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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8177BE it is the complementary color #7E8841. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8177BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8177BE: #8677B9, #9789CC, #A89BDF, #B9ADF2 and #CABFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8177BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8177BE: #8177BE, #7065AB, #5F5398, #4E4185 and #3D2F72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 37 / 0 / 25

HEX #8177BE

RGB 129 119 190

HSL 248.45, 0.35%, 0.61%

LAB 53.58, 20.22, -35.93

 

Complementary color

CMYK 7 / 0 / 52 / 47

HEX #7E8841

RGB 126 136 65

HSL 68.45, 0.35%, 0.39%

LAB 54.48, -14.73, 36.5

 

CMYK 28 / 36 / 0 / 27

HEX #8677B9

RGB 134 119 185

HSL 253.64, 0.32%, 0.6%

LAB 53.78, 20.39, -32.72

 

CMYK 26 / 33 / 0 / 20

HEX #9789CC

RGB 151 137 204

HSL 252.54, 0.4%, 0.67%

LAB 60.63, 19.71, -32.73

 

CMYK 25 / 30 / 0 / 13

HEX #A89BDF

RGB 168 155 223

HSL 251.47, 0.52%, 0.74%

LAB 67.35, 19.11, -32.77

 

CMYK 24 / 29 / 0 / 5

HEX #B9ADF2

RGB 185 173 242

HSL 250.43, 0.73%, 0.81%

LAB 73.94, 18.57, -32.84

 

CMYK 21 / 25 / 0 / 0

HEX #CABFFF

RGB 202 191 255

HSL 250.31, 1%, 0.87%

LAB 80.2, 16.72, -30.09

 

CMYK 32 / 37 / 0 / 25

HEX #8177BE

RGB 129 119 190

HSL 248.45, 0.35%, 0.61%

LAB 53.58, 20.22, -35.93

 

CMYK 35 / 41 / 0 / 33

HEX #7065AB

RGB 112 101 171

HSL 249.43, 0.29%, 0.53%

LAB 46.57, 21.05, -36.04

 

CMYK 38 / 45 / 0 / 40

HEX #5F5398

RGB 95 83 152

HSL 250.43, 0.29%, 0.46%

LAB 39.39, 22, -36.21

 

CMYK 41 / 51 / 0 / 48

HEX #4E4185

RGB 78 65 133

HSL 251.47, 0.34%, 0.39%

LAB 32.02, 23.14, -36.44

 

CMYK 46 / 59 / 0 / 55

HEX #3D2F72

RGB 61 47 114

HSL 252.54, 0.42%, 0.32%

LAB 24.45, 24.49, -36.72

 

CMYK 32 / 37 / 0 / 25

HEX #8177BE

RGB 129 119 190

HSL 248.45, 0.35%, 0.61%

LAB 53.58, 20.22, -35.93

 

CMYK 26 / 37 / 0 / 25

HEX #8D78BE

RGB 141 120 190

HSL 258, 0.35%, 0.61%

LAB 54.88, 23.15, -33.82

 

CMYK 19 / 37 / 0 / 25

HEX #9978BE

RGB 153 120 190

HSL 268.29, 0.35%, 0.61%

LAB 56.01, 26.79, -31.97

 

CMYK 14 / 37 / 0 / 25

HEX #A478BE

RGB 164 120 190

HSL 277.71, 0.35%, 0.61%

LAB 57.12, 30.19, -30.16

 

CMYK 7 / 37 / 0 / 25

HEX #B078BE

RGB 176 120 190

HSL 288, 0.35%, 0.61%

LAB 58.4, 33.97, -28.08

 

CMYK 32 / 37 / 0 / 25

HEX #8177BE

RGB 129 119 190

HSL 248.45, 0.35%, 0.61%

LAB 53.58, 20.22, -35.93

 

CMYK 32 / 37 / 0 / 5

HEX #A497F1

RGB 164 151 241

HSL 248.67, 0.76%, 0.77%

LAB 66.81, 24.68, -43.54

 

CMYK 32 / 38 / 0 / 85

HEX #191725

RGB 25 23 37

HSL 248.57, 0.23%, 0.12%

LAB 8.59, 5.04, -9.28

 

CMYK 32 / 38 / 0 / 65

HEX #3C3758

RGB 60 55 88

HSL 249.09, 0.23%, 0.28%

LAB 24.94, 10.75, -19.09

 

CMYK 32 / 37 / 0 / 45

HEX #5E578B

RGB 94 87 139

HSL 248.08, 0.23%, 0.44%

LAB 39.68, 15.51, -27.91

 

CMYK 32 / 37 / 0 / 25

HEX #8177BE

RGB 129 119 190

HSL 248.45, 0.35%, 0.61%

LAB 53.58, 20.22, -35.93

 

CMYK 0 / 37 / 12 / 25

HEX #BE78A7

RGB 190 120 167

HSL 319.71, 0.35%, 0.61%

LAB 59.13, 34.29, -13.66

 

CMYK 27 / 0 / 37 / 25

HEX #8BBE78

RGB 139 190 120

HSL 103.71, 0.35%, 0.61%

LAB 72.01, -29.89, 30.11

 

CMYK 32 / 37 / 0 / 25

HEX #8177BE

RGB 129 119 190

HSL 248.45, 0.35%, 0.61%

LAB 53.58, 20.22, -35.93

 

CMYK 0 / 32 / 37 / 25

HEX #BE8278

RGB 190 130 120

HSL 8.57, 0.35%, 0.61%

LAB 60.13, 21.88, 14.78

 

CMYK 37 / 0 / 32 / 25

HEX #78BE82

RGB 120 190 130

HSL 128.57, 0.35%, 0.61%

LAB 71.17, -34.58, 23.53

 

CMYK 32 / 37 / 0 / 25

HEX #8177BE

RGB 129 119 190

HSL 248.45, 0.35%, 0.61%

LAB 53.58, 20.22, -35.93

 

CMYK 0 / 37 / 12 / 25

HEX #BE78A7

RGB 190 120 167

HSL 319.71, 0.35%, 0.61%

LAB 59.13, 34.29, -13.66

 

CMYK 5 / 0 / 37 / 25

HEX #B5BE78

RGB 181 190 120

HSL 67.71, 0.35%, 0.61%

LAB 74.83, -14.15, 34.33

 

CMYK 37 / 0 / 25 / 25

HEX #78BE8F

RGB 120 190 143

HSL 139.71, 0.35%, 0.61%

LAB 71.42, -32.21, 16.92

 

CMYK 32 / 37 / 0 / 25

HEX #8177BE

RGB 129 119 190

HSL 248.45, 0.35%, 0.61%

LAB 53.58, 20.22, -35.93

 

CMYK 0 / 37 / 23 / 25

HEX #BE7892

RGB 190 120 146

HSL 337.71, 0.35%, 0.61%

LAB 58.47, 30.94, -2.55

 

CMYK 5 / 0 / 37 / 25

HEX #B5BE78

RGB 181 190 120

HSL 67.71, 0.35%, 0.61%

LAB 74.83, -14.15, 34.33

 

CMYK 37 / 0 / 14 / 25

HEX #78BEA4

RGB 120 190 164

HSL 157.71, 0.35%, 0.61%

LAB 71.89, -27.93, 6.2

 

Description

Color code: HEX #8177BE | qconv.com Color code: HEX #8177BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 119 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 119 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 37 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 37% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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