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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #834C30 it is the complementary color #7CB3CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #834C30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #834C30: #884C2B, #995E3E, #AA7051, #BB8264 and #CC9477

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #834C30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #834C30: #834C30, #723A1D, #61280A, #501600 and #3F0400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 63 / 49

HEX #834C30

RGB 131 76 48

HSL 20.24, 0.46%, 0.35%

LAB 38.21, 20.45, 26.39

 

Complementary color

CMYK 40 / 14 / 0 / 19

HEX #7CB3CF

RGB 124 179 207

HSL 200.24, 0.46%, 0.65%

LAB 70.2, -10.8, -19.85

 

CMYK 0 / 44 / 68 / 47

HEX #884C2B

RGB 136 76 43

HSL 21.29, 0.52%, 0.35%

LAB 38.86, 22.29, 30.2

 

CMYK 0 / 39 / 59 / 40

HEX #995E3E

RGB 153 94 62

HSL 21.1, 0.42%, 0.42%

LAB 45.81, 20.78, 28.28

 

CMYK 0 / 34 / 52 / 33

HEX #AA7051

RGB 170 112 81

HSL 20.9, 0.35%, 0.49%

LAB 52.65, 19.49, 26.57

 

CMYK 0 / 30 / 47 / 27

HEX #BB8264

RGB 187 130 100

HSL 20.69, 0.39%, 0.56%

LAB 59.39, 18.39, 25.03

 

CMYK 0 / 27 / 42 / 20

HEX #CC9477

RGB 204 148 119

HSL 20.47, 0.45%, 0.63%

LAB 66.02, 17.45, 23.65

 

CMYK 0 / 42 / 63 / 49

HEX #834C30

RGB 131 76 48

HSL 20.24, 0.46%, 0.35%

LAB 38.21, 20.45, 26.39

 

CMYK 0 / 49 / 75 / 55

HEX #723A1D

RGB 114 58 29

HSL 20.47, 0.59%, 0.28%

LAB 31.1, 22.11, 28.46

 

CMYK 0 / 59 / 90 / 62

HEX #61280A

RGB 97 40 10

HSL 20.69, 0.81%, 0.21%

LAB 23.94, 24.06, 30.23

 

CMYK 0 / 73 / 100 / 69

HEX #501600

RGB 80 22 0

HSL 16.5, 1%, 0.16%

LAB 16.89, 26.08, 25.54

 

CMYK 0 / 94 / 100 / 75

HEX #3F0400

RGB 63 4 0

HSL 3.81, 1%, 0.12%

LAB 10.13, 27.5, 15.89

 

CMYK 0 / 42 / 63 / 49

HEX #834C30

RGB 131 76 48

HSL 20.24, 0.46%, 0.35%

LAB 38.21, 20.45, 26.39

 

CMYK 0 / 32 / 63 / 49

HEX #825930

RGB 130 89 48

HSL 30, 0.46%, 0.35%

LAB 41.38, 12.33, 30.14

 

CMYK 0 / 22 / 63 / 49

HEX #826630

RGB 130 102 48

HSL 39.51, 0.46%, 0.35%

LAB 44.89, 4.66, 34.21

 

CMYK 0 / 11 / 63 / 49

HEX #827430

RGB 130 116 48

HSL 49.76, 0.46%, 0.35%

LAB 48.82, -3.42, 38.64

 

CMYK 0 / 0 / 63 / 49

HEX #828230

RGB 130 130 48

HSL 60, 0.46%, 0.35%

LAB 52.87, -11.19, 43.05

 

CMYK 0 / 42 / 63 / 49

HEX #834C30

RGB 131 76 48

HSL 20.24, 0.46%, 0.35%

LAB 38.21, 20.45, 26.39

 

CMYK 0 / 42 / 63 / 29

HEX #B66A43

RGB 182 106 67

HSL 20.35, 0.46%, 0.49%

LAB 52.57, 26.73, 34.62

 

CMYK 0 / 42 / 64 / 9

HEX #E98755

RGB 233 135 85

HSL 20.27, 0.77%, 0.62%

LAB 65.99, 33.13, 42.64

 

CMYK 0 / 41 / 62 / 89

HEX #1D110B

RGB 29 17 11

HSL 20, 0.45%, 0.08%

LAB 6.2, 4.72, 4.84

 

CMYK 0 / 43 / 64 / 69

HEX #502E1D

RGB 80 46 29

HSL 20, 0.47%, 0.21%

LAB 22.82, 13.64, 17.46

 

CMYK 0 / 42 / 63 / 49

HEX #834C30

RGB 131 76 48

HSL 20.24, 0.46%, 0.35%

LAB 38.21, 20.45, 26.39

 

CMYK 34 / 0 / 63 / 49

HEX #568230

RGB 86 130 48

HSL 92.2, 0.46%, 0.35%

LAB 49.69, -29.86, 38.65

 

CMYK 63 / 59 / 0 / 49

HEX #303582

RGB 48 53 130

HSL 236.34, 0.46%, 0.35%

LAB 26.12, 23.15, -44.21

 

CMYK 0 / 42 / 63 / 49

HEX #834C30

RGB 131 76 48

HSL 20.24, 0.46%, 0.35%

LAB 38.21, 20.45, 26.39

 

CMYK 63 / 0 / 42 / 49

HEX #30824B

RGB 48 130 75

HSL 139.76, 0.46%, 0.35%

LAB 48.39, -37.84, 22.6

 

CMYK 42 / 63 / 0 / 49

HEX #4B3082

RGB 75 48 130

HSL 259.76, 0.46%, 0.35%

LAB 27.36, 32.13, -42.08

 

CMYK 0 / 42 / 63 / 49

HEX #834C30

RGB 131 76 48

HSL 20.24, 0.46%, 0.35%

LAB 38.21, 20.45, 26.39

 

CMYK 34 / 0 / 63 / 49

HEX #568230

RGB 86 130 48

HSL 92.2, 0.46%, 0.35%

LAB 49.69, -29.86, 38.65

 

CMYK 63 / 22 / 0 / 49

HEX #306682

RGB 48 102 130

HSL 200.49, 0.46%, 0.35%

LAB 40.8, -8.81, -20.93

 

CMYK 30 / 63 / 0 / 49

HEX #5B3082

RGB 91 48 130

HSL 271.46, 0.46%, 0.35%

LAB 29.29, 36.03, -38.87

 

CMYK 0 / 42 / 63 / 49

HEX #834C30

RGB 131 76 48

HSL 20.24, 0.46%, 0.35%

LAB 38.21, 20.45, 26.39

 

CMYK 53 / 0 / 63 / 49

HEX #3D8230

RGB 61 130 48

HSL 110.49, 0.46%, 0.35%

LAB 48.47, -38.45, 36.96

 

CMYK 63 / 22 / 0 / 49

HEX #306682

RGB 48 102 130

HSL 200.49, 0.46%, 0.35%

LAB 40.8, -8.81, -20.93

 

CMYK 11 / 63 / 0 / 49

HEX #743082

RGB 116 48 130

HSL 289.76, 0.46%, 0.35%

LAB 32.79, 42.55, -33.08

 

Description

Color code: HEX #834C30 | qconv.com Color code: HEX #834C30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 76 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 76 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 63 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 63% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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