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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82EBC9 it is the complementary color #7D1436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82EBC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82EBC9 shade: #87EBC4, #98FDD7, #A9FFEA, #BAFFFD and #CBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82EBC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82EBC9 shade: #82EBC9, #71D9B6, #60C7A3, #4FB590 and #3EA37D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82EBC9 shade: #84EBCA, #84EBAE, #84EB92, #92EB84 and #AEEB84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82EBC9 shade: #84EBCA, #84EBE5, #84D5EB, #84B9EB and #849DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82EBC9 shade matches the following richer shades: #84EBCA and #79F7CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82EBC9 shade: #84EBCA, #90DFC6, #9BD4C2, #A7C8BE and #B2BDB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82EBC9 shade: #84EB92, #84EBAD, #84EBC9, #84EBE4 and #84D6EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82EBC9 shade: #3DDFAB, #61E5BA, #84EBCA, #A8F1D9 and #CBF7E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82EBC9 shade: #82EBC9, #8492EB and #EBA084

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82EBC9 shade: #82EBC9, #C984EB and #EBC984

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82EBC9 shade: #82EBC9, #8492EB, #EB84A6 and #EBDD84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82EBC9 shade: #82EBC9, #9584EB, #EB84A6 and #DAEB84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 14 / 8

HEX #82EBC9

RGB 130 235 201

HSL 160.57, 0.72%, 0.72%

LAB 86.2, -38.34, 7.07

 

Complementary color

CMYK 0 / 84 / 57 / 51

HEX #7D1436

RGB 125 20 54

HSL 340.57, 0.72%, 0.28%

LAB 27.09, 45.26, 7.89

 

CMYK 43 / 0 / 17 / 8

HEX #87EBC4

RGB 135 235 196

HSL 156.6, 0.71%, 0.73%

LAB 86.28, -38.15, 9.83

 

CMYK 40 / 0 / 15 / 1

HEX #98FDD7

RGB 152 253 215

HSL 157.43, 0.96%, 0.79%

LAB 92.5, -37.95, 8.96

 

CMYK 34 / 0 / 8 / 0

HEX #A9FFEA

RGB 169 255 234

HSL 165.35, 1%, 0.83%

LAB 94.27, -30.36, 1.8

 

CMYK 27 / 0 / 1 / 0

HEX #BAFFFD

RGB 186 255 253

HSL 178.26, 1%, 0.86%

LAB 95.6, -21.61, -5.95

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 45 / 0 / 14 / 8

HEX #82EBC9

RGB 130 235 201

HSL 160.57, 0.72%, 0.72%

LAB 86.2, -38.34, 7.07

 

CMYK 48 / 0 / 16 / 15

HEX #71D9B6

RGB 113 217 182

HSL 159.81, 0.58%, 0.65%

LAB 79.91, -38.48, 7.98

 

CMYK 52 / 0 / 18 / 22

HEX #60C7A3

RGB 96 199 163

HSL 159.03, 0.48%, 0.58%

LAB 73.53, -38.59, 8.95

 

CMYK 56 / 0 / 20 / 29

HEX #4FB590

RGB 79 181 144

HSL 158.24, 0.41%, 0.51%

LAB 67.07, -38.63, 10.02

 

CMYK 62 / 0 / 23 / 36

HEX #3EA37D

RGB 62 163 125

HSL 157.43, 0.45%, 0.44%

LAB 60.52, -38.56, 11.19

 

CMYK 44 / 0 / 14 / 8

HEX #84EBCA

RGB 132 235 202

HSL 160.78, 0.72%, 0.72%

LAB 86.3, -37.63, 6.7

 

CMYK 44 / 0 / 26 / 8

HEX #84EBAE

RGB 132 235 174

HSL 144.47, 0.72%, 0.72%

LAB 85.69, -43.33, 20.44

 

CMYK 44 / 0 / 38 / 8

HEX #84EB92

RGB 132 235 146

HSL 128.16, 0.72%, 0.72%

LAB 85.2, -48.21, 34.08

 

CMYK 38 / 0 / 44 / 8

HEX #92EB84

RGB 146 235 132

HSL 111.84, 0.72%, 0.72%

LAB 85.6, -46.15, 41.67

 

CMYK 26 / 0 / 44 / 8

HEX #AEEB84

RGB 174 235 132

HSL 95.53, 0.72%, 0.72%

LAB 87.04, -36.95, 43.78

 

CMYK 44 / 0 / 14 / 8

HEX #84EBCA

RGB 132 235 202

HSL 160.78, 0.72%, 0.72%

LAB 86.3, -37.63, 6.7

 

CMYK 44 / 0 / 3 / 8

HEX #84EBE5

RGB 132 235 229

HSL 176.5, 0.72%, 0.72%

LAB 86.99, -31.42, -6.46

 

CMYK 44 / 9 / 0 / 8

HEX #84D5EB

RGB 132 213 235

HSL 192.82, 0.72%, 0.72%

LAB 81.01, -19.14, -18.57

 

CMYK 44 / 21 / 0 / 8

HEX #84B9EB

RGB 132 185 235

HSL 209.13, 0.72%, 0.72%

LAB 73.29, -4.44, -30.35

 

CMYK 44 / 33 / 0 / 8

HEX #849DEB

RGB 132 157 235

HSL 225.44, 0.72%, 0.72%

LAB 65.76, 11.23, -42.04

 

CMYK 44 / 0 / 14 / 8

HEX #84EBCA

RGB 132 235 202

HSL 160.78, 0.72%, 0.72%

LAB 86.3, -37.63, 6.7

 

CMYK 51 / 0 / 17 / 3

HEX #79F7CE

RGB 121 247 206

HSL 160.48, 0.89%, 0.72%

LAB 89.41, -44.68, 9.03

 

CMYK 44 / 0 / 14 / 8

HEX #84EBCA

RGB 132 235 202

HSL 160.78, 0.72%, 0.72%

LAB 86.3, -37.63, 6.7

 

CMYK 35 / 0 / 11 / 13

HEX #90DFC6

RGB 144 223 198

HSL 161.01, 0.55%, 0.72%

LAB 83.33, -29.74, 4.59

 

CMYK 27 / 0 / 8 / 17

HEX #9BD4C2

RGB 155 212 194

HSL 161.05, 0.4%, 0.72%

LAB 80.71, -22.04, 3

 

CMYK 17 / 0 / 5 / 22

HEX #A7C8BE

RGB 167 200 190

HSL 161.82, 0.23%, 0.72%

LAB 78.02, -13.01, 1.31

 

CMYK 6 / 0 / 2 / 26

HEX #B2BDB9

RGB 178 189 185

HSL 158.18, 0.08%, 0.72%

LAB 75.68, -4.55, 0.7

 

CMYK 44 / 0 / 38 / 8

HEX #84EB92

RGB 132 235 146

HSL 128.16, 0.72%, 0.72%

LAB 85.2, -48.21, 34.08

 

CMYK 44 / 0 / 26 / 8

HEX #84EBAD

RGB 132 235 173

HSL 143.88, 0.72%, 0.72%

LAB 85.68, -43.52, 20.93

 

CMYK 44 / 0 / 14 / 8

HEX #84EBC9

RGB 132 235 201

HSL 160.19, 0.72%, 0.72%

LAB 86.28, -37.84, 7.19

 

CMYK 44 / 0 / 3 / 8

HEX #84EBE4

RGB 132 235 228

HSL 175.92, 0.72%, 0.72%

LAB 86.96, -31.66, -5.98

 

CMYK 44 / 9 / 0 / 8

HEX #84D6EB

RGB 132 214 235

HSL 192.23, 0.72%, 0.72%

LAB 81.29, -19.64, -18.15

 

CMYK 73 / 0 / 23 / 13

HEX #3DDFAB

RGB 61 223 171

HSL 160.74, 0.72%, 0.56%

LAB 80.01, -53.23, 13.76

 

CMYK 58 / 0 / 19 / 10

HEX #61E5BA

RGB 97 229 186

HSL 160.45, 0.72%, 0.64%

LAB 82.98, -46.37, 10.18

 

CMYK 44 / 0 / 14 / 8

HEX #84EBCA

RGB 132 235 202

HSL 160.78, 0.72%, 0.72%

LAB 86.3, -37.63, 6.7

 

CMYK 30 / 0 / 10 / 5

HEX #A8F1D9

RGB 168 241 217

HSL 160.27, 0.72%, 0.8%

LAB 89.97, -27.56, 4.38

 

CMYK 18 / 0 / 6 / 3

HEX #CBF7E9

RGB 203 247 233

HSL 160.91, 0.73%, 0.88%

LAB 93.93, -16.77, 2.05

 

CMYK 45 / 0 / 14 / 8

HEX #82EBC9

RGB 130 235 201

HSL 160.57, 0.72%, 0.72%

LAB 86.2, -38.34, 7.07

 

CMYK 44 / 38 / 0 / 8

HEX #8492EB

RGB 132 146 235

HSL 231.84, 0.72%, 0.72%

LAB 62.9, 17.6, -46.55

 

CMYK 0 / 32 / 44 / 8

HEX #EBA084

RGB 235 160 132

HSL 16.31, 0.72%, 0.72%

LAB 72.54, 24.65, 25.89

 

CMYK 45 / 0 / 14 / 8

HEX #82EBC9

RGB 130 235 201

HSL 160.57, 0.72%, 0.72%

LAB 86.2, -38.34, 7.07

 

CMYK 14 / 44 / 0 / 8

HEX #C984EB

RGB 201 132 235

HSL 280.19, 0.72%, 0.72%

LAB 65.68, 44.23, -41.75

 

CMYK 0 / 14 / 44 / 8

HEX #EBC984

RGB 235 201 132

HSL 40.19, 0.72%, 0.72%

LAB 82.43, 2.99, 38.86

 

CMYK 45 / 0 / 14 / 8

HEX #82EBC9

RGB 130 235 201

HSL 160.57, 0.72%, 0.72%

LAB 86.2, -38.34, 7.07

 

CMYK 44 / 38 / 0 / 8

HEX #8492EB

RGB 132 146 235

HSL 231.84, 0.72%, 0.72%

LAB 62.9, 17.6, -46.55

 

CMYK 0 / 44 / 29 / 8

HEX #EB84A6

RGB 235 132 166

HSL 340.19, 0.72%, 0.72%

LAB 67.22, 43.31, -0.48

 

CMYK 0 / 6 / 44 / 8

HEX #EBDD84

RGB 235 221 132

HSL 51.84, 0.72%, 0.72%

LAB 87.5, -7.25, 45.27

 

CMYK 45 / 0 / 14 / 8

HEX #82EBC9

RGB 130 235 201

HSL 160.57, 0.72%, 0.72%

LAB 86.2, -38.34, 7.07

 

CMYK 37 / 44 / 0 / 8

HEX #9584EB

RGB 149 132 235

HSL 249.9, 0.72%, 0.72%

LAB 60.68, 30.02, -49.97

 

CMYK 0 / 44 / 29 / 8

HEX #EB84A6

RGB 235 132 166

HSL 340.19, 0.72%, 0.72%

LAB 67.22, 43.31, -0.48

 

CMYK 7 / 0 / 44 / 8

HEX #DAEB84

RGB 218 235 132

HSL 69.9, 0.72%, 0.72%

LAB 89.85, -20.81, 47.91

 

Description

Color code: HEX #82EBC9 | qconv.com Color code: HEX #82EBC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 235 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 235 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 14 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 14% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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