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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 0 / 30 / 28 it is the complementary color CMYK 16 / 44 / 0 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 0 / 30 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 0 / 30 / 28: CMYK 16 / 0 / 33 / 28, CMYK 15 / 0 / 29 / 21, CMYK 15 / 0 / 26 / 14, CMYK 14 / 0 / 24 / 7 and CMYK 13 / 0 / 22 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 0 / 30 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 0 / 30 / 28: CMYK 19 / 0 / 30 / 28, CMYK 20 / 0 / 34 / 35, CMYK 22 / 0 / 39 / 42, CMYK 25 / 0 / 45 / 49 and CMYK 28 / 0 / 53 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 30 / 28

HEX #95B881

RGB 149 184 129

HSL 98.18, 0.28%, 0.61%

LAB 71.05, -22.02, 24.18

 

Complementary color

CMYK 16 / 44 / 0 / 51

HEX #6A477E

RGB 106 71 126

HSL 278.18, 0.28%, 0.39%

LAB 36.13, 25.87, -25.41

 

CMYK 16 / 0 / 33 / 28

HEX #9AB87C

RGB 154 184 124

HSL 90, 0.3%, 0.6%

LAB 71.29, -20.94, 27.22

 

CMYK 15 / 0 / 29 / 21

HEX #ABCA8F

RGB 171 202 143

HSL 91.53, 0.36%, 0.68%

LAB 77.81, -20.87, 26.13

 

CMYK 15 / 0 / 26 / 14

HEX #BCDCA2

RGB 188 220 162

HSL 93.1, 0.45%, 0.75%

LAB 84.22, -20.81, 25.1

 

CMYK 14 / 0 / 24 / 7

HEX #CDEEB5

RGB 205 238 181

HSL 94.74, 0.63%, 0.82%

LAB 90.53, -20.75, 24.12

 

CMYK 13 / 0 / 22 / 0

HEX #DEFFC8

RGB 222 255 200

HSL 96, 1%, 0.89%

LAB 96.5, -20.2, 22.82

 

CMYK 19 / 0 / 30 / 28

HEX #95B881

RGB 149 184 129

HSL 98.18, 0.28%, 0.61%

LAB 71.05, -22.02, 24.18

 

CMYK 20 / 0 / 34 / 35

HEX #84A66E

RGB 132 166 110

HSL 96.43, 0.24%, 0.54%

LAB 64.41, -22.14, 25.3

 

CMYK 22 / 0 / 39 / 42

HEX #73945B

RGB 115 148 91

HSL 94.74, 0.24%, 0.47%

LAB 57.64, -22.26, 26.49

 

CMYK 25 / 0 / 45 / 49

HEX #628248

RGB 98 130 72

HSL 93.1, 0.29%, 0.4%

LAB 50.72, -22.35, 27.74

 

CMYK 28 / 0 / 53 / 56

HEX #517035

RGB 81 112 53

HSL 91.53, 0.36%, 0.32%

LAB 43.65, -22.4, 29.02

 

CMYK 19 / 0 / 30 / 28

HEX #95B881

RGB 149 184 129

HSL 98.18, 0.28%, 0.61%

LAB 71.05, -22.02, 24.18

 

CMYK 25 / 0 / 31 / 28

HEX #8AB77F

RGB 138 183 127

HSL 108.21, 0.28%, 0.61%

LAB 70.04, -25.77, 23.77

 

CMYK 30 / 0 / 31 / 28

HEX #81B77F

RGB 129 183 127

HSL 117.86, 0.28%, 0.61%

LAB 69.52, -28.87, 22.98

 

CMYK 31 / 0 / 26 / 28

HEX #7FB787

RGB 127 183 135

HSL 128.57, 0.28%, 0.61%

LAB 69.56, -28.14, 18.72

 

CMYK 31 / 0 / 21 / 28

HEX #7FB790

RGB 127 183 144

HSL 138.21, 0.28%, 0.61%

LAB 69.75, -26.47, 14.09

 

CMYK 19 / 0 / 30 / 28

HEX #95B881

RGB 149 184 129

HSL 98.18, 0.28%, 0.61%

LAB 71.05, -22.02, 24.18

 

CMYK 19 / 0 / 30 / 8

HEX #BEEBA5

RGB 190 235 165

HSL 98.57, 0.64%, 0.78%

LAB 88.49, -26.92, 29.36

 

CMYK 19 / 0 / 29 / 88

HEX #191F16

RGB 25 31 22

HSL 100, 0.17%, 0.1%

LAB 10.88, -5.02, 5.25

 

CMYK 20 / 0 / 30 / 68

HEX #425239

RGB 66 82 57

HSL 98.4, 0.18%, 0.27%

LAB 32.89, -11.63, 12.68

 

CMYK 19 / 0 / 30 / 48

HEX #6C855D

RGB 108 133 93

HSL 97.5, 0.18%, 0.44%

LAB 52.68, -16.84, 18.71

 

CMYK 19 / 0 / 30 / 28

HEX #95B881

RGB 149 184 129

HSL 98.18, 0.28%, 0.61%

LAB 71.05, -22.02, 24.18

 

CMYK 31 / 0 / 5 / 28

HEX #7FB7AE

RGB 127 183 174

HSL 170.36, 0.28%, 0.61%

LAB 70.48, -20.18, -1.28

 

CMYK 0 / 31 / 7 / 28

HEX #B77FAA

RGB 183 127 170

HSL 313.93, 0.28%, 0.61%

LAB 60.02, 28.55, -14.11

 

CMYK 19 / 0 / 30 / 28

HEX #95B881

RGB 149 184 129

HSL 98.18, 0.28%, 0.61%

LAB 71.05, -22.02, 24.18

 

CMYK 31 / 19 / 0 / 28

HEX #7F94B7

RGB 127 148 183

HSL 217.5, 0.28%, 0.61%

LAB 60.88, 0.88, -20.66

 

CMYK 0 / 31 / 19 / 28

HEX #B77F94

RGB 183 127 148

HSL 337.5, 0.28%, 0.61%

LAB 59.33, 24.81, -2.53

 

CMYK 19 / 0 / 30 / 28

HEX #95B881

RGB 149 184 129

HSL 98.18, 0.28%, 0.61%

LAB 71.05, -22.02, 24.18

 

CMYK 31 / 0 / 5 / 28

HEX #7FB7AE

RGB 127 183 174

HSL 170.36, 0.28%, 0.61%

LAB 70.48, -20.18, -1.28

 

CMYK 11 / 31 / 0 / 28

HEX #A27FB7

RGB 162 127 183

HSL 277.5, 0.28%, 0.61%

LAB 58.3, 24.05, -24.36

 

CMYK 0 / 31 / 26 / 28

HEX #B77F88

RGB 183 127 136

HSL 350.36, 0.28%, 0.61%

LAB 59, 22.98, 3.89

 

CMYK 19 / 0 / 30 / 28

HEX #95B881

RGB 149 184 129

HSL 98.18, 0.28%, 0.61%

LAB 71.05, -22.02, 24.18

 

CMYK 31 / 4 / 0 / 28

HEX #7FAFB7

RGB 127 175 183

HSL 188.57, 0.28%, 0.61%

LAB 68.45, -13.92, -9.23

 

CMYK 11 / 31 / 0 / 28

HEX #A27FB7

RGB 162 127 183

HSL 277.5, 0.28%, 0.61%

LAB 58.3, 24.05, -24.36

 

CMYK 0 / 26 / 31 / 28

HEX #B7877F

RGB 183 135 127

HSL 8.57, 0.28%, 0.61%

LAB 60.72, 17.24, 11.5

 

Description

Color code: CMYK 19 / 0 / 30 / 28 | qconv.com Color code: CMYK 19 / 0 / 30 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 184 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 184 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 30 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 30% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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