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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82B3A6 it is the complementary color #7D4C59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82B3A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #82B3A6: #87B3A1, #98C5B4, #A9D7C7, #BAE9DA and #CBFBED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82B3A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #82B3A6: #82B3A6, #71A193, #608F80, #4F7D6D and #3E6B5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 7 / 30

HEX #82B3A6

RGB 130 179 166

HSL 164.08, 0.24%, 0.61%

LAB 69.28, -19.01, 1.4

 

Complementary color

CMYK 0 / 39 / 29 / 51

HEX #7D4C59

RGB 125 76 89

HSL 344.08, 0.24%, 0.39%

LAB 38.29, 22.59, 1.15

 

CMYK 25 / 0 / 10 / 30

HEX #87B3A1

RGB 135 179 161

HSL 155.45, 0.22%, 0.62%

LAB 69.44, -18.5, 4.42

 

CMYK 23 / 0 / 9 / 23

HEX #98C5B4

RGB 152 197 180

HSL 157.33, 0.28%, 0.68%

LAB 76.01, -18.33, 3.68

 

CMYK 21 / 0 / 7 / 16

HEX #A9D7C7

RGB 169 215 199

HSL 159.13, 0.37%, 0.75%

LAB 82.46, -18.19, 2.98

 

CMYK 20 / 0 / 6 / 9

HEX #BAE9DA

RGB 186 233 218

HSL 160.85, 0.52%, 0.82%

LAB 88.82, -18.07, 2.3

 

CMYK 19 / 0 / 6 / 2

HEX #CBFBED

RGB 203 251 237

HSL 162.5, 0.86%, 0.89%

LAB 95.08, -17.96, 1.66

 

CMYK 27 / 0 / 7 / 30

HEX #82B3A6

RGB 130 179 166

HSL 164.08, 0.24%, 0.61%

LAB 69.28, -19.01, 1.4

 

CMYK 30 / 0 / 9 / 37

HEX #71A193

RGB 113 161 147

HSL 162.5, 0.2%, 0.54%

LAB 62.6, -19.19, 2.13

 

CMYK 33 / 0 / 10 / 44

HEX #608F80

RGB 96 143 128

HSL 160.85, 0.2%, 0.47%

LAB 55.78, -19.39, 2.91

 

CMYK 37 / 0 / 13 / 51

HEX #4F7D6D

RGB 79 125 109

HSL 159.13, 0.23%, 0.4%

LAB 48.8, -19.62, 3.76

 

CMYK 42 / 0 / 16 / 58

HEX #3E6B5A

RGB 62 107 90

HSL 157.33, 0.27%, 0.33%

LAB 41.65, -19.86, 4.69

 

CMYK 27 / 0 / 7 / 30

HEX #82B3A6

RGB 130 179 166

HSL 164.08, 0.24%, 0.61%

LAB 69.28, -19.01, 1.4

 

CMYK 27 / 0 / 3 / 30

HEX #83B3AE

RGB 131 179 174

HSL 173.75, 0.24%, 0.61%

LAB 69.56, -16.93, -2.61

 

CMYK 27 / 2 / 0 / 30

HEX #83B0B3

RGB 131 176 179

HSL 183.75, 0.24%, 0.61%

LAB 68.85, -14.21, -6.41

 

CMYK 27 / 6 / 0 / 30

HEX #83A8B3

RGB 131 168 179

HSL 193.75, 0.24%, 0.61%

LAB 66.58, -9.96, -9.78

 

CMYK 27 / 11 / 0 / 30

HEX #83A0B3

RGB 131 160 179

HSL 203.75, 0.24%, 0.61%

LAB 64.34, -5.6, -13.14

 

CMYK 27 / 0 / 7 / 30

HEX #82B3A6

RGB 130 179 166

HSL 164.08, 0.24%, 0.61%

LAB 69.28, -19.01, 1.4

 

CMYK 27 / 0 / 7 / 10

HEX #A7E6D5

RGB 167 230 213

HSL 163.81, 0.56%, 0.78%

LAB 86.81, -23.36, 1.87

 

CMYK 27 / 0 / 8 / 90

HEX #131A18

RGB 19 26 24

HSL 162.86, 0.16%, 0.09%

LAB 8.51, -3.79, 0.32

 

CMYK 27 / 0 / 8 / 70

HEX #384D47

RGB 56 77 71

HSL 162.86, 0.16%, 0.26%

LAB 30.89, -9.62, 0.91

 

CMYK 27 / 0 / 7 / 50

HEX #5D8077

RGB 93 128 119

HSL 164.57, 0.16%, 0.43%

LAB 50.8, -14.39, 0.88

 

CMYK 27 / 0 / 7 / 30

HEX #82B3A6

RGB 130 179 166

HSL 164.08, 0.24%, 0.61%

LAB 69.28, -19.01, 1.4

 

CMYK 27 / 25 / 0 / 30

HEX #8386B3

RGB 131 134 179

HSL 236.25, 0.24%, 0.61%

LAB 57.2, 9.14, -24

 

CMYK 0 / 18 / 27 / 30

HEX #B39383

RGB 179 147 131

HSL 20, 0.24%, 0.61%

LAB 63.42, 9.54, 12.97

 

CMYK 27 / 0 / 7 / 30

HEX #82B3A6

RGB 130 179 166

HSL 164.08, 0.24%, 0.61%

LAB 69.28, -19.01, 1.4

 

CMYK 7 / 27 / 0 / 30

HEX #A683B3

RGB 166 131 179

HSL 283.75, 0.24%, 0.61%

LAB 59.52, 22.24, -20.18

 

CMYK 0 / 7 / 27 / 30

HEX #B3A683

RGB 179 166 131

HSL 43.75, 0.24%, 0.61%

LAB 68.38, -0.88, 19.86

 

CMYK 27 / 0 / 7 / 30

HEX #82B3A6

RGB 130 179 166

HSL 164.08, 0.24%, 0.61%

LAB 69.28, -19.01, 1.4

 

CMYK 27 / 25 / 0 / 30

HEX #8386B3

RGB 131 134 179

HSL 236.25, 0.24%, 0.61%

LAB 57.2, 9.14, -24

 

CMYK 0 / 27 / 20 / 30

HEX #B38390

RGB 179 131 144

HSL 343.75, 0.24%, 0.61%

LAB 59.73, 20.45, 0.31

 

CMYK 0 / 2 / 27 / 30

HEX #B3B083

RGB 179 176 131

HSL 56.25, 0.24%, 0.61%

LAB 71.06, -6.23, 23.5

 

CMYK 27 / 0 / 7 / 30

HEX #82B3A6

RGB 130 179 166

HSL 164.08, 0.24%, 0.61%

LAB 69.28, -19.01, 1.4

 

CMYK 21 / 27 / 0 / 30

HEX #8E83B3

RGB 142 131 179

HSL 253.75, 0.24%, 0.61%

LAB 57.31, 14.36, -23.76

 

CMYK 0 / 27 / 20 / 30

HEX #B38390

RGB 179 131 144

HSL 343.75, 0.24%, 0.61%

LAB 59.73, 20.45, 0.31

 

CMYK 6 / 0 / 27 / 30

HEX #A8B383

RGB 168 179 131

HSL 73.75, 0.24%, 0.61%

LAB 71.01, -12.07, 23.29

 

Description

Color code: HEX #82B3A6 | qconv.com Color code: HEX #82B3A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 179 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 179 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 7 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 7% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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