 40.76

 

CMYK 72 / 15 / 0 / 49

HEX #256F82

RGB 37 111 130

HSL 192.26, 0.56%, 0.33%

LAB 43.32, -15.96, -17.09

 

CMYK 0 / 71 / 1 / 48

HEX #842683

RGB 132 38 131

HSL 300.64, 0.55%, 0.33%

LAB 33.84, 51.15, -31.87

 

CMYK 0 / 35 / 72 / 49

HEX #825425

RGB 130 84 37

HSL 30.32, 0.56%, 0.33%

LAB 39.95, 14.53, 34.45

 

CMYK 72 / 0 / 72 / 49

HEX #258225

RGB 37 130 37

HSL 120, 0.56%, 0.33%

LAB 47.61, -45.63, 40.76

 

CMYK 72 / 35 / 0 / 49

HEX #255482

RGB 37 84 130

HSL 209.68, 0.56%, 0.33%

LAB 34.69, 0.28, -30.51

 

Description

Color code: HEX #842683 | qconv.com Color code: HEX #842683 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 38 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 38 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 1 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 1% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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