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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EEF5C it is the complementary color #9110A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EEF5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EEF5C shade: #73EF57, #84FF6A, #95FF7D, #A6FF90 and #B7FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EEF5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EEF5C shade: #6EEF5C, #5DDD49, #4CCB36, #3BB923 and #2AA710

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EEF5C shade: #6EEF5D, #96EF5D, #BDEF5D, #E5EF5D and #EFD15D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EEF5C shade: #6EEF5D, #5DEF72, #5DEF9A, #5DEFC1 and #5DEFE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EEF5C shade matches the following richer shades: #6EEF5D and #64FD4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EEF5C shade: #6EEF5D, #79E06B, #84D279, #8FC488 and #9AB596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EEF5C shade: #BEEF5D, #97EF5D, #70EF5D, #5DEF70 and #5DEF97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EEF5C shade: #2FE316, #4DEB37, #6EEF5D, #90F382 and #B1F6A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EEF5C shade: #6EEF5C, #5DE5EF and #EF5DAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EEF5C shade: #6EEF5C, #5D70EF and #EF5D70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EEF5C shade: #6EEF5C, #5DE5EF, #DB5DEF and #EF665D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EEF5C shade: #6EEF5C, #5DB9EF, #DB5DEF and #EF925D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 62 / 6

HEX #6EEF5C

RGB 110 239 92

HSL 112.65, 0.82%, 0.65%

LAB 84.9, -62.66, 58.86

 

Complementary color

CMYK 11 / 90 / 0 / 36

HEX #9110A3

RGB 145 16 163

HSL 292.65, 0.82%, 0.35%

LAB 36.05, 65.27, -47.81

 

CMYK 52 / 0 / 64 / 6

HEX #73EF57

RGB 115 239 87

HSL 108.95, 0.83%, 0.64%

LAB 85.03, -61.85, 61.11

 

CMYK 48 / 0 / 58 / 0

HEX #84FF6A

RGB 132 255 106

HSL 109.53, 1%, 0.71%

LAB 90.54, -61.37, 59.5

 

CMYK 42 / 0 / 51 / 0

HEX #95FF7D

RGB 149 255 125

HSL 108.92, 1%, 0.75%

LAB 91.41, -54.42, 52.23

 

CMYK 35 / 0 / 44 / 0

HEX #A6FF90

RGB 166 255 144

HSL 108.11, 1%, 0.78%

LAB 92.42, -46.85, 44.69

 

CMYK 28 / 0 / 36 / 0

HEX #B7FFA3

RGB 183 255 163

HSL 106.96, 1%, 0.82%

LAB 93.55, -38.81, 37.04

 

CMYK 54 / 0 / 62 / 6

HEX #6EEF5C

RGB 110 239 92

HSL 112.65, 0.82%, 0.65%

LAB 84.9, -62.66, 58.86

 

CMYK 58 / 0 / 67 / 13

HEX #5DDD49

RGB 93 221 73

HSL 111.89, 0.69%, 0.58%

LAB 78.76, -62.19, 59.72

 

CMYK 63 / 0 / 73 / 20

HEX #4CCB36

RGB 76 203 54

HSL 111.14, 0.59%, 0.5%

LAB 72.57, -61.4, 60.23

 

CMYK 68 / 0 / 81 / 27

HEX #3BB923

RGB 59 185 35

HSL 110.4, 0.68%, 0.43%

LAB 66.33, -60.19, 60.09

 

CMYK 75 / 0 / 90 / 35

HEX #2AA710

RGB 42 167 16

HSL 109.67, 0.83%, 0.36%

LAB 60.04, -58.36, 58.8

 

CMYK 54 / 0 / 61 / 6

HEX #6EEF5D

RGB 110 239 93

HSL 113.01, 0.82%, 0.65%

LAB 84.91, -62.56, 58.45

 

CMYK 37 / 0 / 61 / 6

HEX #96EF5D

RGB 150 239 93

HSL 96.58, 0.82%, 0.65%

LAB 86.51, -50.94, 60.67

 

CMYK 21 / 0 / 61 / 6

HEX #BDEF5D

RGB 189 239 93

HSL 80.55, 0.82%, 0.65%

LAB 88.61, -37.23, 63.58

 

CMYK 4 / 0 / 61 / 6

HEX #E5EF5D

RGB 229 239 93

HSL 64.11, 0.82%, 0.65%

LAB 91.32, -21.7, 67.3

 

CMYK 0 / 13 / 61 / 6

HEX #EFD15D

RGB 239 209 93

HSL 47.67, 0.82%, 0.65%

LAB 84.35, -2.74, 59.96

 

CMYK 54 / 0 / 61 / 6

HEX #6EEF5D

RGB 110 239 93

HSL 113.01, 0.82%, 0.65%

LAB 84.91, -62.56, 58.45

 

CMYK 61 / 0 / 52 / 6

HEX #5DEF72

RGB 93 239 114

HSL 128.63, 0.82%, 0.65%

LAB 84.63, -64.04, 48.63

 

CMYK 61 / 0 / 36 / 6

HEX #5DEF9A

RGB 93 239 154

HSL 145.07, 0.82%, 0.65%

LAB 85.2, -57.75, 29.8

 

CMYK 61 / 0 / 19 / 6

HEX #5DEFC1

RGB 93 239 193

HSL 161.1, 0.82%, 0.65%

LAB 85.96, -49.77, 10.75

 

CMYK 61 / 0 / 3 / 6

HEX #5DEFE9

RGB 93 239 233

HSL 177.53, 0.82%, 0.65%

LAB 86.97, -39.97, -8.73

 

CMYK 54 / 0 / 61 / 6

HEX #6EEF5D

RGB 110 239 93

HSL 113.01, 0.82%, 0.65%

LAB 84.91, -62.56, 58.45

 

CMYK 60 / 0 / 69 / 1

HEX #64FD4E

RGB 100 253 78

HSL 112.46, 0.98%, 0.65%

LAB 88.69, -71.15, 68.36

 

CMYK 54 / 0 / 61 / 6

HEX #6EEF5D

RGB 110 239 93

HSL 113.01, 0.82%, 0.65%

LAB 84.91, -62.56, 58.45

 

CMYK 46 / 0 / 52 / 12

HEX #79E06B

RGB 121 224 107

HSL 112.82, 0.65%, 0.65%

LAB 80.98, -52.3, 47.7

 

CMYK 37 / 0 / 42 / 18

HEX #84D279

RGB 132 210 121

HSL 112.58, 0.5%, 0.65%

LAB 77.51, -41.24, 36.66

 

CMYK 27 / 0 / 31 / 23

HEX #8FC488

RGB 143 196 136

HSL 113, 0.34%, 0.65%

LAB 74.25, -28.9, 24.73

 

CMYK 15 / 0 / 17 / 29

HEX #9AB596

RGB 154 181 150

HSL 112.26, 0.17%, 0.65%

LAB 70.95, -15.21, 12.76

 

CMYK 21 / 0 / 61 / 6

HEX #BEEF5D

RGB 190 239 93

HSL 80.14, 0.82%, 0.65%

LAB 88.67, -36.86, 63.67

 

CMYK 37 / 0 / 61 / 6

HEX #97EF5D

RGB 151 239 93

HSL 96.16, 0.82%, 0.65%

LAB 86.55, -50.61, 60.73

 

CMYK 53 / 0 / 61 / 6

HEX #70EF5D

RGB 112 239 93

HSL 112.19, 0.82%, 0.65%

LAB 84.98, -62.06, 58.54

 

CMYK 61 / 0 / 53 / 6

HEX #5DEF70

RGB 93 239 112

HSL 127.81, 0.82%, 0.65%

LAB 84.6, -64.3, 49.53

 

CMYK 61 / 0 / 37 / 6

HEX #5DEF97

RGB 93 239 151

HSL 143.84, 0.82%, 0.65%

LAB 85.15, -58.29, 31.25

 

CMYK 79 / 0 / 90 / 11

HEX #2FE316

RGB 47 227 22

HSL 112.68, 0.82%, 0.49%

LAB 79.39, -75.37, 74.3

 

CMYK 67 / 0 / 77 / 8

HEX #4DEB37

RGB 77 235 55

HSL 112.67, 0.82%, 0.57%

LAB 82.52, -71.63, 69.7

 

CMYK 54 / 0 / 61 / 6

HEX #6EEF5D

RGB 110 239 93

HSL 113.01, 0.82%, 0.65%

LAB 84.91, -62.56, 58.45

 

CMYK 41 / 0 / 47 / 5

HEX #90F382

RGB 144 243 130

HSL 112.57, 0.82%, 0.73%

LAB 87.8, -50.39, 45.38

 

CMYK 28 / 0 / 32 / 4

HEX #B1F6A8

RGB 177 246 168

HSL 113.08, 0.81%, 0.81%

LAB 90.82, -35.95, 30.85

 

CMYK 54 / 0 / 62 / 6

HEX #6EEF5C

RGB 110 239 92

HSL 112.65, 0.82%, 0.65%

LAB 84.9, -62.66, 58.86

 

CMYK 61 / 4 / 0 / 6

HEX #5DE5EF

RGB 93 229 239

HSL 184.11, 0.82%, 0.65%

LAB 84.28, -33.74, -15.91

 

CMYK 0 / 61 / 28 / 6

HEX #EF5DAB

RGB 239 93 171

HSL 327.95, 0.82%, 0.65%

LAB 60.89, 63.59, -12.65

 

CMYK 54 / 0 / 62 / 6

HEX #6EEF5C

RGB 110 239 92

HSL 112.65, 0.82%, 0.65%

LAB 84.9, -62.66, 58.86

 

CMYK 61 / 53 / 0 / 6

HEX #5D70EF

RGB 93 112 239

HSL 232.19, 0.82%, 0.65%

LAB 52, 30.99, -66.32

 

CMYK 0 / 61 / 53 / 6

HEX #EF5D70

RGB 239 93 112

HSL 352.19, 0.82%, 0.65%

LAB 59.3, 57.6, 19.31

 

CMYK 54 / 0 / 62 / 6

HEX #6EEF5C

RGB 110 239 92

HSL 112.65, 0.82%, 0.65%

LAB 84.9, -62.66, 58.86

 

CMYK 61 / 4 / 0 / 6

HEX #5DE5EF

RGB 93 229 239

HSL 184.11, 0.82%, 0.65%

LAB 84.28, -33.74, -15.91

 

CMYK 8 / 61 / 0 / 6

HEX #DB5DEF

RGB 219 93 239

HSL 291.78, 0.82%, 0.65%

LAB 60.89, 68.71, -51.38

 

CMYK 0 / 57 / 61 / 6

HEX #EF665D

RGB 239 102 93

HSL 3.7, 0.82%, 0.65%

LAB 60.47, 52.22, 31.73

 

CMYK 54 / 0 / 62 / 6

HEX #6EEF5C

RGB 110 239 92

HSL 112.65, 0.82%, 0.65%

LAB 84.9, -62.66, 58.86

 

CMYK 61 / 23 / 0 / 6

HEX #5DB9EF

RGB 93 185 239

HSL 202.19, 0.82%, 0.65%

LAB 71.73, -11.61, -35.07

 

CMYK 8 / 61 / 0 / 6

HEX #DB5DEF

RGB 219 93 239

HSL 291.78, 0.82%, 0.65%

LAB 60.89, 68.71, -51.38

 

CMYK 0 / 39 / 61 / 6

HEX #EF925D

RGB 239 146 93

HSL 21.78, 0.82%, 0.65%

LAB 69.25, 30.28, 42.57

 

Description

Color code: HEX #6EEF5C | qconv.com Color code: HEX #6EEF5C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 239 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 239 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 62 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 62% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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