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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81939E it is the complementary color #7E6C61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81939E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #81939E: #869399, #97A5AC, #A8B7BF, #B9C9D2 and #CADBE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81939E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #81939E: #81939E, #70818B, #5F6F78, #4E5D65 and #3D4B52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 7 / 0 / 38

HEX #81939E

RGB 129 147 158

HSL 202.76, 0.13%, 0.56%

LAB 59.89, -3.97, -7.96

 

Complementary color

CMYK 0 / 14 / 23 / 51

HEX #7E6C61

RGB 126 108 97

HSL 22.76, 0.13%, 0.44%

LAB 47.01, 5.21, 8.77

 

CMYK 12 / 4 / 0 / 40

HEX #869399

RGB 134 147 153

HSL 198.95, 0.09%, 0.56%

LAB 60.1, -3.38, -4.76

 

CMYK 12 / 4 / 0 / 33

HEX #97A5AC

RGB 151 165 172

HSL 200, 0.11%, 0.63%

LAB 66.88, -3.46, -5.3

 

CMYK 12 / 4 / 0 / 25

HEX #A8B7BF

RGB 168 183 191

HSL 200.87, 0.15%, 0.7%

LAB 73.52, -3.54, -5.83

 

CMYK 12 / 4 / 0 / 18

HEX #B9C9D2

RGB 185 201 210

HSL 201.6, 0.22%, 0.77%

LAB 80.03, -3.62, -6.34

 

CMYK 12 / 4 / 0 / 10

HEX #CADBE5

RGB 202 219 229

HSL 202.22, 0.34%, 0.85%

LAB 86.44, -3.7, -6.85

 

CMYK 18 / 7 / 0 / 38

HEX #81939E

RGB 129 147 158

HSL 202.76, 0.13%, 0.56%

LAB 59.89, -3.97, -7.96

 

CMYK 19 / 7 / 0 / 45

HEX #70818B

RGB 112 129 139

HSL 202.22, 0.11%, 0.49%

LAB 52.96, -3.9, -7.48

 

CMYK 21 / 8 / 0 / 53

HEX #5F6F78

RGB 95 111 120

HSL 201.6, 0.12%, 0.42%

LAB 45.85, -3.84, -6.99

 

CMYK 23 / 8 / 0 / 60

HEX #4E5D65

RGB 78 93 101

HSL 200.87, 0.13%, 0.35%

LAB 38.53, -3.78, -6.5

 

CMYK 26 / 9 / 0 / 68

HEX #3D4B52

RGB 61 75 82

HSL 200, 0.15%, 0.28%

LAB 30.96, -3.72, -5.99

 

CMYK 18 / 7 / 0 / 38

HEX #81939E

RGB 129 147 158

HSL 202.76, 0.13%, 0.56%

LAB 59.89, -3.97, -7.96

 

CMYK 18 / 10 / 0 / 38

HEX #808D9D

RGB 128 141 157

HSL 213.1, 0.13%, 0.56%

LAB 58.11, -1.16, -10.06

 

CMYK 18 / 13 / 0 / 38

HEX #80889D

RGB 128 136 157

HSL 223.45, 0.13%, 0.56%

LAB 56.71, 1.69, -12.15

 

CMYK 18 / 16 / 0 / 38

HEX #80849D

RGB 128 132 157

HSL 231.72, 0.13%, 0.56%

LAB 55.61, 3.99, -13.82

 

CMYK 18 / 18 / 0 / 38

HEX #81809D

RGB 129 128 157

HSL 242.07, 0.13%, 0.56%

LAB 54.6, 6.65, -15.35

 

CMYK 18 / 7 / 0 / 38

HEX #81939E

RGB 129 147 158

HSL 202.76, 0.13%, 0.56%

LAB 59.89, -3.97, -7.96

 

CMYK 18 / 7 / 0 / 18

HEX #ABC2D1

RGB 171 194 209

HSL 203.68, 0.29%, 0.75%

LAB 77.19, -4.62, -10.13

 

CMYK 20 / 0 / 0 / 98

HEX #040505

RGB 4 5 5

HSL 180, 0.11%, 0.02%

LAB 1.31, -0.26, -0.09

 

CMYK 18 / 7 / 0 / 78

HEX #2E3438

RGB 46 52 56

HSL 204, 0.1%, 0.2%

LAB 21.29, -1.53, -3.39

 

CMYK 19 / 7 / 0 / 58

HEX #57646B

RGB 87 100 107

HSL 201, 0.1%, 0.38%

LAB 41.54, -3.3, -5.63

 

CMYK 18 / 7 / 0 / 38

HEX #81939E

RGB 129 147 158

HSL 202.76, 0.13%, 0.56%

LAB 59.89, -3.97, -7.96

 

CMYK 8 / 18 / 0 / 38

HEX #90809D

RGB 144 128 157

HSL 273.1, 0.13%, 0.56%

LAB 55.89, 11.8, -13.26

 

CMYK 0 / 1 / 18 / 38

HEX #9D9C80

RGB 157 156 128

HSL 57.93, 0.13%, 0.56%

LAB 63.76, -4.53, 14.83

 

CMYK 18 / 7 / 0 / 38

HEX #81939E

RGB 129 147 158

HSL 202.76, 0.13%, 0.56%

LAB 59.89, -3.97, -7.96

 

CMYK 0 / 18 / 7 / 38

HEX #9D8092

RGB 157 128 146

HSL 322.76, 0.13%, 0.56%

LAB 56.76, 14.28, -5.47

 

CMYK 7 / 0 / 18 / 38

HEX #929D80

RGB 146 157 128

HSL 82.76, 0.13%, 0.56%

LAB 63.16, -9.29, 13.87

 

CMYK 18 / 7 / 0 / 38

HEX #81939E

RGB 129 147 158

HSL 202.76, 0.13%, 0.56%

LAB 59.89, -3.97, -7.96

 

CMYK 8 / 18 / 0 / 38

HEX #90809D

RGB 144 128 157

HSL 273.1, 0.13%, 0.56%

LAB 55.89, 11.8, -13.26

 

CMYK 0 / 12 / 18 / 38

HEX #9D8A80

RGB 157 138 128

HSL 20.69, 0.13%, 0.56%

LAB 58.88, 5.45, 7.97

 

CMYK 11 / 0 / 18 / 38

HEX #8C9D80

RGB 140 157 128

HSL 95.17, 0.13%, 0.56%

LAB 62.72, -11.55, 13.18

 

CMYK 18 / 7 / 0 / 38

HEX #81939E

RGB 129 147 158

HSL 202.76, 0.13%, 0.56%

LAB 59.89, -3.97, -7.96

 

CMYK 3 / 18 / 0 / 38

HEX #99809D

RGB 153 128 157

HSL 291.72, 0.13%, 0.56%

LAB 56.73, 14.97, -11.92

 

CMYK 0 / 12 / 18 / 38

HEX #9D8A80

RGB 157 138 128

HSL 20.69, 0.13%, 0.56%

LAB 58.88, 5.45, 7.97

 

CMYK 16 / 0 / 18 / 38

HEX #849D80

RGB 132 157 128

HSL 111.72, 0.13%, 0.56%

LAB 62.15, -14.5, 12.3

 

Description

Color code: HEX #81939E | qconv.com Color code: HEX #81939E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 147 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 147 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 7 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 7% 0% 38% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - création de sites we...
Link: http://www.catherinedupuis-creations.fr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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