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Color name
HEX #821F2A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #821F2A it is the complementary color #7DE0D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #821F2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #821F2A shade: #871F25, #983138, #A9434B, #BA555E and #CB6771

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #821F2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #821F2A shade: #821F2A, #710D17, #600004, #4F0000 and #3E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #821F2A shade: #83202B and #832020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #821F2A shade: #83202B, #832046, #832061, #83207B and #702083

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #821F2A shade matches the following richer shades: #83202B, #911321 and #9E0516

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #821F2A shade: #83202B, #762D35, #693A3F, #5C474A and #4F5554

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #821F2A shade: #832061, #832046, #83202B, #832F20 and #834920

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #821F2A shade: #411015, #621820, #83202B, #A52836 and #C63041

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #821F2A shade: #821F2A, #7B8320 and #205383

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #821F2A shade: #821F2A, #2B8320 and #202B83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #821F2A shade: #821F2A, #7B8320, #208378 and #282083

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #821F2A shade: #821F2A, #5D8320, #208378 and #462083

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 68 / 49

HEX #821F2A

RGB 130 31 42

HSL 353.33, 0.61%, 0.32%

LAB 29.14, 42.36, 18.83

 

Complementary color

CMYK 44 / 0 / 5 / 12

HEX #7DE0D5

RGB 125 224 213

HSL 173.33, 0.61%, 0.68%

LAB 83.17, -31.7, -3.69

 

CMYK 0 / 77 / 73 / 47

HEX #871F25

RGB 135 31 37

HSL 356.54, 0.63%, 0.33%

LAB 30.07, 43.72, 23.44

 

CMYK 0 / 68 / 63 / 40

HEX #983138

RGB 152 49 56

HSL 355.92, 0.51%, 0.39%

LAB 36.29, 43.39, 19.84

 

CMYK 0 / 60 / 56 / 34

HEX #A9434B

RGB 169 67 75

HSL 355.29, 0.43%, 0.46%

LAB 42.7, 42.58, 17.01

 

CMYK 0 / 54 / 49 / 27

HEX #BA555E

RGB 186 85 94

HSL 354.65, 0.42%, 0.53%

LAB 49.18, 41.59, 14.75

 

CMYK 0 / 49 / 44 / 20

HEX #CB6771

RGB 203 103 113

HSL 354, 0.49%, 0.6%

LAB 55.67, 40.55, 12.87

 

CMYK 0 / 76 / 68 / 49

HEX #821F2A

RGB 130 31 42

HSL 353.33, 0.61%, 0.32%

LAB 29.14, 42.36, 18.83

 

CMYK 0 / 88 / 80 / 56

HEX #710D17

RGB 113 13 23

HSL 354, 0.79%, 0.25%

LAB 23.2, 41.68, 23.32

 

CMYK 0 / 100 / 96 / 62

HEX #600004

RGB 96 0 4

HSL 357.5, 1%, 0.19%

LAB 17.9, 39.29, 25.98

 

CMYK 0 / 100 / 100 / 69

HEX #4F0000

RGB 79 0 0

HSL 0, 1%, 0.15%

LAB 13.6, 34.26, 21.3

 

CMYK 0 / 100 / 100 / 76

HEX #3E0000

RGB 62 0 0

HSL 0, 1%, 0.12%

LAB 9.19, 29.15, 14.52

 

CMYK 0 / 76 / 67 / 49

HEX #83202B

RGB 131 32 43

HSL 353.33, 0.61%, 0.32%

LAB 29.49, 42.38, 18.67

 

CMYK 0 / 76 / 76 / 49

HEX #832020

RGB 131 32 32

HSL 0, 0.61%, 0.32%

LAB 29.32, 41.78, 25.51

 

CMYK 0 / 76 / 67 / 49

HEX #83202B

RGB 131 32 43

HSL 353.33, 0.61%, 0.32%

LAB 29.49, 42.38, 18.67

 

CMYK 0 / 76 / 47 / 49

HEX #832046

RGB 131 32 70

HSL 336.97, 0.61%, 0.32%

LAB 30.16, 44.57, 1.69

 

CMYK 0 / 76 / 26 / 49

HEX #832061

RGB 131 32 97

HSL 320.61, 0.61%, 0.32%

LAB 31.16, 47.78, -14.5

 

CMYK 0 / 76 / 6 / 49

HEX #83207B

RGB 131 32 123

HSL 304.85, 0.61%, 0.32%

LAB 32.45, 51.71, -29.07

 

CMYK 15 / 76 / 0 / 49

HEX #702083

RGB 112 32 131

HSL 288.48, 0.61%, 0.32%

LAB 29.7, 48.82, -38.66

 

CMYK 0 / 76 / 67 / 49

HEX #83202B

RGB 131 32 43

HSL 353.33, 0.61%, 0.32%

LAB 29.49, 42.38, 18.67

 

CMYK 0 / 87 / 77 / 43

HEX #911321

RGB 145 19 33

HSL 353.33, 0.77%, 0.32%

LAB 30.87, 50.1, 27.43

 

CMYK 0 / 97 / 86 / 38

HEX #9E0516

RGB 158 5 22

HSL 353.33, 0.94%, 0.32%

LAB 32.78, 55.68, 36.8

 

CMYK 0 / 76 / 67 / 49

HEX #83202B

RGB 131 32 43

HSL 353.33, 0.61%, 0.32%

LAB 29.49, 42.38, 18.67

 

CMYK 0 / 62 / 55 / 54

HEX #762D35

RGB 118 45 53

HSL 353.42, 0.45%, 0.32%

LAB 29.38, 32.75, 11.49

 

CMYK 0 / 45 / 40 / 59

HEX #693A3F

RGB 105 58 63

HSL 353.62, 0.29%, 0.32%

LAB 30.37, 21.38, 6.01

 

CMYK 0 / 23 / 20 / 64

HEX #5C474A

RGB 92 71 74

HSL 351.43, 0.13%, 0.32%

LAB 32.43, 9.49, 1.63

 

CMYK 7 / 0 / 1 / 67

HEX #4F5554

RGB 79 85 84

HSL 170, 0.04%, 0.32%

LAB 35.6, -2.6, -0.25

 

CMYK 0 / 76 / 26 / 49

HEX #832061

RGB 131 32 97

HSL 320.61, 0.61%, 0.32%

LAB 31.16, 47.78, -14.5

 

CMYK 0 / 76 / 47 / 49

HEX #832046

RGB 131 32 70

HSL 336.97, 0.61%, 0.32%

LAB 30.16, 44.57, 1.69

 

CMYK 0 / 76 / 67 / 49

HEX #83202B

RGB 131 32 43

HSL 353.33, 0.61%, 0.32%

LAB 29.49, 42.38, 18.67

 

CMYK 0 / 64 / 76 / 49

HEX #832F20

RGB 131 47 32

HSL 9.09, 0.61%, 0.32%

LAB 31.72, 35.26, 28.22

 

CMYK 0 / 44 / 76 / 49

HEX #834920

RGB 131 73 32

HSL 24.85, 0.61%, 0.32%

LAB 37.29, 21.16, 34.25

 

CMYK 0 / 75 / 68 / 75

HEX #411015

RGB 65 16 21

HSL 353.88, 0.6%, 0.16%

LAB 12.91, 24.08, 9.73

 

CMYK 0 / 76 / 67 / 62

HEX #621820

RGB 98 24 32

HSL 353.51, 0.61%, 0.24%

LAB 21.41, 33.59, 14.34

 

CMYK 0 / 76 / 67 / 49

HEX #83202B

RGB 131 32 43

HSL 353.33, 0.61%, 0.32%

LAB 29.49, 42.38, 18.67

 

CMYK 0 / 76 / 67 / 35

HEX #A52836

RGB 165 40 54

HSL 353.28, 0.61%, 0.4%

LAB 37.45, 51, 23.08

 

CMYK 0 / 76 / 67 / 22

HEX #C63041

RGB 198 48 65

HSL 353.2, 0.61%, 0.48%

LAB 44.94, 58.95, 27.04

 

CMYK 0 / 76 / 68 / 49

HEX #821F2A

RGB 130 31 42

HSL 353.33, 0.61%, 0.32%

LAB 29.14, 42.36, 18.83

 

CMYK 6 / 0 / 76 / 49

HEX #7B8320

RGB 123 131 32

HSL 64.85, 0.61%, 0.32%

LAB 52.45, -15.87, 49.07

 

CMYK 76 / 37 / 0 / 49

HEX #205383

RGB 32 83 131

HSL 209.09, 0.61%, 0.32%

LAB 34.26, 0.52, -31.82

 

CMYK 0 / 76 / 68 / 49

HEX #821F2A

RGB 130 31 42

HSL 353.33, 0.61%, 0.32%

LAB 29.14, 42.36, 18.83

 

CMYK 67 / 0 / 76 / 49

HEX #2B8320

RGB 43 131 32

HSL 113.33, 0.61%, 0.32%

LAB 48.07, -45.16, 43.3

 

CMYK 76 / 67 / 0 / 49

HEX #202B83

RGB 32 43 131

HSL 233.33, 0.61%, 0.32%

LAB 22.56, 27.84, -50.68

 

CMYK 0 / 76 / 68 / 49

HEX #821F2A

RGB 130 31 42

HSL 353.33, 0.61%, 0.32%

LAB 29.14, 42.36, 18.83

 

CMYK 6 / 0 / 76 / 49

HEX #7B8320

RGB 123 131 32

HSL 64.85, 0.61%, 0.32%

LAB 52.45, -15.87, 49.07

 

CMYK 76 / 0 / 8 / 49

HEX #208378

RGB 32 131 120

HSL 173.33, 0.61%, 0.32%

LAB 49.37, -30.22, -2.08

 

CMYK 69 / 76 / 0 / 49

HEX #282083

RGB 40 32 131

HSL 244.85, 0.61%, 0.32%

LAB 20.53, 35.8, -54

 

CMYK 0 / 76 / 68 / 49

HEX #821F2A

RGB 130 31 42

HSL 353.33, 0.61%, 0.32%

LAB 29.14, 42.36, 18.83

 

CMYK 29 / 0 / 76 / 49

HEX #5D8320

RGB 93 131 32

HSL 83.03, 0.61%, 0.32%

LAB 50.29, -28.85, 46.24

 

CMYK 76 / 0 / 8 / 49

HEX #208378

RGB 32 131 120

HSL 173.33, 0.61%, 0.32%

LAB 49.37, -30.22, -2.08

 

CMYK 47 / 76 / 0 / 49

HEX #462083

RGB 70 32 131

HSL 263.03, 0.61%, 0.32%

LAB 23.58, 40.34, -48.87

 

Description

Color code: HEX #821F2A | qconv.com Color code: HEX #821F2A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 31 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 31 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 68 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 68% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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