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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB746F it is the complementary color #148B90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB746F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB746F shade: #F0746A, #FF867D, #FF9890, #FFAAA3 and #FFBCB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB746F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB746F shade: #EB746F, #DA625C, #C95049, #B83E36 and #A72C23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB746F shade: #EB746F and #EB6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB746F shade: #EB746F, #EB966F, #EBB76F, #EBD96F and #DDEB6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB746F shade matches the following richer shades: #EB746F and #F96862

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB746F shade: #EB746F, #DE817D, #D18D8A, #C49997 and #B7A5A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB746F shade: #EB6FAD, #EB6F8C, #EB746F, #EB956F and #EBB66F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB746F shade: #E22E27, #E6514B, #EB746F, #F09794 and #F5BAB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB746F shade: #EB746F, #CEEB6F and #6F9DEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB746F shade: #EB746F, #6FEB74 and #746FEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB746F shade: #EB746F, #CEEB6F, #6FE7EB and #8C6FEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB746F shade: #EB746F, #A9EB6F, #6FE7EB and #B26FEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 53 / 8

HEX #EB746F

RGB 235 116 111

HSL 2.42, 0.76%, 0.68%

LAB 62.76, 45.47, 24.44

 

Complementary color

CMYK 86 / 3 / 0 / 44

HEX #148B90

RGB 20 139 144

HSL 182.42, 0.76%, 0.32%

LAB 52.54, -27.93, -11.39

 

CMYK 0 / 52 / 56 / 6

HEX #F0746A

RGB 240 116 106

HSL 4.48, 0.82%, 0.68%

LAB 63.39, 46.87, 28.22

 

CMYK 0 / 47 / 51 / 0

HEX #FF867D

RGB 255 134 125

HSL 4.15, 1%, 0.75%

LAB 69.32, 44.99, 25.85

 

CMYK 0 / 40 / 44 / 0

HEX #FF9890

RGB 255 152 144

HSL 4.32, 1%, 0.78%

LAB 73.37, 37.67, 20.86

 

CMYK 0 / 33 / 36 / 0

HEX #FFAAA3

RGB 255 170 163

HSL 4.57, 1%, 0.82%

LAB 77.67, 30.41, 16.45

 

CMYK 0 / 26 / 29 / 0

HEX #FFBCB6

RGB 255 188 182

HSL 4.93, 1%, 0.86%

LAB 82.17, 23.33, 12.53

 

CMYK 0 / 51 / 53 / 8

HEX #EB746F

RGB 235 116 111

HSL 2.42, 0.76%, 0.68%

LAB 62.76, 45.47, 24.44

 

CMYK 0 / 55 / 58 / 15

HEX #DA625C

RGB 218 98 92

HSL 2.86, 0.63%, 0.61%

LAB 56.5, 46.61, 26.56

 

CMYK 0 / 60 / 64 / 21

HEX #C95049

RGB 201 80 73

HSL 3.28, 0.54%, 0.54%

LAB 50.26, 47.72, 29.04

 

CMYK 0 / 66 / 71 / 28

HEX #B83E36

RGB 184 62 54

HSL 3.69, 0.55%, 0.47%

LAB 44.09, 48.7, 31.96

 

CMYK 0 / 74 / 79 / 35

HEX #A72C23

RGB 167 44 35

HSL 4.09, 0.65%, 0.4%

LAB 38.09, 49.34, 35.34

 

CMYK 0 / 51 / 53 / 8

HEX #EB746F

RGB 235 116 111

HSL 2.42, 0.76%, 0.68%

LAB 62.76, 45.47, 24.44

 

CMYK 0 / 53 / 53 / 8

HEX #EB6F6F

RGB 235 111 111

HSL 0, 0.76%, 0.68%

LAB 61.81, 47.9, 23.16

 

CMYK 0 / 51 / 53 / 8

HEX #EB746F

RGB 235 116 111

HSL 2.42, 0.76%, 0.68%

LAB 62.76, 45.47, 24.44

 

CMYK 0 / 36 / 53 / 8

HEX #EB966F

RGB 235 150 111

HSL 18.87, 0.76%, 0.68%

LAB 69.91, 27.97, 33.78

 

CMYK 0 / 22 / 53 / 8

HEX #EBB76F

RGB 235 183 111

HSL 34.84, 0.76%, 0.68%

LAB 77.68, 10.47, 43.53

 

CMYK 0 / 8 / 53 / 8

HEX #EBD96F

RGB 235 217 111

HSL 51.29, 0.76%, 0.68%

LAB 86.22, -7.12, 53.81

 

CMYK 6 / 0 / 53 / 8

HEX #DDEB6F

RGB 221 235 111

HSL 66.77, 0.76%, 0.68%

LAB 89.83, -21.61, 57.74

 

CMYK 0 / 51 / 53 / 8

HEX #EB746F

RGB 235 116 111

HSL 2.42, 0.76%, 0.68%

LAB 62.76, 45.47, 24.44

 

CMYK 0 / 58 / 61 / 2

HEX #F96862

RGB 249 104 98

HSL 2.38, 0.93%, 0.68%

LAB 62.44, 55.08, 31.75

 

CMYK 0 / 51 / 53 / 8

HEX #EB746F

RGB 235 116 111

HSL 2.42, 0.76%, 0.68%

LAB 62.76, 45.47, 24.44

 

CMYK 0 / 42 / 44 / 13

HEX #DE817D

RGB 222 129 125

HSL 2.47, 0.6%, 0.68%

LAB 63.93, 35.35, 17.8

 

CMYK 0 / 33 / 34 / 18

HEX #D18D8A

RGB 209 141 138

HSL 2.54, 0.44%, 0.68%

LAB 65.31, 25.48, 12.16

 

CMYK 0 / 22 / 23 / 23

HEX #C49997

RGB 196 153 151

HSL 2.67, 0.28%, 0.68%

LAB 67.09, 15.74, 7.21

 

CMYK 0 / 10 / 10 / 28

HEX #B7A5A4

RGB 183 165 164

HSL 3.16, 0.12%, 0.68%

LAB 69.23, 6.36, 2.89

 

CMYK 0 / 53 / 26 / 8

HEX #EB6FAD

RGB 235 111 173

HSL 330, 0.76%, 0.68%

LAB 63.38, 54.59, -10.12

 

CMYK 0 / 53 / 40 / 8

HEX #EB6F8C

RGB 235 111 140

HSL 345.97, 0.76%, 0.68%

LAB 62.44, 50.65, 7.42

 

CMYK 0 / 51 / 53 / 8

HEX #EB746F

RGB 235 116 111

HSL 2.42, 0.76%, 0.68%

LAB 62.76, 45.47, 24.44

 

CMYK 0 / 37 / 53 / 8

HEX #EB956F

RGB 235 149 111

HSL 18.39, 0.76%, 0.68%

LAB 69.69, 28.5, 33.49

 

CMYK 0 / 23 / 53 / 8

HEX #EBB66F

RGB 235 182 111

HSL 34.35, 0.76%, 0.68%

LAB 77.44, 11, 43.23

 

CMYK 0 / 80 / 83 / 11

HEX #E22E27

RGB 226 46 39

HSL 2.25, 0.76%, 0.52%

LAB 49.82, 66.67, 48.58

 

CMYK 0 / 65 / 67 / 10

HEX #E6514B

RGB 230 81 75

HSL 2.32, 0.76%, 0.6%

LAB 55.29, 57.27, 35.17

 

CMYK 0 / 51 / 53 / 8

HEX #EB746F

RGB 235 116 111

HSL 2.42, 0.76%, 0.68%

LAB 62.76, 45.47, 24.44

 

CMYK 0 / 37 / 38 / 6

HEX #F09794

RGB 240 151 148

HSL 1.96, 0.75%, 0.76%

LAB 71.42, 33.05, 15.68

 

CMYK 0 / 24 / 25 / 4

HEX #F5BAB8

RGB 245 186 184

HSL 1.97, 0.75%, 0.84%

LAB 80.73, 20.99, 9.28

 

CMYK 0 / 51 / 53 / 8

HEX #EB746F

RGB 235 116 111

HSL 2.42, 0.76%, 0.68%

LAB 62.76, 45.47, 24.44

 

CMYK 12 / 0 / 53 / 8

HEX #CEEB6F

RGB 206 235 111

HSL 74.03, 0.76%, 0.68%

LAB 88.77, -27.44, 56.24

 

CMYK 53 / 33 / 0 / 8

HEX #6F9DEB

RGB 111 157 235

HSL 217.74, 0.76%, 0.68%

LAB 64.56, 6.34, -44.02

 

CMYK 0 / 51 / 53 / 8

HEX #EB746F

RGB 235 116 111

HSL 2.42, 0.76%, 0.68%

LAB 62.76, 45.47, 24.44

 

CMYK 53 / 0 / 51 / 8

HEX #6FEB74

RGB 111 235 116

HSL 122.42, 0.76%, 0.68%

LAB 84, -58.15, 47.05

 

CMYK 51 / 53 / 0 / 8

HEX #746FEB

RGB 116 111 235

HSL 242.42, 0.76%, 0.68%

LAB 53.04, 34.65, -62.34

 

CMYK 0 / 51 / 53 / 8

HEX #EB746F

RGB 235 116 111

HSL 2.42, 0.76%, 0.68%

LAB 62.76, 45.47, 24.44

 

CMYK 12 / 0 / 53 / 8

HEX #CEEB6F

RGB 206 235 111

HSL 74.03, 0.76%, 0.68%

LAB 88.77, -27.44, 56.24

 

CMYK 53 / 2 / 0 / 8

HEX #6FE7EB

RGB 111 231 235

HSL 181.94, 0.76%, 0.68%

LAB 85.27, -32.52, -12.26

 

CMYK 40 / 53 / 0 / 8

HEX #8C6FEB

RGB 140 111 235

HSL 254.03, 0.76%, 0.68%

LAB 55.01, 39.91, -59.06

 

CMYK 0 / 51 / 53 / 8

HEX #EB746F

RGB 235 116 111

HSL 2.42, 0.76%, 0.68%

LAB 62.76, 45.47, 24.44

 

CMYK 28 / 0 / 53 / 8

HEX #A9EB6F

RGB 169 235 111

HSL 91.94, 0.76%, 0.68%

LAB 86.5, -41.07, 53.01

 

CMYK 53 / 2 / 0 / 8

HEX #6FE7EB

RGB 111 231 235

HSL 181.94, 0.76%, 0.68%

LAB 85.27, -32.52, -12.26

 

CMYK 24 / 53 / 0 / 8

HEX #B26FEB

RGB 178 111 235

HSL 272.42, 0.76%, 0.68%

LAB 58.82, 49.18, -52.76

 

Description

Color code: HEX #EB746F | qconv.com Color code: HEX #EB746F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 116 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 116 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 53 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 53% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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