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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82B1B4 it is the complementary color #7D4E4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82B1B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #82B1B4: #87B1AF, #98C3C2, #A9D5D5, #BAE7E8 and #CBF9FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82B1B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #82B1B4: #82B1B4, #719FA1, #608D8E, #4F7B7B and #3E6968

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 2 / 0 / 29

HEX #82B1B4

RGB 130 177 180

HSL 183.6, 0.25%, 0.61%

LAB 69.1, -14.81, -6.59

 

Complementary color

CMYK 0 / 38 / 40 / 51

HEX #7D4E4B

RGB 125 78 75

HSL 3.6, 0.25%, 0.39%

LAB 38.41, 19.44, 10.06

 

CMYK 24 / 0 / 1 / 31

HEX #87B1AF

RGB 135 177 175

HSL 177.14, 0.21%, 0.61%

LAB 69.25, -14.43, -3.58

 

CMYK 22 / 0 / 1 / 24

HEX #98C3C2

RGB 152 195 194

HSL 178.6, 0.26%, 0.68%

LAB 75.82, -14.34, -4.17

 

CMYK 21 / 0 / 0 / 16

HEX #A9D5D5

RGB 169 213 213

HSL 180, 0.34%, 0.75%

LAB 82.29, -14.27, -4.74

 

CMYK 20 / 0 / 0 / 9

HEX #BAE7E8

RGB 186 231 232

HSL 181.3, 0.5%, 0.82%

LAB 88.65, -14.21, -5.29

 

CMYK 19 / 1 / 0 / 2

HEX #CBF9FB

RGB 203 249 251

HSL 182.5, 0.86%, 0.89%

LAB 94.91, -14.16, -5.82

 

CMYK 28 / 2 / 0 / 29

HEX #82B1B4

RGB 130 177 180

HSL 183.6, 0.25%, 0.61%

LAB 69.1, -14.81, -6.59

 

CMYK 30 / 1 / 0 / 37

HEX #719FA1

RGB 113 159 161

HSL 182.5, 0.2%, 0.54%

LAB 62.41, -14.88, -6.03

 

CMYK 32 / 1 / 0 / 44

HEX #608D8E

RGB 96 141 142

HSL 181.3, 0.19%, 0.47%

LAB 55.57, -14.97, -5.44

 

CMYK 36 / 0 / 0 / 52

HEX #4F7B7B

RGB 79 123 123

HSL 180, 0.22%, 0.4%

LAB 48.58, -15.06, -4.82

 

CMYK 41 / 0 / 1 / 59

HEX #3E6968

RGB 62 105 104

HSL 178.6, 0.26%, 0.33%

LAB 41.42, -15.15, -4.15

 

CMYK 28 / 2 / 0 / 29

HEX #82B1B4

RGB 130 177 180

HSL 183.6, 0.25%, 0.61%

LAB 69.1, -14.81, -6.59

 

CMYK 28 / 6 / 0 / 29

HEX #82A9B4

RGB 130 169 180

HSL 193.2, 0.25%, 0.61%

LAB 66.84, -10.56, -9.96

 

CMYK 28 / 11 / 0 / 29

HEX #82A1B4

RGB 130 161 180

HSL 202.8, 0.25%, 0.61%

LAB 64.59, -6.22, -13.33

 

CMYK 28 / 15 / 0 / 29

HEX #8299B4

RGB 130 153 180

HSL 212.4, 0.25%, 0.61%

LAB 62.36, -1.78, -16.7

 

CMYK 28 / 20 / 0 / 29

HEX #8290B4

RGB 130 144 180

HSL 223.2, 0.25%, 0.61%

LAB 59.88, 3.31, -20.47

 

CMYK 28 / 2 / 0 / 29

HEX #82B1B4

RGB 130 177 180

HSL 183.6, 0.25%, 0.61%

LAB 69.1, -14.81, -6.59

 

CMYK 28 / 2 / 0 / 9

HEX #A7E3E7

RGB 167 227 231

HSL 183.75, 0.57%, 0.78%

LAB 86.47, -17.98, -8.11

 

CMYK 26 / 0 / 0 / 89

HEX #141B1B

RGB 20 27 27

HSL 180, 0.15%, 0.09%

LAB 9.09, -3.22, -1.08

 

CMYK 28 / 1 / 0 / 69

HEX #384D4E

RGB 56 77 78

HSL 182.73, 0.16%, 0.26%

LAB 31.11, -7.81, -3.24

 

CMYK 28 / 2 / 0 / 49

HEX #5D7F81

RGB 93 127 129

HSL 183.33, 0.16%, 0.44%

LAB 50.79, -11.45, -4.99

 

CMYK 28 / 2 / 0 / 29

HEX #82B1B4

RGB 130 177 180

HSL 183.6, 0.25%, 0.61%

LAB 69.1, -14.81, -6.59

 

CMYK 21 / 28 / 0 / 29

HEX #8F82B4

RGB 143 130 180

HSL 255.6, 0.25%, 0.61%

LAB 57.17, 15.49, -24.53

 

CMYK 0 / 9 / 28 / 29

HEX #B4A382

RGB 180 163 130

HSL 39.6, 0.25%, 0.61%

LAB 67.66, 1, 19.42

 

CMYK 28 / 2 / 0 / 29

HEX #82B1B4

RGB 130 177 180

HSL 183.6, 0.25%, 0.61%

LAB 69.1, -14.81, -6.59

 

CMYK 0 / 28 / 2 / 29

HEX #B482B1

RGB 180 130 177

HSL 303.6, 0.25%, 0.61%

LAB 60.64, 27.14, -17.2

 

CMYK 2 / 0 / 28 / 29

HEX #B1B482

RGB 177 180 130

HSL 63.6, 0.25%, 0.61%

LAB 71.96, -9.25, 25.23

 

CMYK 28 / 2 / 0 / 29

HEX #82B1B4

RGB 130 177 180

HSL 183.6, 0.25%, 0.61%

LAB 69.1, -14.81, -6.59

 

CMYK 21 / 28 / 0 / 29

HEX #8F82B4

RGB 143 130 180

HSL 255.6, 0.25%, 0.61%

LAB 57.17, 15.49, -24.53

 

CMYK 0 / 26 / 28 / 29

HEX #B48582

RGB 180 133 130

HSL 3.6, 0.25%, 0.61%

LAB 59.97, 17.6, 8.69

 

CMYK 7 / 0 / 28 / 29

HEX #A7B482

RGB 167 180 130

HSL 75.6, 0.25%, 0.61%

LAB 71.19, -13.11, 24.06

 

CMYK 28 / 2 / 0 / 29

HEX #82B1B4

RGB 130 177 180

HSL 183.6, 0.25%, 0.61%

LAB 69.1, -14.81, -6.59

 

CMYK 12 / 28 / 0 / 29

HEX #9E82B4

RGB 158 130 180

HSL 273.6, 0.25%, 0.61%

LAB 58.54, 20.37, -22.32

 

CMYK 0 / 26 / 28 / 29

HEX #B48582

RGB 180 133 130

HSL 3.6, 0.25%, 0.61%

LAB 59.97, 17.6, 8.69

 

CMYK 15 / 0 / 28 / 29

HEX #99B482

RGB 153 180 130

HSL 92.4, 0.25%, 0.61%

LAB 70.19, -18.38, 22.54

 

Description

Color code: HEX #82B1B4 | qconv.com Color code: HEX #82B1B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 177 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 177 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 2 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 2% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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