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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82D277 it is the complementary color #7D2D88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82D277. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82D277 shade: #87D272, #98E485, #A9F698, #BAFFAB and #CBFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82D277. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82D277 shade: #82D277, #71C064, #60AE51, #4F9C3E and #3E8A2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82D277 shade: #84D279, #9CD279, #B4D279, #CCD279 and #D2C179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82D277 shade: #84D279, #79D286, #79D29E, #79D2B7 and #79D2CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82D277 shade matches the following richer shades: #84D279, #79E16B, #6EEF5C and #63FE4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82D277 shade: #84D279, #8FC488, #9AB596, #A5A7A4 and #B099B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82D277 shade: #B5D279, #9DD279, #85D279, #79D285 and #79D29D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82D277 shade: #4DBB3E, #67C85A, #84D279, #A0DD98 and #BDE7B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82D277 shade: #82D277, #79CCD2 and #D279A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82D277 shade: #82D277, #7985D2 and #D27985

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82D277 shade: #82D277, #79CCD2, #C679D2 and #D27F79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82D277 shade: #82D277, #79B2D2, #C679D2 and #D29A79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 43 / 18

HEX #82D277

RGB 130 210 119

HSL 112.75, 0.5%, 0.65%

LAB 77.38, -42.15, 37.49

 

Complementary color

CMYK 8 / 67 / 0 / 47

HEX #7D2D88

RGB 125 45 136

HSL 292.75, 0.5%, 0.35%

LAB 34.01, 47.48, -34.77

 

CMYK 36 / 0 / 46 / 18

HEX #87D272

RGB 135 210 114

HSL 106.88, 0.52%, 0.64%

LAB 77.55, -41.24, 40.25

 

CMYK 33 / 0 / 42 / 11

HEX #98E485

RGB 152 228 133

HSL 108, 0.64%, 0.71%

LAB 83.89, -41.08, 39.05

 

CMYK 31 / 0 / 38 / 4

HEX #A9F698

RGB 169 246 152

HSL 109.15, 0.84%, 0.78%

LAB 90.14, -40.9, 37.89

 

CMYK 27 / 0 / 33 / 0

HEX #BAFFAB

RGB 186 255 171

HSL 109.29, 1%, 0.84%

LAB 93.84, -36.67, 33.47

 

CMYK 20 / 0 / 25 / 0

HEX #CBFFBE

RGB 203 255 190

HSL 108, 1%, 0.87%

LAB 95.13, -28.17, 25.82

 

CMYK 38 / 0 / 43 / 18

HEX #82D277

RGB 130 210 119

HSL 112.75, 0.5%, 0.65%

LAB 77.38, -42.15, 37.49

 

CMYK 41 / 0 / 48 / 25

HEX #71C064

RGB 113 192 100

HSL 111.52, 0.42%, 0.57%

LAB 70.96, -42.3, 38.73

 

CMYK 45 / 0 / 53 / 32

HEX #60AE51

RGB 96 174 81

HSL 110.32, 0.36%, 0.5%

LAB 64.45, -42.36, 39.99

 

CMYK 49 / 0 / 60 / 39

HEX #4F9C3E

RGB 79 156 62

HSL 109.15, 0.43%, 0.43%

LAB 57.83, -42.28, 41.18

 

CMYK 55 / 0 / 69 / 46

HEX #3E8A2B

RGB 62 138 43

HSL 108, 0.52%, 0.35%

LAB 51.12, -41.95, 42.17

 

CMYK 37 / 0 / 42 / 18

HEX #84D279

RGB 132 210 121

HSL 112.58, 0.5%, 0.65%

LAB 77.51, -41.24, 36.66

 

CMYK 26 / 0 / 42 / 18

HEX #9CD279

RGB 156 210 121

HSL 96.4, 0.5%, 0.65%

LAB 78.78, -33.18, 38.54

 

CMYK 14 / 0 / 42 / 18

HEX #B4D279

RGB 180 210 121

HSL 80.22, 0.5%, 0.65%

LAB 80.28, -24.38, 40.76

 

CMYK 3 / 0 / 42 / 18

HEX #CCD279

RGB 204 210 121

HSL 64.04, 0.5%, 0.65%

LAB 82.01, -15.08, 43.29

 

CMYK 0 / 8 / 42 / 18

HEX #D2C179

RGB 210 193 121

HSL 48.54, 0.5%, 0.65%

LAB 78.01, -4.01, 38.36

 

CMYK 37 / 0 / 42 / 18

HEX #84D279

RGB 132 210 121

HSL 112.58, 0.5%, 0.65%

LAB 77.51, -41.24, 36.66

 

CMYK 42 / 0 / 36 / 18

HEX #79D286

RGB 121 210 134

HSL 128.76, 0.5%, 0.65%

LAB 77.21, -42.58, 29.54

 

CMYK 42 / 0 / 25 / 18

HEX #79D29E

RGB 121 210 158

HSL 144.94, 0.5%, 0.65%

LAB 77.65, -38.26, 17.58

 

CMYK 42 / 0 / 13 / 18

HEX #79D2B7

RGB 121 210 183

HSL 161.8, 0.5%, 0.65%

LAB 78.21, -33.04, 5.05

 

CMYK 42 / 0 / 1 / 18

HEX #79D2CF

RGB 121 210 207

HSL 177.98, 0.5%, 0.65%

LAB 78.85, -27.4, -6.89

 

CMYK 37 / 0 / 42 / 18

HEX #84D279

RGB 132 210 121

HSL 112.58, 0.5%, 0.65%

LAB 77.51, -41.24, 36.66

 

CMYK 46 / 0 / 52 / 12

HEX #79E16B

RGB 121 225 107

HSL 112.88, 0.66%, 0.65%

LAB 81.28, -52.7, 48.06

 

CMYK 54 / 0 / 62 / 6

HEX #6EEF5C

RGB 110 239 92

HSL 112.65, 0.82%, 0.65%

LAB 84.9, -62.66, 58.86

 

CMYK 61 / 0 / 69 / 0

HEX #63FE4E

RGB 99 254 78

HSL 112.84, 0.99%, 0.65%

LAB 88.96, -71.7, 68.63

 

CMYK 37 / 0 / 42 / 18

HEX #84D279

RGB 132 210 121

HSL 112.58, 0.5%, 0.65%

LAB 77.51, -41.24, 36.66

 

CMYK 27 / 0 / 31 / 23

HEX #8FC488

RGB 143 196 136

HSL 113, 0.34%, 0.65%

LAB 74.25, -28.9, 24.73

 

CMYK 15 / 0 / 17 / 29

HEX #9AB596

RGB 154 181 150

HSL 112.26, 0.17%, 0.65%

LAB 70.95, -15.21, 12.76

 

CMYK 1 / 0 / 2 / 35

HEX #A5A7A4

RGB 165 167 164

HSL 100, 0.02%, 0.65%

LAB 68.25, -1.28, 1.29

 

CMYK 2 / 15 / 0 / 30

HEX #B099B3

RGB 176 153 179

HSL 293.08, 0.15%, 0.65%

LAB 65.96, 13.24, -10.36

 

CMYK 14 / 0 / 42 / 18

HEX #B5D279

RGB 181 210 121

HSL 79.55, 0.5%, 0.65%

LAB 80.35, -24, 40.86

 

CMYK 25 / 0 / 42 / 18

HEX #9DD279

RGB 157 210 121

HSL 95.73, 0.5%, 0.65%

LAB 78.83, -32.82, 38.63

 

CMYK 37 / 0 / 42 / 18

HEX #85D279

RGB 133 210 121

HSL 111.91, 0.5%, 0.65%

LAB 77.56, -40.92, 36.73

 

CMYK 42 / 0 / 37 / 18

HEX #79D285

RGB 121 210 133

HSL 128.09, 0.5%, 0.65%

LAB 77.19, -42.74, 30.04

 

CMYK 42 / 0 / 25 / 18

HEX #79D29D

RGB 121 210 157

HSL 144.27, 0.5%, 0.65%

LAB 77.63, -38.45, 18.08

 

CMYK 59 / 0 / 67 / 27

HEX #4DBB3E

RGB 77 187 62

HSL 112.8, 0.5%, 0.49%

LAB 67.63, -54.86, 52.05

 

CMYK 49 / 0 / 55 / 22

HEX #67C85A

RGB 103 200 90

HSL 112.91, 0.5%, 0.57%

LAB 72.85, -49.9, 45.78

 

CMYK 37 / 0 / 42 / 18

HEX #84D279

RGB 132 210 121

HSL 112.58, 0.5%, 0.65%

LAB 77.51, -41.24, 36.66

 

CMYK 28 / 0 / 31 / 13

HEX #A0DD98

RGB 160 221 152

HSL 113.04, 0.5%, 0.73%

LAB 82.62, -32.47, 27.83

 

CMYK 18 / 0 / 21 / 9

HEX #BDE7B7

RGB 189 231 183

HSL 112.5, 0.5%, 0.81%

LAB 87.67, -22.51, 18.97

 

CMYK 38 / 0 / 43 / 18

HEX #82D277

RGB 130 210 119

HSL 112.75, 0.5%, 0.65%

LAB 77.38, -42.15, 37.49

 

CMYK 42 / 3 / 0 / 18

HEX #79CCD2

RGB 121 204 210

HSL 184.04, 0.5%, 0.65%

LAB 77.22, -23.69, -10.91

 

CMYK 0 / 42 / 20 / 18

HEX #D279A9

RGB 210 121 169

HSL 327.64, 0.5%, 0.65%

LAB 61.86, 40.88, -10.45

 

CMYK 38 / 0 / 43 / 18

HEX #82D277

RGB 130 210 119

HSL 112.75, 0.5%, 0.65%

LAB 77.38, -42.15, 37.49

 

CMYK 42 / 37 / 0 / 18

HEX #7985D2

RGB 121 133 210

HSL 231.91, 0.5%, 0.65%

LAB 57.55, 15.28, -41.09

 

CMYK 0 / 42 / 37 / 18

HEX #D27985

RGB 210 121 133

HSL 351.91, 0.5%, 0.65%

LAB 60.84, 35.99, 8.7

 

CMYK 38 / 0 / 43 / 18

HEX #82D277

RGB 130 210 119

HSL 112.75, 0.5%, 0.65%

LAB 77.38, -42.15, 37.49

 

CMYK 42 / 3 / 0 / 18

HEX #79CCD2

RGB 121 204 210

HSL 184.04, 0.5%, 0.65%

LAB 77.22, -23.69, -10.91

 

CMYK 6 / 42 / 0 / 18

HEX #C679D2

RGB 198 121 210

HSL 291.91, 0.5%, 0.65%

LAB 61.94, 44.16, -33.7

 

CMYK 0 / 40 / 42 / 18

HEX #D27F79

RGB 210 127 121

HSL 4.04, 0.5%, 0.65%

LAB 61.88, 31.42, 17.01

 

CMYK 38 / 0 / 43 / 18

HEX #82D277

RGB 130 210 119

HSL 112.75, 0.5%, 0.65%

LAB 77.38, -42.15, 37.49

 

CMYK 42 / 15 / 0 / 18

HEX #79B2D2

RGB 121 178 210

HSL 201.57, 0.5%, 0.65%

LAB 69.87, -10.24, -22.01

 

CMYK 6 / 42 / 0 / 18

HEX #C679D2

RGB 198 121 210

HSL 291.91, 0.5%, 0.65%

LAB 61.94, 44.16, -33.7

 

CMYK 0 / 27 / 42 / 18

HEX #D29A79

RGB 210 154 121

HSL 22.25, 0.5%, 0.65%

LAB 68.16, 16.81, 25.53

 

Description

Color code: HEX #82D277 | qconv.com Color code: HEX #82D277 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 210 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 210 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 43 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 43% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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