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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81ACEC it is the complementary color #7E5313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81ACEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #81ACEC: #86ACE7, #97BEFA, #A8D0FF, #B9E2FF and #CAF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81ACEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #81ACEC: #81ACEC, #709AD9, #5F88C6, #4E76B3 and #3D64A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 27 / 0 / 7

HEX #81ACEC

RGB 129 172 236

HSL 215.89, 0.74%, 0.72%

LAB 69.63, 2.27, -36.56

 

Complementary color

CMYK 0 / 34 / 85 / 51

HEX #7E5313

RGB 126 83 19

HSL 35.89, 0.74%, 0.28%

LAB 39.02, 12.39, 41.63

 

CMYK 42 / 26 / 0 / 9

HEX #86ACE7

RGB 134 172 231

HSL 216.49, 0.67%, 0.72%

LAB 69.71, 2.12, -33.69

 

CMYK 40 / 24 / 0 / 2

HEX #97BEFA

RGB 151 190 250

HSL 216.36, 0.91%, 0.79%

LAB 76.26, 1.7, -33.77

 

CMYK 34 / 18 / 0 / 0

HEX #A8D0FF

RGB 168 208 255

HSL 212.41, 1%, 0.83%

LAB 82.19, -2.21, -27.24

 

CMYK 27 / 11 / 0 / 0

HEX #B9E2FF

RGB 185 226 255

HSL 204.86, 1%, 0.86%

LAB 87.93, -6.9, -18.43

 

CMYK 21 / 4 / 0 / 0

HEX #CAF4FF

RGB 202 244 255

HSL 192.45, 1%, 0.9%

LAB 93.66, -11.12, -9.76

 

CMYK 45 / 27 / 0 / 7

HEX #81ACEC

RGB 129 172 236

HSL 215.89, 0.74%, 0.72%

LAB 69.63, 2.27, -36.56

 

CMYK 48 / 29 / 0 / 15

HEX #709AD9

RGB 112 154 217

HSL 216, 0.58%, 0.65%

LAB 62.98, 2.85, -36.53

 

CMYK 52 / 31 / 0 / 22

HEX #5F88C6

RGB 95 136 198

HSL 216.12, 0.47%, 0.57%

LAB 56.21, 3.55, -36.54

 

CMYK 56 / 34 / 0 / 30

HEX #4E76B3

RGB 78 118 179

HSL 216.24, 0.4%, 0.5%

LAB 49.29, 4.41, -36.57

 

CMYK 62 / 38 / 0 / 37

HEX #3D64A0

RGB 61 100 160

HSL 216.36, 0.45%, 0.43%

LAB 42.22, 5.51, -36.65

 

CMYK 45 / 27 / 0 / 7

HEX #81ACEC

RGB 129 172 236

HSL 215.89, 0.74%, 0.72%

LAB 69.63, 2.27, -36.56

 

CMYK 45 / 33 / 0 / 7

HEX #829DEC

RGB 130 157 236

HSL 224.72, 0.74%, 0.72%

LAB 65.68, 11.03, -42.73

 

CMYK 45 / 41 / 0 / 7

HEX #828BEC

RGB 130 139 236

HSL 234.91, 0.74%, 0.72%

LAB 61.02, 21.5, -50.08

 

CMYK 41 / 45 / 0 / 7

HEX #8B82EC

RGB 139 130 236

HSL 245.09, 0.74%, 0.72%

LAB 59.44, 28.95, -52.54

 

CMYK 33 / 45 / 0 / 7

HEX #9D82EC

RGB 157 130 236

HSL 255.28, 0.74%, 0.72%

LAB 60.95, 33.5, -50.06

 

CMYK 45 / 27 / 0 / 7

HEX #81ACEC

RGB 129 172 236

HSL 215.89, 0.74%, 0.72%

LAB 69.63, 2.27, -36.56

 

CMYK 47 / 28 / 0 / 87

HEX #111720

RGB 17 23 32

HSL 216, 0.31%, 0.1%

LAB 7.55, 0.14, -7.18

 

CMYK 46 / 28 / 0 / 67

HEX #2D3C53

RGB 45 60 83

HSL 216.32, 0.3%, 0.25%

LAB 25, 0.89, -15.83

 

CMYK 46 / 27 / 0 / 47

HEX #496286

RGB 73 98 134

HSL 215.41, 0.29%, 0.41%

LAB 41.01, 0.96, -22.92

 

CMYK 45 / 27 / 0 / 27

HEX #6587B9

RGB 101 135 185

HSL 215.71, 0.38%, 0.56%

LAB 55.68, 1.64, -29.94

 

CMYK 45 / 27 / 0 / 7

HEX #81ACEC

RGB 129 172 236

HSL 215.89, 0.74%, 0.72%

LAB 69.63, 2.27, -36.56

 

CMYK 10 / 45 / 0 / 7

HEX #D582EC

RGB 213 130 236

HSL 286.98, 0.74%, 0.72%

LAB 66.65, 48.9, -40.7

 

CMYK 8 / 0 / 45 / 7

HEX #D9EC82

RGB 217 236 130

HSL 70.75, 0.74%, 0.72%

LAB 90.02, -21.88, 49.06

 

CMYK 45 / 27 / 0 / 7

HEX #81ACEC

RGB 129 172 236

HSL 215.89, 0.74%, 0.72%

LAB 69.63, 2.27, -36.56

 

CMYK 0 / 45 / 26 / 7

HEX #EC82AE

RGB 236 130 174

HSL 335.09, 0.74%, 0.72%

LAB 67.17, 45.72, -5.04

 

CMYK 26 / 0 / 45 / 7

HEX #AEEC82

RGB 174 236 130

HSL 95.09, 0.74%, 0.72%

LAB 87.29, -37.65, 45.07

 

CMYK 45 / 27 / 0 / 7

HEX #81ACEC

RGB 129 172 236

HSL 215.89, 0.74%, 0.72%

LAB 69.63, 2.27, -36.56

 

CMYK 10 / 45 / 0 / 7

HEX #D582EC

RGB 213 130 236

HSL 286.98, 0.74%, 0.72%

LAB 66.65, 48.9, -40.7

 

CMYK 0 / 19 / 45 / 7

HEX #ECC082

RGB 236 192 130

HSL 35.09, 0.74%, 0.72%

LAB 80.26, 7.89, 37.11

 

CMYK 35 / 0 / 45 / 7

HEX #99EC82

RGB 153 236 130

HSL 106.98, 0.74%, 0.72%

LAB 86.19, -44.65, 43.46

 

CMYK 45 / 27 / 0 / 7

HEX #81ACEC

RGB 129 172 236

HSL 215.89, 0.74%, 0.72%

LAB 69.63, 2.27, -36.56

 

CMYK 0 / 45 / 4 / 7

HEX #EC82E3

RGB 236 130 227

HSL 305.09, 0.74%, 0.72%

LAB 69, 53.88, -31.86

 

CMYK 0 / 19 / 45 / 7

HEX #ECC082

RGB 236 192 130

HSL 35.09, 0.74%, 0.72%

LAB 80.26, 7.89, 37.11

 

CMYK 45 / 0 / 41 / 7

HEX #82EC8B

RGB 130 236 139

HSL 125.09, 0.74%, 0.72%

LAB 85.3, -50.26, 37.69

 

Description

Color code: HEX #81ACEC | qconv.com Color code: HEX #81ACEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 172 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 172 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 27 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 27% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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