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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #824FC7 it is the complementary color #7DB038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #824FC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #824FC7 shade: #874FC2, #9861D5, #A973E8, #BA85FB and #CB97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #824FC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #824FC7 shade: #824FC7, #713DB4, #602BA1, #4F198E and #3E077B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #824FC7 shade: #8351C8, #A351C8, #C451C8, #C851AC and #C8518C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #824FC7 shade: #8351C8, #6351C8 and #5151C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #824FC7 shade matches the following richer shades: #8351C8, #813EDA and #7E2BED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #824FC7 shade: #8351C8, #8663B5, #8976A3, #8C8890 and #8E9B7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #824FC7 shade: #515FC8, #6251C8, #8251C8, #A251C8 and #C251C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #824FC7 shade: #5B3096, #6E39B6, #8351C8, #9A70D2 and #B08FDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #824FC7 shade: #824FC7, #C8517E and #51C853

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #824FC7 shade: #824FC7, #C88251 and #51C882

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #824FC7 shade: #824FC7, #C8517E, #96C851 and #51C89A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #824FC7 shade: #824FC7, #C8515B, #96C851 and #51C8BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 60 / 0 / 22

HEX #824FC7

RGB 130 79 199

HSL 265.5, 0.52%, 0.55%

LAB 44.89, 45.99, -54.93

 

Complementary color

CMYK 29 / 0 / 68 / 31

HEX #7DB038

RGB 125 176 56

HSL 85.5, 0.52%, 0.45%

LAB 66.29, -35.63, 53.7

 

CMYK 30 / 59 / 0 / 24

HEX #874FC2

RGB 135 79 194

HSL 269.22, 0.49%, 0.54%

LAB 45.13, 45.91, -51.6

 

CMYK 29 / 54 / 0 / 16

HEX #9861D5

RGB 152 97 213

HSL 268.45, 0.58%, 0.61%

LAB 51.87, 44.97, -51.62

 

CMYK 27 / 50 / 0 / 9

HEX #A973E8

RGB 169 115 232

HSL 267.69, 0.72%, 0.68%

LAB 58.53, 44.03, -51.6

 

CMYK 26 / 47 / 0 / 2

HEX #BA85FB

RGB 186 133 251

HSL 266.95, 0.94%, 0.75%

LAB 65.1, 43.12, -51.57

 

CMYK 20 / 41 / 0 / 0

HEX #CB97FF

RGB 203 151 255

HSL 270, 1%, 0.8%

LAB 70.91, 38.87, -44.5

 

CMYK 35 / 60 / 0 / 22

HEX #824FC7

RGB 130 79 199

HSL 265.5, 0.52%, 0.55%

LAB 44.89, 45.99, -54.93

 

CMYK 37 / 66 / 0 / 29

HEX #713DB4

RGB 113 61 180

HSL 266.22, 0.49%, 0.47%

LAB 38.1, 46.96, -54.88

 

CMYK 40 / 73 / 0 / 37

HEX #602BA1

RGB 96 43 161

HSL 266.95, 0.58%, 0.4%

LAB 31.32, 47.71, -54.62

 

CMYK 44 / 82 / 0 / 44

HEX #4F198E

RGB 79 25 142

HSL 267.69, 0.7%, 0.33%

LAB 24.67, 47.88, -53.92

 

CMYK 50 / 94 / 0 / 52

HEX #3E077B

RGB 62 7 123

HSL 268.45, 0.89%, 0.25%

LAB 18.39, 46.75, -52.36

 

CMYK 35 / 60 / 0 / 22

HEX #8351C8

RGB 131 81 200

HSL 265.21, 0.52%, 0.55%

LAB 45.47, 45.39, -54.56

 

CMYK 19 / 60 / 0 / 22

HEX #A351C8

RGB 163 81 200

HSL 281.34, 0.52%, 0.55%

LAB 49.3, 53.07, -48.21

 

CMYK 2 / 60 / 0 / 22

HEX #C451C8

RGB 196 81 200

HSL 297.98, 0.52%, 0.55%

LAB 53.8, 61.33, -40.78

 

CMYK 0 / 60 / 14 / 22

HEX #C851AC

RGB 200 81 172

HSL 314.12, 0.52%, 0.55%

LAB 53.11, 57.79, -25.64

 

CMYK 0 / 60 / 30 / 22

HEX #C8518C

RGB 200 81 140

HSL 330.25, 0.52%, 0.55%

LAB 51.9, 53.32, -8.61

 

CMYK 35 / 60 / 0 / 22

HEX #8351C8

RGB 131 81 200

HSL 265.21, 0.52%, 0.55%

LAB 45.47, 45.39, -54.56

 

CMYK 51 / 60 / 0 / 22

HEX #6351C8

RGB 99 81 200

HSL 249.08, 0.52%, 0.55%

LAB 42.32, 38.46, -59.8

 

CMYK 60 / 60 / 0 / 22

HEX #5151C8

RGB 81 81 200

HSL 240, 0.52%, 0.55%

LAB 40.9, 35.11, -62.17

 

CMYK 35 / 60 / 0 / 22

HEX #8351C8

RGB 131 81 200

HSL 265.21, 0.52%, 0.55%

LAB 45.47, 45.39, -54.56

 

CMYK 41 / 72 / 0 / 15

HEX #813EDA

RGB 129 62 218

HSL 265.77, 0.68%, 0.55%

LAB 43.02, 59.09, -68.88

 

CMYK 47 / 82 / 0 / 7

HEX #7E2BED

RGB 126 43 237

HSL 265.67, 0.84%, 0.55%

LAB 41.65, 70.8, -81.95

 

CMYK 35 / 60 / 0 / 22

HEX #8351C8

RGB 131 81 200

HSL 265.21, 0.52%, 0.55%

LAB 45.47, 45.39, -54.56

 

CMYK 26 / 45 / 0 / 29

HEX #8663B5

RGB 134 99 181

HSL 265.61, 0.36%, 0.55%

LAB 48.67, 31.16, -38.43

 

CMYK 16 / 28 / 0 / 36

HEX #8976A3

RGB 137 118 163

HSL 265.33, 0.2%, 0.55%

LAB 52.86, 16.58, -21.41

 

CMYK 3 / 6 / 0 / 44

HEX #8C8890

RGB 140 136 144

HSL 270, 0.03%, 0.55%

LAB 57.27, 3.06, -3.75

 

CMYK 8 / 0 / 19 / 39

HEX #8E9B7E

RGB 142 155 126

HSL 86.9, 0.13%, 0.55%

LAB 62.25, -10.07, 13.67

 

CMYK 60 / 53 / 0 / 22

HEX #515FC8

RGB 81 95 200

HSL 232.94, 0.52%, 0.55%

LAB 44.38, 26.39, -56.54

 

CMYK 51 / 60 / 0 / 22

HEX #6251C8

RGB 98 81 200

HSL 248.57, 0.52%, 0.55%

LAB 42.23, 38.26, -59.95

 

CMYK 35 / 60 / 0 / 22

HEX #8251C8

RGB 130 81 200

HSL 264.71, 0.52%, 0.55%

LAB 45.36, 45.16, -54.74

 

CMYK 19 / 60 / 0 / 22

HEX #A251C8

RGB 162 81 200

HSL 280.84, 0.52%, 0.55%

LAB 49.17, 52.83, -48.42

 

CMYK 3 / 60 / 0 / 22

HEX #C251C8

RGB 194 81 200

HSL 296.97, 0.52%, 0.55%

LAB 53.52, 60.82, -41.25

 

CMYK 39 / 68 / 0 / 41

HEX #5B3096

RGB 91 48 150

HSL 265.29, 0.52%, 0.39%

LAB 30.74, 41.3, -48.9

 

CMYK 40 / 69 / 0 / 29

HEX #6E39B6

RGB 110 57 182

HSL 265.44, 0.52%, 0.47%

LAB 37.15, 48.91, -57.62

 

CMYK 35 / 60 / 0 / 22

HEX #8351C8

RGB 131 81 200

HSL 265.21, 0.52%, 0.55%

LAB 45.47, 45.39, -54.56

 

CMYK 27 / 47 / 0 / 18

HEX #9A70D2

RGB 154 112 210

HSL 265.71, 0.52%, 0.63%

LAB 55.19, 36.42, -44.63

 

CMYK 20 / 35 / 0 / 14

HEX #B08FDC

RGB 176 143 220

HSL 265.71, 0.52%, 0.71%

LAB 65, 27.58, -34.71

 

CMYK 35 / 60 / 0 / 22

HEX #824FC7

RGB 130 79 199

HSL 265.5, 0.52%, 0.55%

LAB 44.89, 45.99, -54.93

 

CMYK 0 / 60 / 37 / 22

HEX #C8517E

RGB 200 81 126

HSL 337.31, 0.52%, 0.55%

LAB 51.46, 51.63, -0.91

 

CMYK 60 / 0 / 59 / 22

HEX #51C853

RGB 81 200 83

HSL 121.01, 0.52%, 0.55%

LAB 72.02, -56.44, 47.85

 

CMYK 35 / 60 / 0 / 22

HEX #824FC7

RGB 130 79 199

HSL 265.5, 0.52%, 0.55%

LAB 44.89, 45.99, -54.93

 

CMYK 0 / 35 / 60 / 22

HEX #C88251

RGB 200 130 81

HSL 24.71, 0.52%, 0.55%

LAB 60.64, 22.1, 37.33

 

CMYK 60 / 0 / 35 / 22

HEX #51C882

RGB 81 200 130

HSL 144.71, 0.52%, 0.55%

LAB 72.67, -49.22, 25.31

 

CMYK 35 / 60 / 0 / 22

HEX #824FC7

RGB 130 79 199

HSL 265.5, 0.52%, 0.55%

LAB 44.89, 45.99, -54.93

 

CMYK 0 / 60 / 37 / 22

HEX #C8517E

RGB 200 81 126

HSL 337.31, 0.52%, 0.55%

LAB 51.46, 51.63, -0.91

 

CMYK 25 / 0 / 60 / 22

HEX #96C851

RGB 150 200 81

HSL 85.21, 0.52%, 0.55%

LAB 75.07, -35.12, 53.05

 

CMYK 60 / 0 / 23 / 22

HEX #51C89A

RGB 81 200 154

HSL 156.81, 0.52%, 0.55%

LAB 73.15, -44.28, 13.19

 

CMYK 35 / 60 / 0 / 22

HEX #824FC7

RGB 130 79 199

HSL 265.5, 0.52%, 0.55%

LAB 44.89, 45.99, -54.93

 

CMYK 0 / 60 / 55 / 22

HEX #C8515B

RGB 200 81 91

HSL 354.96, 0.52%, 0.55%

LAB 50.59, 48.21, 18.82

 

CMYK 25 / 0 / 60 / 22

HEX #96C851

RGB 150 200 81

HSL 85.21, 0.52%, 0.55%

LAB 75.07, -35.12, 53.05

 

CMYK 60 / 0 / 5 / 22

HEX #51C8BE

RGB 81 200 190

HSL 174.96, 0.52%, 0.55%

LAB 74.05, -35.5, -4.98

 

Description

Color code: HEX #824FC7 | qconv.com Color code: HEX #824FC7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 79 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 79 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 60 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 60% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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