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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83D0E0 it is the complementary color #7C2F1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83D0E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #83D0E0: #88D0DB, #99E2EE, #AAF4FF, #BBFFFF and #CCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83D0E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #83D0E0: #83D0E0, #72BECD, #61ACBA, #509AA7 and #3F8894

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 7 / 0 / 12

HEX #83D0E0

RGB 131 208 224

HSL 190.32, 0.6%, 0.7%

LAB 79.22, -19.69, -15.39

 

Complementary color

CMYK 0 / 62 / 75 / 51

HEX #7C2F1F

RGB 124 47 31

HSL 10.32, 0.6%, 0.3%

LAB 30.44, 32.48, 27.04

 

CMYK 38 / 5 / 0 / 14

HEX #88D0DB

RGB 136 208 219

HSL 187.95, 0.54%, 0.7%

LAB 79.31, -19.68, -12.56

 

CMYK 36 / 5 / 0 / 7

HEX #99E2EE

RGB 153 226 238

HSL 188.47, 0.71%, 0.77%

LAB 85.67, -19.67, -13.05

 

CMYK 33 / 4 / 0 / 0

HEX #AAF4FF

RGB 170 244 255

HSL 187.76, 1%, 0.83%

LAB 91.89, -20.12, -12.57

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 42 / 7 / 0 / 12

HEX #83D0E0

RGB 131 208 224

HSL 190.32, 0.6%, 0.7%

LAB 79.22, -19.69, -15.39

 

CMYK 44 / 7 / 0 / 20

HEX #72BECD

RGB 114 190 205

HSL 189.89, 0.48%, 0.63%

LAB 72.77, -19.61, -14.91

 

CMYK 48 / 8 / 0 / 27

HEX #61ACBA

RGB 97 172 186

HSL 189.44, 0.39%, 0.55%

LAB 66.21, -19.5, -14.41

 

CMYK 52 / 8 / 0 / 35

HEX #509AA7

RGB 80 154 167

HSL 188.97, 0.35%, 0.48%

LAB 59.53, -19.32, -13.89

 

CMYK 57 / 8 / 0 / 42

HEX #3F8894

RGB 63 136 148

HSL 188.47, 0.4%, 0.41%

LAB 52.73, -19.05, -13.32

 

CMYK 42 / 7 / 0 / 12

HEX #83D0E0

RGB 131 208 224

HSL 190.32, 0.6%, 0.7%

LAB 79.22, -19.69, -15.39

 

CMYK 41 / 14 / 0 / 12

HEX #84C1E0

RGB 132 193 224

HSL 200.22, 0.6%, 0.7%

LAB 75.09, -11.69, -21.63

 

CMYK 41 / 21 / 0 / 12

HEX #84B2E0

RGB 132 178 224

HSL 210, 0.6%, 0.7%

LAB 70.96, -3.63, -27.95

 

CMYK 41 / 27 / 0 / 12

HEX #84A3E0

RGB 132 163 224

HSL 219.78, 0.6%, 0.7%

LAB 66.89, 4.72, -34.24

 

CMYK 41 / 34 / 0 / 12

HEX #8493E0

RGB 132 147 224

HSL 230.22, 0.6%, 0.7%

LAB 62.64, 13.89, -40.87

 

CMYK 42 / 7 / 0 / 12

HEX #83D0E0

RGB 131 208 224

HSL 190.32, 0.6%, 0.7%

LAB 79.22, -19.69, -15.39

 

CMYK 40 / 5 / 0 / 92

HEX #0C1314

RGB 12 19 20

HSL 187.5, 0.25%, 0.06%

LAB 5.37, -2.22, -1.46

 

CMYK 41 / 7 / 0 / 72

HEX #2A4247

RGB 42 66 71

HSL 190.34, 0.26%, 0.22%

LAB 26.28, -7.76, -5.99

 

CMYK 42 / 7 / 0 / 52

HEX #47717A

RGB 71 113 122

HSL 190.59, 0.26%, 0.38%

LAB 45.02, -12.06, -9.59

 

CMYK 42 / 7 / 0 / 32

HEX #65A1AD

RGB 101 161 173

HSL 190, 0.31%, 0.54%

LAB 62.74, -16.26, -12.35

 

CMYK 42 / 7 / 0 / 12

HEX #83D0E0

RGB 131 208 224

HSL 190.32, 0.6%, 0.7%

LAB 79.22, -19.69, -15.39

 

CMYK 26 / 41 / 0 / 12

HEX #A684E0

RGB 166 132 224

HSL 262.17, 0.6%, 0.7%

LAB 61.65, 31.81, -42.23

 

CMYK 0 / 10 / 41 / 12

HEX #E0CA84

RGB 224 202 132

HSL 45.65, 0.6%, 0.7%

LAB 81.7, -1.91, 37.72

 

CMYK 42 / 7 / 0 / 12

HEX #83D0E0

RGB 131 208 224

HSL 190.32, 0.6%, 0.7%

LAB 79.22, -19.69, -15.39

 

CMYK 0 / 41 / 7 / 12

HEX #E084D1

RGB 224 132 209

HSL 309.78, 0.6%, 0.7%

LAB 67.24, 46.17, -24.7

 

CMYK 7 / 0 / 41 / 12

HEX #D1E084

RGB 209 224 132

HSL 69.78, 0.6%, 0.7%

LAB 86.27, -18.9, 43.29

 

CMYK 42 / 7 / 0 / 12

HEX #83D0E0

RGB 131 208 224

HSL 190.32, 0.6%, 0.7%

LAB 79.22, -19.69, -15.39

 

CMYK 26 / 41 / 0 / 12

HEX #A684E0

RGB 166 132 224

HSL 262.17, 0.6%, 0.7%

LAB 61.65, 31.81, -42.23

 

CMYK 0 / 34 / 41 / 12

HEX #E09384

RGB 224 147 132

HSL 9.78, 0.6%, 0.7%

LAB 68.3, 27.31, 19.93

 

CMYK 15 / 0 / 41 / 12

HEX #BEE084

RGB 190 224 132

HSL 82.17, 0.6%, 0.7%

LAB 84.96, -26.08, 41.36

 

CMYK 42 / 7 / 0 / 12

HEX #83D0E0

RGB 131 208 224

HSL 190.32, 0.6%, 0.7%

LAB 79.22, -19.69, -15.39

 

CMYK 14 / 41 / 0 / 12

HEX #C184E0

RGB 193 132 224

HSL 279.78, 0.6%, 0.7%

LAB 64.34, 39.61, -37.82

 

CMYK 0 / 34 / 41 / 12

HEX #E09384

RGB 224 147 132

HSL 9.78, 0.6%, 0.7%

LAB 68.3, 27.31, 19.93

 

CMYK 27 / 0 / 41 / 12

HEX #A3E084

RGB 163 224 132

HSL 99.78, 0.6%, 0.7%

LAB 83.32, -35.75, 38.93

 

Description

Color code: HEX #83D0E0 | qconv.com Color code: HEX #83D0E0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 208 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 208 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 7 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 7% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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