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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #834E39 it is the complementary color #7CB1C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #834E39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #834E39: #884E34, #996047, #AA725A, #BB846D and #CC9680

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #834E39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #834E39: #834E39, #723C26, #612A13, #501800 and #3F0600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 56 / 49

HEX #834E39

RGB 131 78 57

HSL 17.03, 0.39%, 0.37%

LAB 38.85, 20.04, 21.84

 

Complementary color

CMYK 37 / 11 / 0 / 22

HEX #7CB1C6

RGB 124 177 198

HSL 197.03, 0.39%, 0.63%

LAB 69.33, -12.08, -16.21

 

CMYK 0 / 43 / 62 / 47

HEX #884E34

RGB 136 78 52

HSL 18.57, 0.45%, 0.37%

LAB 39.46, 21.79, 25.73

 

CMYK 0 / 37 / 54 / 40

HEX #996047

RGB 153 96 71

HSL 18.29, 0.37%, 0.44%

LAB 46.44, 20.42, 23.89

 

CMYK 0 / 33 / 47 / 33

HEX #AA725A

RGB 170 114 90

HSL 18, 0.32%, 0.51%

LAB 53.3, 19.26, 22.27

 

CMYK 0 / 29 / 42 / 27

HEX #BB846D

RGB 187 132 109

HSL 17.69, 0.36%, 0.58%

LAB 60.04, 18.26, 20.85

 

CMYK 0 / 26 / 37 / 20

HEX #CC9680

RGB 204 150 128

HSL 17.37, 0.43%, 0.65%

LAB 66.68, 17.39, 19.56

 

CMYK 0 / 40 / 56 / 49

HEX #834E39

RGB 131 78 57

HSL 17.03, 0.39%, 0.37%

LAB 38.85, 20.04, 21.84

 

CMYK 0 / 47 / 67 / 55

HEX #723C26

RGB 114 60 38

HSL 17.37, 0.5%, 0.3%

LAB 31.69, 21.53, 23.86

 

CMYK 0 / 57 / 80 / 62

HEX #612A13

RGB 97 42 19

HSL 17.69, 0.67%, 0.23%

LAB 24.46, 23.29, 26.19

 

CMYK 0 / 70 / 100 / 69

HEX #501800

RGB 80 24 0

HSL 18, 1%, 0.16%

LAB 17.27, 25.06, 26

 

CMYK 0 / 90 / 100 / 75

HEX #3F0600

RGB 63 6 0

HSL 5.71, 1%, 0.12%

LAB 10.46, 26.58, 16.35

 

CMYK 0 / 40 / 56 / 49

HEX #834E39

RGB 131 78 57

HSL 17.03, 0.39%, 0.37%

LAB 38.85, 20.04, 21.84

 

CMYK 0 / 31 / 56 / 49

HEX #835A39

RGB 131 90 57

HSL 26.76, 0.39%, 0.37%

LAB 41.9, 12.95, 25.68

 

CMYK 0 / 22 / 56 / 49

HEX #836639

RGB 131 102 57

HSL 36.49, 0.39%, 0.37%

LAB 45.11, 5.87, 29.64

 

CMYK 0 / 12 / 56 / 49

HEX #837339

RGB 131 115 57

HSL 47.03, 0.39%, 0.37%

LAB 48.74, -1.65, 33.97

 

CMYK 0 / 3 / 56 / 49

HEX #837F39

RGB 131 127 57

HSL 56.76, 0.39%, 0.37%

LAB 52.17, -8.39, 37.97

 

CMYK 0 / 40 / 56 / 49

HEX #834E39

RGB 131 78 57

HSL 17.03, 0.39%, 0.37%

LAB 38.85, 20.04, 21.84

 

CMYK 0 / 41 / 57 / 29

HEX #B66C4F

RGB 182 108 79

HSL 16.89, 0.41%, 0.51%

LAB 53.21, 26.55, 28.72

 

CMYK 0 / 40 / 57 / 9

HEX #E98B65

RGB 233 139 101

HSL 17.27, 0.75%, 0.65%

LAB 67.07, 32.16, 35.49

 

CMYK 0 / 41 / 55 / 89

HEX #1D110D

RGB 29 17 13

HSL 15, 0.38%, 0.08%

LAB 6.24, 5.03, 4

 

CMYK 0 / 40 / 56 / 69

HEX #503023

RGB 80 48 35

HSL 17.33, 0.39%, 0.23%

LAB 23.47, 12.96, 14.38

 

CMYK 0 / 40 / 56 / 49

HEX #834E39

RGB 131 78 57

HSL 17.03, 0.39%, 0.37%

LAB 38.85, 20.04, 21.84

 

CMYK 27 / 0 / 56 / 49

HEX #5F8339

RGB 95 131 57

HSL 89.19, 0.39%, 0.37%

LAB 50.64, -25.89, 35.49

 

CMYK 56 / 50 / 0 / 49

HEX #394283

RGB 57 66 131

HSL 232.7, 0.39%, 0.37%

LAB 30.41, 16.6, -37.87

 

CMYK 0 / 40 / 56 / 49

HEX #834E39

RGB 131 78 57

HSL 17.03, 0.39%, 0.37%

LAB 38.85, 20.04, 21.84

 

CMYK 56 / 0 / 40 / 49

HEX #39834E

RGB 57 131 78

HSL 137.03, 0.39%, 0.37%

LAB 49.07, -35.51, 21.88

 

CMYK 40 / 56 / 0 / 49

HEX #4E3983

RGB 78 57 131

HSL 257.03, 0.39%, 0.37%

LAB 29.87, 27.62, -38.64

 

CMYK 0 / 40 / 56 / 49

HEX #834E39

RGB 131 78 57

HSL 17.03, 0.39%, 0.37%

LAB 38.85, 20.04, 21.84

 

CMYK 27 / 0 / 56 / 49

HEX #5F8339

RGB 95 131 57

HSL 89.19, 0.39%, 0.37%

LAB 50.64, -25.89, 35.49

 

CMYK 56 / 16 / 0 / 49

HEX #396E83

RGB 57 110 131

HSL 197.03, 0.39%, 0.37%

LAB 43.74, -11.22, -16.98

 

CMYK 29 / 56 / 0 / 49

HEX #5D3983

RGB 93 57 131

HSL 269.19, 0.39%, 0.37%

LAB 31.56, 31.62, -35.84

 

CMYK 0 / 40 / 56 / 49

HEX #834E39

RGB 131 78 57

HSL 17.03, 0.39%, 0.37%

LAB 38.85, 20.04, 21.84

 

CMYK 44 / 0 / 56 / 49

HEX #498339

RGB 73 131 57

HSL 107.03, 0.39%, 0.37%

LAB 49.43, -33.99, 33.76

 

CMYK 56 / 16 / 0 / 49

HEX #396E83

RGB 57 110 131

HSL 197.03, 0.39%, 0.37%

LAB 43.74, -11.22, -16.98

 

CMYK 12 / 56 / 0 / 49

HEX #733983

RGB 115 57 131

HSL 287.03, 0.39%, 0.37%

LAB 34.42, 37.84, -31.13

 

Description

Color code: HEX #834E39 | qconv.com Color code: HEX #834E39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 78 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 78 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 56 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 56% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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