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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82F73F it is the complementary color #7D08C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82F73F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82F73F shade: #87F73A, #98FF4D, #A9FF60, #BAFF73 and #CBFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82F73F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82F73F shade: #82F73F, #71E52C, #60D319, #4FC106 and #3EAF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82F73F shade: #83F740, #B4F740, #E5F740, #F7D740 and #F7A640

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82F73F shade: #83F740, #51F740, #40F760, #40F791 and #40F7C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82F73F shade matches the following richer shades: #83F740

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82F73F shade: #83F740, #87E750, #8BD760, #90C770 and #94B780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82F73F shade: #E5F740, #B4F740, #83F740, #52F740 and #40F75F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82F73F shade: #56DB09, #69F518, #83F740, #9CF968 and #B6FA8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82F73F shade: #82F73F, #40F7D9 and #F740CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82F73F shade: #82F73F, #4083F7 and #F74083

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82F73F shade: #82F73F, #40F7D9, #B440F7 and #F7405F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82F73F shade: #82F73F, #40DFF7, #B440F7 and #F75840

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 74 / 3

HEX #82F73F

RGB 130 247 63

HSL 98.15, 0.92%, 0.61%

LAB 87.79, -62.45, 72.88

 

Complementary color

CMYK 35 / 96 / 0 / 25

HEX #7D08C0

RGB 125 8 192

HSL 278.15, 0.92%, 0.39%

LAB 34.68, 69, -67.46

 

CMYK 45 / 0 / 77 / 3

HEX #87F73A

RGB 135 247 58

HSL 95.56, 0.92%, 0.6%

LAB 87.96, -61.26, 74.64

 

CMYK 40 / 0 / 70 / 0

HEX #98FF4D

RGB 152 255 77

HSL 94.72, 1%, 0.65%

LAB 91.11, -57.93, 71.79

 

CMYK 34 / 0 / 62 / 0

HEX #A9FF60

RGB 169 255 96

HSL 92.45, 1%, 0.69%

LAB 92.04, -50.99, 65.8

 

CMYK 27 / 0 / 55 / 0

HEX #BAFF73

RGB 186 255 115

HSL 89.57, 1%, 0.73%

LAB 93.1, -43.49, 59.18

 

CMYK 20 / 0 / 47 / 0

HEX #CBFF86

RGB 203 255 134

HSL 85.79, 1%, 0.76%

LAB 94.29, -35.55, 52.2

 

CMYK 47 / 0 / 74 / 3

HEX #82F73F

RGB 130 247 63

HSL 98.15, 0.92%, 0.61%

LAB 87.79, -62.45, 72.88

 

CMYK 51 / 0 / 81 / 10

HEX #71E52C

RGB 113 229 44

HSL 97.62, 0.78%, 0.54%

LAB 81.69, -61.74, 72.41

 

CMYK 55 / 0 / 88 / 17

HEX #60D319

RGB 96 211 25

HSL 97.1, 0.79%, 0.46%

LAB 75.54, -60.73, 70.99

 

CMYK 59 / 0 / 97 / 24

HEX #4FC106

RGB 79 193 6

HSL 96.58, 0.94%, 0.39%

LAB 69.34, -59.33, 68.25

 

CMYK 65 / 0 / 100 / 31

HEX #3EAF00

RGB 62 175 0

HSL 98.74, 1%, 0.34%

LAB 63.08, -57.42, 63.77

 

CMYK 47 / 0 / 74 / 3

HEX #83F740

RGB 131 247 64

HSL 98.03, 0.92%, 0.61%

LAB 87.83, -62.1, 72.61

 

CMYK 27 / 0 / 74 / 3

HEX #B4F740

RGB 180 247 64

HSL 81.97, 0.92%, 0.61%

LAB 90.13, -45.91, 75.63

 

CMYK 7 / 0 / 74 / 3

HEX #E5F740

RGB 229 247 64

HSL 65.9, 0.92%, 0.61%

LAB 93.25, -27.05, 79.69

 

CMYK 0 / 13 / 74 / 3

HEX #F7D740

RGB 247 215 64

HSL 49.51, 0.92%, 0.61%

LAB 86.38, -3.99, 73.75

 

CMYK 0 / 33 / 74 / 3

HEX #F7A640

RGB 247 166 64

HSL 33.44, 0.92%, 0.61%

LAB 74.46, 21.44, 62.21

 

CMYK 47 / 0 / 74 / 3

HEX #83F740

RGB 131 247 64

HSL 98.03, 0.92%, 0.61%

LAB 87.83, -62.1, 72.61

 

CMYK 67 / 0 / 74 / 3

HEX #51F740

RGB 81 247 64

HSL 114.43, 0.92%, 0.61%

LAB 86.33, -74.08, 70.62

 

CMYK 74 / 0 / 61 / 3

HEX #40F760

RGB 64 247 96

HSL 130.49, 0.92%, 0.61%

LAB 86.23, -73.99, 58.37

 

CMYK 74 / 0 / 41 / 3

HEX #40F791

RGB 64 247 145

HSL 146.56, 0.92%, 0.61%

LAB 86.83, -67.02, 36.36

 

CMYK 74 / 0 / 21 / 3

HEX #40F7C3

RGB 64 247 195

HSL 162.95, 0.92%, 0.61%

LAB 87.75, -56.86, 12.18

 

CMYK 47 / 0 / 74 / 3

HEX #83F740

RGB 131 247 64

HSL 98.03, 0.92%, 0.61%

LAB 87.83, -62.1, 72.61

 

CMYK 47 / 0 / 74 / 3

HEX #83F740

RGB 131 247 64

HSL 98.03, 0.92%, 0.61%

LAB 87.83, -62.1, 72.61

 

CMYK 42 / 0 / 65 / 9

HEX #87E750

RGB 135 231 80

HSL 98.15, 0.76%, 0.61%

LAB 83.38, -53.62, 62.36

 

CMYK 35 / 0 / 55 / 16

HEX #8BD760

RGB 139 215 96

HSL 98.32, 0.6%, 0.61%

LAB 79, -44.22, 50.65

 

CMYK 28 / 0 / 44 / 22

HEX #90C770

RGB 144 199 112

HSL 97.93, 0.44%, 0.61%

LAB 74.79, -33.47, 37.86

 

CMYK 19 / 0 / 30 / 28

HEX #94B780

RGB 148 183 128

HSL 98.18, 0.28%, 0.61%

LAB 70.68, -22.04, 24.21

 

CMYK 7 / 0 / 74 / 3

HEX #E5F740

RGB 229 247 64

HSL 65.9, 0.92%, 0.61%

LAB 93.25, -27.05, 79.69

 

CMYK 27 / 0 / 74 / 3

HEX #B4F740

RGB 180 247 64

HSL 81.97, 0.92%, 0.61%

LAB 90.13, -45.91, 75.63

 

CMYK 47 / 0 / 74 / 3

HEX #83F740

RGB 131 247 64

HSL 98.03, 0.92%, 0.61%

LAB 87.83, -62.1, 72.61

 

CMYK 67 / 0 / 74 / 3

HEX #52F740

RGB 82 247 64

HSL 114.1, 0.92%, 0.61%

LAB 86.35, -73.9, 70.65

 

CMYK 74 / 0 / 62 / 3

HEX #40F75F

RGB 64 247 95

HSL 130.16, 0.92%, 0.61%

LAB 86.22, -74.1, 58.78

 

CMYK 61 / 0 / 96 / 14

HEX #56DB09

RGB 86 219 9

HSL 98, 0.92%, 0.45%

LAB 77.67, -66.32, 74.77

 

CMYK 57 / 0 / 90 / 4

HEX #69F518

RGB 105 245 24

HSL 98.01, 0.92%, 0.53%

LAB 86.19, -70.08, 80.24

 

CMYK 47 / 0 / 74 / 3

HEX #83F740

RGB 131 247 64

HSL 98.03, 0.92%, 0.61%

LAB 87.83, -62.1, 72.61

 

CMYK 37 / 0 / 58 / 2

HEX #9CF968

RGB 156 249 104

HSL 98.48, 0.92%, 0.69%

LAB 89.78, -52.07, 59.75

 

CMYK 27 / 0 / 43 / 2

HEX #B6FA8F

RGB 182 250 143

HSL 98.13, 0.91%, 0.77%

LAB 91.82, -39.58, 44.58

 

CMYK 47 / 0 / 74 / 3

HEX #82F73F

RGB 130 247 63

HSL 98.15, 0.92%, 0.61%

LAB 87.79, -62.45, 72.88

 

CMYK 74 / 0 / 12 / 3

HEX #40F7D9

RGB 64 247 217

HSL 170.16, 0.92%, 0.61%

LAB 88.27, -51.53, 1.48

 

CMYK 0 / 74 / 17 / 3

HEX #F740CC

RGB 247 64 204

HSL 314.1, 0.92%, 0.61%

LAB 59.71, 80.21, -33.25

 

CMYK 47 / 0 / 74 / 3

HEX #82F73F

RGB 130 247 63

HSL 98.15, 0.92%, 0.61%

LAB 87.79, -62.45, 72.88

 

CMYK 74 / 47 / 0 / 3

HEX #4083F7

RGB 64 131 247

HSL 218.03, 0.92%, 0.61%

LAB 56.13, 17.87, -64.18

 

CMYK 0 / 74 / 47 / 3

HEX #F74083

RGB 247 64 131

HSL 338.03, 0.92%, 0.61%

LAB 57.15, 72.32, 5.35

 

CMYK 47 / 0 / 74 / 3

HEX #82F73F

RGB 130 247 63

HSL 98.15, 0.92%, 0.61%

LAB 87.79, -62.45, 72.88

 

CMYK 74 / 0 / 12 / 3

HEX #40F7D9

RGB 64 247 217

HSL 170.16, 0.92%, 0.61%

LAB 88.27, -51.53, 1.48

 

CMYK 27 / 74 / 0 / 3

HEX #B440F7

RGB 180 64 247

HSL 278.03, 0.92%, 0.61%

LAB 51.93, 73.72, -70.5

 

CMYK 0 / 74 / 62 / 3

HEX #F7405F

RGB 247 64 95

HSL 349.84, 0.92%, 0.61%

LAB 56.35, 69.74, 25.56

 

CMYK 47 / 0 / 74 / 3

HEX #82F73F

RGB 130 247 63

HSL 98.15, 0.92%, 0.61%

LAB 87.79, -62.45, 72.88

 

CMYK 74 / 10 / 0 / 3

HEX #40DFF7

RGB 64 223 247

HSL 187.87, 0.92%, 0.61%

LAB 82.15, -32.54, -23.41

 

CMYK 27 / 74 / 0 / 3

HEX #B440F7

RGB 180 64 247

HSL 278.03, 0.92%, 0.61%

LAB 51.93, 73.72, -70.5

 

CMYK 0 / 64 / 74 / 3

HEX #F75840

RGB 247 88 64

HSL 7.87, 0.92%, 0.61%

LAB 59.09, 59.5, 46.29

 

Description

Color code: HEX #82F73F | qconv.com Color code: HEX #82F73F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 247 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 247 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 74 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 74% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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