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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82EB6F it is the complementary color #7D1490. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82EB6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82EB6F shade: #87EB6A, #98FD7D, #A9FF90, #BAFFA3 and #CBFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82EB6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82EB6F shade: #82EB6F, #71D95C, #60C749, #4FB536 and #3EA323

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82EB6F shade: #82EB6F, #A3EB6F, #C5EB6F, #E6EB6F and #EBCE6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82EB6F shade: #82EB6F, #6FEB7D, #6FEB9F, #6FEBC0 and #6FEBE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82EB6F shade matches the following richer shades: #82EB6F and #79F862

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82EB6F shade: #82EB6F, #8BDE7C, #94D189, #9DC396 and #A7B6A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82EB6F shade: #C6EB6F, #A5EB6F, #84EB6F, #6FEB7B and #6FEB9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82EB6F shade: #43E126, #62E64B, #82EB6F, #A1F093 and #C1F5B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82EB6F shade: #82EB6F, #6FE7EB and #EB6FB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82EB6F shade: #82EB6F, #6F84EB and #EB6F84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82EB6F shade: #82EB6F, #6FE7EB, #D66FEB and #EB736F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82EB6F shade: #82EB6F, #6FC2EB, #D66FEB and #EB986F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 53 / 8

HEX #82EB6F

RGB 130 235 111

HSL 110.81, 0.76%, 0.68%

LAB 84.64, -53.62, 50.34

 

Complementary color

CMYK 13 / 86 / 0 / 44

HEX #7D1490

RGB 125 20 144

HSL 290.81, 0.76%, 0.32%

LAB 31.52, 57.6, -43.7

 

CMYK 43 / 0 / 55 / 8

HEX #87EB6A

RGB 135 235 106

HSL 106.51, 0.76%, 0.67%

LAB 84.8, -52.72, 52.86

 

CMYK 40 / 0 / 51 / 1

HEX #98FD7D

RGB 152 253 125

HSL 107.34, 0.97%, 0.74%

LAB 90.97, -52.71, 51.72

 

CMYK 34 / 0 / 44 / 0

HEX #A9FF90

RGB 169 255 144

HSL 106.49, 1%, 0.78%

LAB 92.56, -45.9, 44.9

 

CMYK 27 / 0 / 36 / 0

HEX #BAFFA3

RGB 186 255 163

HSL 105, 1%, 0.82%

LAB 93.71, -37.82, 37.28

 

CMYK 20 / 0 / 29 / 0

HEX #CBFFB6

RGB 203 255 182

HSL 102.74, 1%, 0.86%

LAB 94.99, -29.4, 29.67

 

CMYK 45 / 0 / 53 / 8

HEX #82EB6F

RGB 130 235 111

HSL 110.81, 0.76%, 0.68%

LAB 84.64, -53.62, 50.34

 

CMYK 48 / 0 / 58 / 15

HEX #71D95C

RGB 113 217 92

HSL 109.92, 0.62%, 0.61%

LAB 78.41, -53.55, 51.48

 

CMYK 52 / 0 / 63 / 22

HEX #60C749

RGB 96 199 73

HSL 109.05, 0.53%, 0.53%

LAB 72.1, -53.32, 52.51

 

CMYK 56 / 0 / 70 / 29

HEX #4FB536

RGB 79 181 54

HSL 108.19, 0.54%, 0.46%

LAB 65.73, -52.85, 53.26

 

CMYK 62 / 0 / 79 / 36

HEX #3EA323

RGB 62 163 35

HSL 107.34, 0.65%, 0.39%

LAB 59.29, -52.01, 53.46

 

CMYK 45 / 0 / 53 / 8

HEX #82EB6F

RGB 130 235 111

HSL 110.81, 0.76%, 0.68%

LAB 84.64, -53.62, 50.34

 

CMYK 31 / 0 / 53 / 8

HEX #A3EB6F

RGB 163 235 111

HSL 94.84, 0.76%, 0.68%

LAB 86.18, -43.15, 52.54

 

CMYK 16 / 0 / 53 / 8

HEX #C5EB6F

RGB 197 235 111

HSL 78.39, 0.76%, 0.68%

LAB 88.18, -30.87, 55.39

 

CMYK 2 / 0 / 53 / 8

HEX #E6EB6F

RGB 230 235 111

HSL 62.42, 0.76%, 0.68%

LAB 90.5, -18.06, 58.69

 

CMYK 0 / 12 / 53 / 8

HEX #EBCE6F

RGB 235 206 111

HSL 45.97, 0.76%, 0.68%

LAB 83.42, -1.52, 50.48

 

CMYK 45 / 0 / 53 / 8

HEX #82EB6F

RGB 130 235 111

HSL 110.81, 0.76%, 0.68%

LAB 84.64, -53.62, 50.34

 

CMYK 53 / 0 / 47 / 8

HEX #6FEB7D

RGB 111 235 125

HSL 126.77, 0.76%, 0.68%

LAB 84.11, -56.92, 42.89

 

CMYK 53 / 0 / 32 / 8

HEX #6FEB9F

RGB 111 235 159

HSL 143.23, 0.76%, 0.68%

LAB 84.64, -51.37, 26.59

 

CMYK 53 / 0 / 18 / 8

HEX #6FEBC0

RGB 111 235 192

HSL 159.19, 0.76%, 0.68%

LAB 85.3, -44.72, 10.41

 

CMYK 53 / 0 / 4 / 8

HEX #6FEBE2

RGB 111 235 226

HSL 175.65, 0.76%, 0.68%

LAB 86.15, -36.7, -6.21

 

CMYK 45 / 0 / 53 / 8

HEX #82EB6F

RGB 130 235 111

HSL 110.81, 0.76%, 0.68%

LAB 84.64, -53.62, 50.34

 

CMYK 51 / 0 / 60 / 3

HEX #79F862

RGB 121 248 98

HSL 110.8, 0.91%, 0.68%

LAB 88.01, -62.53, 59.92

 

CMYK 45 / 0 / 53 / 8

HEX #82EB6F

RGB 130 235 111

HSL 110.81, 0.76%, 0.68%

LAB 84.64, -53.62, 50.34

 

CMYK 37 / 0 / 44 / 13

HEX #8BDE7C

RGB 139 222 124

HSL 110.82, 0.6%, 0.68%

LAB 81.39, -43.84, 40.19

 

CMYK 29 / 0 / 34 / 18

HEX #94D189

RGB 148 209 137

HSL 110.83, 0.44%, 0.68%

LAB 78.29, -33.2, 29.66

 

CMYK 19 / 0 / 23 / 24

HEX #9DC396

RGB 157 195 150

HSL 110.67, 0.27%, 0.68%

LAB 75.08, -21.27, 18.55

 

CMYK 8 / 0 / 10 / 29

HEX #A7B6A4

RGB 167 182 164

HSL 110, 0.11%, 0.68%

LAB 72.46, -8.6, 7.39

 

CMYK 16 / 0 / 53 / 8

HEX #C6EB6F

RGB 198 235 111

HSL 77.9, 0.76%, 0.68%

LAB 88.24, -30.49, 55.49

 

CMYK 30 / 0 / 53 / 8

HEX #A5EB6F

RGB 165 235 111

HSL 93.87, 0.76%, 0.68%

LAB 86.29, -42.46, 52.7

 

CMYK 44 / 0 / 53 / 8

HEX #84EB6F

RGB 132 235 111

HSL 109.84, 0.76%, 0.68%

LAB 84.73, -53.04, 50.45

 

CMYK 53 / 0 / 48 / 8

HEX #6FEB7B

RGB 111 235 123

HSL 125.81, 0.76%, 0.68%

LAB 84.08, -57.2, 43.82

 

CMYK 53 / 0 / 34 / 8

HEX #6FEB9C

RGB 111 235 156

HSL 141.77, 0.76%, 0.68%

LAB 84.58, -51.92, 28.05

 

CMYK 70 / 0 / 83 / 12

HEX #43E126

RGB 67 225 38

HSL 110.7, 0.76%, 0.52%

LAB 79.15, -71.24, 71.11

 

CMYK 57 / 0 / 67 / 10

HEX #62E64B

RGB 98 230 75

HSL 111.1, 0.76%, 0.6%

LAB 81.67, -63.98, 62.09

 

CMYK 45 / 0 / 53 / 8

HEX #82EB6F

RGB 130 235 111

HSL 110.81, 0.76%, 0.68%

LAB 84.64, -53.62, 50.34

 

CMYK 33 / 0 / 39 / 6

HEX #A1F093

RGB 161 240 147

HSL 110.97, 0.76%, 0.76%

LAB 87.97, -41.52, 37.46

 

CMYK 21 / 0 / 25 / 4

HEX #C1F5B7

RGB 193 245 183

HSL 110.32, 0.76%, 0.84%

LAB 91.71, -27.88, 24.6

 

CMYK 45 / 0 / 53 / 8

HEX #82EB6F

RGB 130 235 111

HSL 110.81, 0.76%, 0.68%

LAB 84.64, -53.62, 50.34

 

CMYK 53 / 2 / 0 / 8

HEX #6FE7EB

RGB 111 231 235

HSL 181.94, 0.76%, 0.68%

LAB 85.27, -32.52, -12.26

 

CMYK 0 / 53 / 23 / 8

HEX #EB6FB5

RGB 235 111 181

HSL 326.13, 0.76%, 0.68%

LAB 63.65, 55.66, -14.28

 

CMYK 45 / 0 / 53 / 8

HEX #82EB6F

RGB 130 235 111

HSL 110.81, 0.76%, 0.68%

LAB 84.64, -53.62, 50.34

 

CMYK 53 / 44 / 0 / 8

HEX #6F84EB

RGB 111 132 235

HSL 229.84, 0.76%, 0.68%

LAB 57.92, 21.05, -54.52

 

CMYK 0 / 53 / 44 / 8

HEX #EB6F84

RGB 235 111 132

HSL 349.84, 0.76%, 0.68%

LAB 62.25, 49.82, 11.75

 

CMYK 45 / 0 / 53 / 8

HEX #82EB6F

RGB 130 235 111

HSL 110.81, 0.76%, 0.68%

LAB 84.64, -53.62, 50.34

 

CMYK 53 / 2 / 0 / 8

HEX #6FE7EB

RGB 111 231 235

HSL 181.94, 0.76%, 0.68%

LAB 85.27, -32.52, -12.26

 

CMYK 9 / 53 / 0 / 8

HEX #D66FEB

RGB 214 111 235

HSL 289.84, 0.76%, 0.68%

LAB 63.06, 58.52, -45.76

 

CMYK 0 / 51 / 53 / 8

HEX #EB736F

RGB 235 115 111

HSL 1.94, 0.76%, 0.68%

LAB 62.57, 45.96, 24.18

 

CMYK 45 / 0 / 53 / 8

HEX #82EB6F

RGB 130 235 111

HSL 110.81, 0.76%, 0.68%

LAB 84.64, -53.62, 50.34

 

CMYK 53 / 17 / 0 / 8

HEX #6FC2EB

RGB 111 194 235

HSL 199.84, 0.76%, 0.68%

LAB 74.8, -14.07, -28.11

 

CMYK 9 / 53 / 0 / 8

HEX #D66FEB

RGB 214 111 235

HSL 289.84, 0.76%, 0.68%

LAB 63.06, 58.52, -45.76

 

CMYK 0 / 35 / 53 / 8

HEX #EB986F

RGB 235 152 111

HSL 19.84, 0.76%, 0.68%

LAB 70.36, 26.91, 34.35

 

Description

Color code: HEX #82EB6F | qconv.com Color code: HEX #82EB6F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 235 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 235 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 53 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 53% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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