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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8976A3 it is the complementary color #76895C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8976A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8976A3 shade: #8E769E, #9F88B1, #B09AC4, #C1ACD7 and #D2BEEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8976A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8976A3 shade: #8976A3, #786490, #67527D, #56406A and #452E57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8976A3 shade: #8975A3, #9575A3, #A175A3, #A37599 and #A3758C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8976A3 shade: #8975A3, #7C75A3 and #7575A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8976A3 shade matches the following richer shades: #8975A3, #8663B6, #8350C8, #803EDB and #7D2BED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8976A3 shade: #8975A3, #8C8891, #8E9A7E, #91AD6C and #94C059

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8976A3 shade: #757BA3, #7C75A3, #8875A3, #9575A3 and #A175A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8976A3 shade: #604F77, #746090, #8975A3, #9E8EB4 and #B3A7C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8976A3 shade: #8976A3, #A37587 and #75A376

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8976A3 shade: #8976A3, #A38875 and #75A388

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8976A3 shade: #8976A3, #A37587, #90A375 and #75A392

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8976A3 shade: #8976A3, #A37579, #90A375 and #75A39F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 28 / 0 / 36

HEX #8976A3

RGB 137 118 163

HSL 265.33, 0.2%, 0.55%

LAB 52.86, 16.58, -21.41

 

Complementary color

CMYK 14 / 0 / 33 / 46

HEX #76895C

RGB 118 137 92

HSL 85.33, 0.2%, 0.45%

LAB 54.57, -15.21, 21.93

 

CMYK 10 / 25 / 0 / 38

HEX #8E769E

RGB 142 118 158

HSL 276, 0.17%, 0.54%

LAB 53.14, 17.15, -18.03

 

CMYK 10 / 23 / 0 / 31

HEX #9F88B1

RGB 159 136 177

HSL 273.66, 0.21%, 0.61%

LAB 60.03, 16.61, -18.33

 

CMYK 10 / 21 / 0 / 23

HEX #B09AC4

RGB 176 154 196

HSL 271.43, 0.26%, 0.69%

LAB 66.77, 16.12, -18.63

 

CMYK 10 / 20 / 0 / 16

HEX #C1ACD7

RGB 193 172 215

HSL 269.3, 0.35%, 0.76%

LAB 73.38, 15.68, -18.95

 

CMYK 10 / 19 / 0 / 8

HEX #D2BEEA

RGB 210 190 234

HSL 267.27, 0.51%, 0.83%

LAB 79.88, 15.27, -19.27

 

CMYK 16 / 28 / 0 / 36

HEX #8976A3

RGB 137 118 163

HSL 265.33, 0.2%, 0.55%

LAB 52.86, 16.58, -21.41

 

CMYK 17 / 31 / 0 / 44

HEX #786490

RGB 120 100 144

HSL 267.27, 0.18%, 0.48%

LAB 45.8, 17.18, -21.22

 

CMYK 18 / 34 / 0 / 51

HEX #67527D

RGB 103 82 125

HSL 269.3, 0.21%, 0.41%

LAB 38.55, 17.87, -21.06

 

CMYK 19 / 40 / 0 / 58

HEX #56406A

RGB 86 64 106

HSL 271.43, 0.25%, 0.33%

LAB 31.08, 18.65, -20.94

 

CMYK 21 / 47 / 0 / 66

HEX #452E57

RGB 69 46 87

HSL 273.66, 0.31%, 0.26%

LAB 23.36, 19.55, -20.84

 

CMYK 16 / 28 / 0 / 36

HEX #8975A3

RGB 137 117 163

HSL 266.09, 0.2%, 0.55%

LAB 52.6, 17.17, -21.8

 

CMYK 9 / 28 / 0 / 36

HEX #9575A3

RGB 149 117 163

HSL 281.74, 0.2%, 0.55%

LAB 53.77, 21.19, -19.92

 

CMYK 1 / 28 / 0 / 36

HEX #A175A3

RGB 161 117 163

HSL 297.39, 0.2%, 0.55%

LAB 55.01, 25.28, -17.9

 

CMYK 0 / 28 / 6 / 36

HEX #A37599

RGB 163 117 153

HSL 313.04, 0.2%, 0.55%

LAB 54.88, 24.06, -12.29

 

CMYK 0 / 28 / 14 / 36

HEX #A3758C

RGB 163 117 140

HSL 330, 0.2%, 0.55%

LAB 54.45, 21.73, -5.34

 

CMYK 16 / 28 / 0 / 36

HEX #8975A3

RGB 137 117 163

HSL 266.09, 0.2%, 0.55%

LAB 52.6, 17.17, -21.8

 

CMYK 24 / 28 / 0 / 36

HEX #7C75A3

RGB 124 117 163

HSL 249.13, 0.2%, 0.55%

LAB 51.44, 12.93, -23.69

 

CMYK 28 / 28 / 0 / 36

HEX #7575A3

RGB 117 117 163

HSL 240, 0.2%, 0.55%

LAB 50.86, 10.72, -24.63

 

CMYK 16 / 28 / 0 / 36

HEX #8975A3

RGB 137 117 163

HSL 266.09, 0.2%, 0.55%

LAB 52.6, 17.17, -21.8

 

CMYK 26 / 46 / 0 / 29

HEX #8663B6

RGB 134 99 182

HSL 265.3, 0.36%, 0.55%

LAB 48.72, 31.41, -38.93

 

CMYK 35 / 60 / 0 / 22

HEX #8350C8

RGB 131 80 200

HSL 265.5, 0.52%, 0.55%

LAB 45.27, 45.93, -54.89

 

CMYK 42 / 72 / 0 / 14

HEX #803EDB

RGB 128 62 219

HSL 265.22, 0.69%, 0.55%

LAB 42.99, 59.17, -69.52

 

CMYK 47 / 82 / 0 / 7

HEX #7D2BED

RGB 125 43 237

HSL 265.36, 0.84%, 0.55%

LAB 41.54, 70.67, -82.15

 

CMYK 16 / 28 / 0 / 36

HEX #8975A3

RGB 137 117 163

HSL 266.09, 0.2%, 0.55%

LAB 52.6, 17.17, -21.8

 

CMYK 3 / 6 / 0 / 43

HEX #8C8891

RGB 140 136 145

HSL 266.67, 0.04%, 0.55%

LAB 57.3, 3.27, -4.28

 

CMYK 8 / 0 / 18 / 40

HEX #8E9A7E

RGB 142 154 126

HSL 85.71, 0.12%, 0.55%

LAB 61.97, -9.53, 13.28

 

CMYK 16 / 0 / 38 / 32

HEX #91AD6C

RGB 145 173 108

HSL 85.85, 0.28%, 0.55%

LAB 67.27, -21.05, 30.29

 

CMYK 23 / 0 / 54 / 25

HEX #94C059

RGB 148 192 89

HSL 85.63, 0.45%, 0.55%

LAB 72.7, -31.4, 46.64

 

CMYK 28 / 25 / 0 / 36

HEX #757BA3

RGB 117 123 163

HSL 232.17, 0.2%, 0.55%

LAB 52.5, 7.16, -22.11

 

CMYK 24 / 28 / 0 / 36

HEX #7C75A3

RGB 124 117 163

HSL 249.13, 0.2%, 0.55%

LAB 51.44, 12.93, -23.69

 

CMYK 17 / 28 / 0 / 36

HEX #8875A3

RGB 136 117 163

HSL 264.78, 0.2%, 0.55%

LAB 52.51, 16.84, -21.96

 

CMYK 9 / 28 / 0 / 36

HEX #9575A3

RGB 149 117 163

HSL 281.74, 0.2%, 0.55%

LAB 53.77, 21.19, -19.92

 

CMYK 1 / 28 / 0 / 36

HEX #A175A3

RGB 161 117 163

HSL 297.39, 0.2%, 0.55%

LAB 55.01, 25.28, -17.9

 

CMYK 19 / 34 / 0 / 53

HEX #604F77

RGB 96 79 119

HSL 265.5, 0.2%, 0.39%

LAB 36.76, 15.86, -20.18

 

CMYK 19 / 33 / 0 / 44

HEX #746090

RGB 116 96 144

HSL 265, 0.2%, 0.47%

LAB 44.37, 18.27, -23.47

 

CMYK 16 / 28 / 0 / 36

HEX #8975A3

RGB 137 117 163

HSL 266.09, 0.2%, 0.55%

LAB 52.6, 17.17, -21.8

 

CMYK 12 / 21 / 0 / 29

HEX #9E8EB4

RGB 158 142 180

HSL 265.26, 0.2%, 0.63%

LAB 61.58, 13.5, -17.68

 

CMYK 9 / 15 / 0 / 23

HEX #B3A7C4

RGB 179 167 196

HSL 264.83, 0.2%, 0.71%

LAB 70.32, 9.89, -13.25

 

CMYK 16 / 28 / 0 / 36

HEX #8976A3

RGB 137 118 163

HSL 265.33, 0.2%, 0.55%

LAB 52.86, 16.58, -21.41

 

CMYK 0 / 28 / 17 / 36

HEX #A37587

RGB 163 117 135

HSL 336.52, 0.2%, 0.55%

LAB 54.3, 20.88, -2.64

 

CMYK 28 / 0 / 28 / 36

HEX #75A376

RGB 117 163 118

HSL 121.3, 0.2%, 0.55%

LAB 62.75, -24.7, 18.54

 

CMYK 16 / 28 / 0 / 36

HEX #8976A3

RGB 137 118 163

HSL 265.33, 0.2%, 0.55%

LAB 52.86, 16.58, -21.41

 

CMYK 0 / 17 / 28 / 36

HEX #A38875

RGB 163 136 117

HSL 24.78, 0.2%, 0.55%

LAB 58.68, 7.29, 14.03

 

CMYK 28 / 0 / 17 / 36

HEX #75A388

RGB 117 163 136

HSL 144.78, 0.2%, 0.55%

LAB 63.14, -21.28, 9.1

 

CMYK 16 / 28 / 0 / 36

HEX #8976A3

RGB 137 118 163

HSL 265.33, 0.2%, 0.55%

LAB 52.86, 16.58, -21.41

 

CMYK 0 / 28 / 17 / 36

HEX #A37587

RGB 163 117 135

HSL 336.52, 0.2%, 0.55%

LAB 54.3, 20.88, -2.64

 

CMYK 12 / 0 / 28 / 36

HEX #90A375

RGB 144 163 117

HSL 84.78, 0.2%, 0.55%

LAB 64.49, -15, 21.75

 

CMYK 28 / 0 / 10 / 36

HEX #75A392

RGB 117 163 146

HSL 157.83, 0.2%, 0.55%

LAB 63.39, -19.19, 3.86

 

CMYK 16 / 28 / 0 / 36

HEX #8976A3

RGB 137 118 163

HSL 265.33, 0.2%, 0.55%

LAB 52.86, 16.58, -21.41

 

CMYK 0 / 28 / 26 / 36

HEX #A37579

RGB 163 117 121

HSL 354.78, 0.2%, 0.55%

LAB 53.91, 18.67, 4.98

 

CMYK 12 / 0 / 28 / 36

HEX #90A375

RGB 144 163 117

HSL 84.78, 0.2%, 0.55%

LAB 64.49, -15, 21.75

 

CMYK 28 / 0 / 2 / 36

HEX #75A39F

RGB 117 163 159

HSL 174.78, 0.2%, 0.55%

LAB 63.74, -16.27, -2.92

 

Description

Color code: HEX #8976A3 | qconv.com Color code: HEX #8976A3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 118 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 118 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 28 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 28% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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