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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 62 / 55 / 54 it is the complementary color CMYK 34 / 0 / 4 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 62 / 55 / 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 62 / 55 / 54: CMYK 0 / 63 / 61 / 52, CMYK 0 / 55 / 52 / 45, CMYK 0 / 48 / 45 / 39, CMYK 0 / 43 / 39 / 32 and CMYK 0 / 38 / 35 / 25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 62 / 55 / 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 62 / 55 / 54: CMYK 0 / 62 / 55 / 54, CMYK 0 / 73 / 66 / 61, CMYK 0 / 89 / 82 / 67, CMYK 0 / 100 / 100 / 74 and CMYK 0 / 100 / 100 / 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 55 / 54

HEX #752D35

RGB 117 45 53

HSL 353.33, 0.44%, 0.32%

LAB 29.2, 32.37, 11.22

 

Complementary color

CMYK 34 / 0 / 4 / 18

HEX #8AD2CA

RGB 138 210 202

HSL 173.33, 0.44%, 0.68%

LAB 79.48, -24.2, -3.19

 

CMYK 0 / 63 / 61 / 52

HEX #7A2D30

RGB 122 45 48

HSL 357.66, 0.46%, 0.33%

LAB 29.98, 33.83, 15.7

 

CMYK 0 / 55 / 52 / 45

HEX #8B3F43

RGB 139 63 67

HSL 356.84, 0.38%, 0.4%

LAB 36.84, 32.74, 13.23

 

CMYK 0 / 48 / 45 / 39

HEX #9C5156

RGB 156 81 86

HSL 356, 0.32%, 0.46%

LAB 43.69, 31.61, 11.29

 

CMYK 0 / 43 / 39 / 32

HEX #AD6369

RGB 173 99 105

HSL 355.14, 0.31%, 0.53%

LAB 50.49, 30.53, 9.71

 

CMYK 0 / 38 / 35 / 25

HEX #BE757C

RGB 190 117 124

HSL 354.25, 0.36%, 0.6%

LAB 57.2, 29.54, 8.36

 

CMYK 0 / 62 / 55 / 54

HEX #752D35

RGB 117 45 53

HSL 353.33, 0.44%, 0.32%

LAB 29.2, 32.37, 11.22

 

CMYK 0 / 73 / 66 / 61

HEX #641B22

RGB 100 27 34

HSL 354.25, 0.57%, 0.25%

LAB 22.33, 33.15, 14.24

 

CMYK 0 / 89 / 82 / 67

HEX #53090F

RGB 83 9 15

HSL 355.14, 0.8%, 0.18%

LAB 15.84, 32.97, 17.97

 

CMYK 0 / 100 / 100 / 74

HEX #420000

RGB 66 0 0

HSL 0, 1%, 0.13%

LAB 10.25, 30.37, 16.16

 

CMYK 0 / 100 / 100 / 81

HEX #310000

RGB 49 0 0

HSL 0, 1%, 0.1%

LAB 5.9, 24.15, 9.32

 

CMYK 0 / 62 / 55 / 54

HEX #752D35

RGB 117 45 53

HSL 353.33, 0.44%, 0.32%

LAB 29.2, 32.37, 11.22

 

CMYK 0 / 58 / 62 / 54

HEX #75312D

RGB 117 49 45

HSL 3.33, 0.44%, 0.32%

LAB 29.83, 29.56, 17.28

 

CMYK 0 / 48 / 62 / 54

HEX #753D2D

RGB 117 61 45

HSL 13.33, 0.44%, 0.32%

LAB 32.5, 22.81, 20.68

 

CMYK 0 / 38 / 62 / 54

HEX #75492D

RGB 117 73 45

HSL 23.33, 0.44%, 0.32%

LAB 35.47, 15.68, 24.37

 

CMYK 0 / 27 / 62 / 54

HEX #75552D

RGB 117 85 45

HSL 33.33, 0.44%, 0.32%

LAB 38.67, 8.44, 28.22

 

CMYK 0 / 62 / 55 / 54

HEX #752D35

RGB 117 45 53

HSL 353.33, 0.44%, 0.32%

LAB 29.2, 32.37, 11.22

 

CMYK 0 / 61 / 55 / 34

HEX #A8414C

RGB 168 65 76

HSL 353.59, 0.44%, 0.46%

LAB 42.2, 43.26, 15.69

 

CMYK 0 / 62 / 55 / 14

HEX #DB5463

RGB 219 84 99

HSL 353.33, 0.65%, 0.59%

LAB 54.35, 53.92, 19.66

 

CMYK 0 / 60 / 53 / 94

HEX #0F0607

RGB 15 6 7

HSL 353.33, 0.43%, 0.04%

LAB 2.23, 2.69, 0.52

 

CMYK 0 / 62 / 55 / 74

HEX #42191E

RGB 66 25 30

HSL 352.68, 0.45%, 0.18%

LAB 15.21, 20.43, 6.35

 

CMYK 0 / 62 / 55 / 54

HEX #752D35

RGB 117 45 53

HSL 353.33, 0.44%, 0.32%

LAB 29.2, 32.37, 11.22

 

CMYK 5 / 0 / 62 / 54

HEX #6F752D

RGB 111 117 45

HSL 65, 0.44%, 0.32%

LAB 47.35, -12.91, 37.99

 

CMYK 62 / 30 / 0 / 54

HEX #2D5275

RGB 45 82 117

HSL 209.17, 0.44%, 0.32%

LAB 33.73, -1.7, -23.96

 

CMYK 0 / 62 / 55 / 54

HEX #752D35

RGB 117 45 53

HSL 353.33, 0.44%, 0.32%

LAB 29.2, 32.37, 11.22

 

CMYK 54 / 0 / 62 / 54

HEX #36752D

RGB 54 117 45

HSL 112.5, 0.44%, 0.32%

LAB 43.79, -35.41, 33.01

 

CMYK 62 / 54 / 0 / 54

HEX #2D3675

RGB 45 54 117

HSL 232.5, 0.44%, 0.32%

LAB 25.2, 17.11, -37.49

 

CMYK 0 / 62 / 55 / 54

HEX #752D35

RGB 117 45 53

HSL 353.33, 0.44%, 0.32%

LAB 29.2, 32.37, 11.22

 

CMYK 5 / 0 / 62 / 54

HEX #6F752D

RGB 111 117 45

HSL 65, 0.44%, 0.32%

LAB 47.35, -12.91, 37.99

 

CMYK 62 / 0 / 7 / 54

HEX #2D756D

RGB 45 117 109

HSL 173.33, 0.44%, 0.32%

LAB 44.78, -24.35, -2.28

 

CMYK 56 / 62 / 0 / 54

HEX #332D75

RGB 51 45 117

HSL 245, 0.44%, 0.32%

LAB 23.22, 24.51, -40.67

 

CMYK 0 / 62 / 55 / 54

HEX #752D35

RGB 117 45 53

HSL 353.33, 0.44%, 0.32%

LAB 29.2, 32.37, 11.22

 

CMYK 24 / 0 / 62 / 54

HEX #59752D

RGB 89 117 45

HSL 83.33, 0.44%, 0.32%

LAB 45.68, -22.55, 35.66

 

CMYK 62 / 0 / 7 / 54

HEX #2D756D

RGB 45 117 109

HSL 173.33, 0.44%, 0.32%

LAB 44.78, -24.35, -2.28

 

CMYK 38 / 62 / 0 / 54

HEX #492D75

RGB 73 45 117

HSL 263.33, 0.44%, 0.32%

LAB 25.5, 29.69, -36.88

 

Description

Color code: CMYK 0 / 62 / 55 / 54 | qconv.com Color code: CMYK 0 / 62 / 55 / 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 45 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 45 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 55 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 55% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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