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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 201 132 it is the complementary color RGB 20 54 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 201 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 201 132 shade: RGB 240 201 127, RGB 255 219 146, RGB 255 237 165, RGB 255 255 184 and RGB 255 255 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 201 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 201 132 shade: RGB 235 201 132, RGB 218 183 113, RGB 201 165 94, RGB 184 147 75 and RGB 167 129 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 201 132 shade: RGB 235 201 132, RGB 235 173 132, RGB 235 145 132 and RGB 235 132 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 201 132 shade: RGB 235 201 132, RGB 235 228 132, RGB 213 235 132, RGB 185 235 132 and RGB 158 235 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 201 132 shade matches the following richer shades: RGB 235 201 132 and RGB 246 204 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 201 132 shade: RGB 235 201 132, RGB 223 197 143, RGB 211 193 155, RGB 200 189 166 and RGB 188 185 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 201 132 shade: RGB 235 145 132, RGB 235 173 132, RGB 235 200 132, RGB 235 228 132 and RGB 214 235 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 201 132 shade: RGB 223 169 61, RGB 229 185 96, RGB 235 201 132, RGB 240 216 167 and RGB 246 232 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 201 132 shade: RGB 235 201 132, RGB 145 235 132 and RGB 159 132 235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 201 132 shade: RGB 235 201 132, RGB 132 235 200 and RGB 200 132 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 201 132 shade: RGB 235 201 132, RGB 145 235 132, RGB 132 166 235 and RGB 221 132 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 201 132 shade: RGB 235 201 132, RGB 132 235 149, RGB 132 166 235 and RGB 235 132 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 44 / 8

HEX #EBC984

RGB 235 201 132

HSL 40.19, 0.72%, 0.72%

LAB 82.43, 2.99, 38.86

 

Complementary color

CMYK 84 / 56 / 0 / 52

HEX #14367B

RGB 20 54 123

HSL 220.19, 0.72%, 0.28%

LAB 24.38, 15.57, -42.69

 

CMYK 0 / 16 / 47 / 6

HEX #F0C97F

RGB 240 201 127

HSL 39.29, 0.79%, 0.72%

LAB 82.82, 4.5, 41.98

 

CMYK 0 / 14 / 43 / 0

HEX #FFDB92

RGB 255 219 146

HSL 40.18, 1%, 0.79%

LAB 88.92, 3.04, 40.47

 

CMYK 0 / 7 / 35 / 0

HEX #FFEDA5

RGB 255 237 165

HSL 48, 1%, 0.82%

LAB 93.69, -4.04, 37.12

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 14 / 44 / 8

HEX #EBC984

RGB 235 201 132

HSL 40.19, 0.72%, 0.72%

LAB 82.43, 2.99, 38.86

 

CMYK 0 / 16 / 48 / 15

HEX #DAB771

RGB 218 183 113

HSL 40, 0.59%, 0.65%

LAB 76.05, 3.69, 40.12

 

CMYK 0 / 18 / 53 / 21

HEX #C9A55E

RGB 201 165 94

HSL 39.81, 0.5%, 0.58%

LAB 69.57, 4.5, 41.44

 

CMYK 0 / 20 / 59 / 28

HEX #B8934B

RGB 184 147 75

HSL 39.63, 0.43%, 0.51%

LAB 62.98, 5.47, 42.77

 

CMYK 0 / 23 / 66 / 35

HEX #A78138

RGB 167 129 56

HSL 39.46, 0.5%, 0.44%

LAB 56.29, 6.62, 44.06

 

CMYK 0 / 14 / 44 / 8

HEX #EBC984

RGB 235 201 132

HSL 40.19, 0.72%, 0.72%

LAB 82.43, 2.99, 38.86

 

CMYK 0 / 26 / 44 / 8

HEX #EBAD84

RGB 235 173 132

HSL 23.88, 0.72%, 0.72%

LAB 75.59, 17.73, 29.95

 

CMYK 0 / 38 / 44 / 8

HEX #EB9184

RGB 235 145 132

HSL 7.57, 0.72%, 0.72%

LAB 69.17, 32.58, 21.33

 

CMYK 0 / 44 / 44 / 8

HEX #EB8484

RGB 235 132 132

HSL 0, 0.72%, 0.72%

LAB 66.39, 39.35, 17.52

 

CMYK 0 / 14 / 44 / 8

HEX #EBC984

RGB 235 201 132

HSL 40.19, 0.72%, 0.72%

LAB 82.43, 2.99, 38.86

 

CMYK 0 / 3 / 44 / 8

HEX #EBE484

RGB 235 228 132

HSL 55.92, 0.72%, 0.72%

LAB 89.31, -10.76, 47.51

 

CMYK 9 / 0 / 44 / 8

HEX #D5EB84

RGB 213 235 132

HSL 72.82, 0.72%, 0.72%

LAB 89.5, -22.72, 47.39

 

CMYK 21 / 0 / 44 / 8

HEX #B9EB84

RGB 185 235 132

HSL 89.13, 0.72%, 0.72%

LAB 87.68, -33.07, 44.72

 

CMYK 33 / 0 / 44 / 8

HEX #9EEB84

RGB 158 235 132

HSL 104.85, 0.72%, 0.72%

LAB 86.18, -42.34, 42.52

 

CMYK 0 / 14 / 44 / 8

HEX #EBC984

RGB 235 201 132

HSL 40.19, 0.72%, 0.72%

LAB 82.43, 2.99, 38.86

 

CMYK 0 / 17 / 51 / 4

HEX #F6CC78

RGB 246 204 120

HSL 40, 0.88%, 0.72%

LAB 84.04, 4.74, 47.09

 

CMYK 0 / 14 / 44 / 8

HEX #EBC984

RGB 235 201 132

HSL 40.19, 0.72%, 0.72%

LAB 82.43, 2.99, 38.86

 

CMYK 0 / 12 / 36 / 13

HEX #DFC58F

RGB 223 197 143

HSL 40.5, 0.56%, 0.72%

LAB 80.52, 1.53, 30.47

 

CMYK 0 / 9 / 27 / 17

HEX #D3C19B

RGB 211 193 155

HSL 40.71, 0.39%, 0.72%

LAB 78.67, 0.49, 21.47

 

CMYK 0 / 5 / 17 / 22

HEX #C8BDA6

RGB 200 189 166

HSL 40.59, 0.24%, 0.72%

LAB 76.94, 0.05, 13.02

 

CMYK 0 / 2 / 5 / 26

HEX #BCB9B2

RGB 188 185 178

HSL 42, 0.07%, 0.72%

LAB 75.2, -0.21, 3.91

 

CMYK 0 / 38 / 44 / 8

HEX #EB9184

RGB 235 145 132

HSL 7.57, 0.72%, 0.72%

LAB 69.17, 32.58, 21.33

 

CMYK 0 / 26 / 44 / 8

HEX #EBAD84

RGB 235 173 132

HSL 23.88, 0.72%, 0.72%

LAB 75.59, 17.73, 29.95

 

CMYK 0 / 15 / 44 / 8

HEX #EBC884

RGB 235 200 132

HSL 39.61, 0.72%, 0.72%

LAB 82.18, 3.51, 38.53

 

CMYK 0 / 3 / 44 / 8

HEX #EBE484

RGB 235 228 132

HSL 55.92, 0.72%, 0.72%

LAB 89.31, -10.76, 47.51

 

CMYK 9 / 0 / 44 / 8

HEX #D6EB84

RGB 214 235 132

HSL 72.23, 0.72%, 0.72%

LAB 89.57, -22.34, 47.5

 

CMYK 0 / 24 / 73 / 13

HEX #DFA93D

RGB 223 169 61

HSL 40, 0.72%, 0.56%

LAB 72.5, 9.58, 60.61

 

CMYK 0 / 19 / 58 / 10

HEX #E5B960

RGB 229 185 96

HSL 40.15, 0.72%, 0.64%

LAB 77.4, 5.76, 50.44

 

CMYK 0 / 14 / 44 / 8

HEX #EBC984

RGB 235 201 132

HSL 40.19, 0.72%, 0.72%

LAB 82.43, 2.99, 38.86

 

CMYK 0 / 10 / 30 / 6

HEX #F0D8A7

RGB 240 216 167

HSL 40.27, 0.71%, 0.8%

LAB 87.21, 1.17, 27.22

 

CMYK 0 / 6 / 17 / 4

HEX #F6E8CB

RGB 246 232 203

HSL 40.47, 0.7%, 0.88%

LAB 92.41, 0.13, 15.82

 

CMYK 0 / 14 / 44 / 8

HEX #EBC984

RGB 235 201 132

HSL 40.19, 0.72%, 0.72%

LAB 82.43, 2.99, 38.86

 

CMYK 38 / 0 / 44 / 8

HEX #91EB84

RGB 145 235 132

HSL 112.43, 0.72%, 0.72%

LAB 85.56, -46.46, 41.6

 

CMYK 32 / 44 / 0 / 8

HEX #9F84EB

RGB 159 132 235

HSL 255.73, 0.72%, 0.72%

LAB 61.54, 32.63, -48.55

 

CMYK 0 / 14 / 44 / 8

HEX #EBC984

RGB 235 201 132

HSL 40.19, 0.72%, 0.72%

LAB 82.43, 2.99, 38.86

 

CMYK 44 / 0 / 15 / 8

HEX #84EBC8

RGB 132 235 200

HSL 159.61, 0.72%, 0.72%

LAB 86.25, -38.06, 7.68

 

CMYK 15 / 44 / 0 / 8

HEX #C884EB

RGB 200 132 235

HSL 279.61, 0.72%, 0.72%

LAB 65.58, 43.95, -41.92

 

CMYK 0 / 14 / 44 / 8

HEX #EBC984

RGB 235 201 132

HSL 40.19, 0.72%, 0.72%

LAB 82.43, 2.99, 38.86

 

CMYK 38 / 0 / 44 / 8

HEX #91EB84

RGB 145 235 132

HSL 112.43, 0.72%, 0.72%

LAB 85.56, -46.46, 41.6

 

CMYK 44 / 29 / 0 / 8

HEX #84A6EB

RGB 132 166 235

HSL 220.19, 0.72%, 0.72%

LAB 68.15, 6.1, -38.31

 

CMYK 6 / 44 / 0 / 8

HEX #DD84EB

RGB 221 132 235

HSL 291.84, 0.72%, 0.72%

LAB 67.93, 49.96, -38.08

 

CMYK 0 / 14 / 44 / 8

HEX #EBC984

RGB 235 201 132

HSL 40.19, 0.72%, 0.72%

LAB 82.43, 2.99, 38.86

 

CMYK 44 / 0 / 37 / 8

HEX #84EB95

RGB 132 235 149

HSL 129.9, 0.72%, 0.72%

LAB 85.25, -47.73, 32.63

 

CMYK 44 / 29 / 0 / 8

HEX #84A6EB

RGB 132 166 235

HSL 220.19, 0.72%, 0.72%

LAB 68.15, 6.1, -38.31

 

CMYK 0 / 44 / 8 / 8

HEX #EB84D9

RGB 235 132 217

HSL 310.49, 0.72%, 0.72%

LAB 68.88, 50.9, -26.52

 

Description

Color code: RGB 235 201 132 | qconv.com Color code: RGB 235 201 132 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 201 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 201 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 44 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 44% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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