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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #816642 it is the complementary color #7E99BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #816642. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #816642: #86663D, #977850, #A88A63, #B99C76 and #CAAE89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #816642. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #816642: #816642, #70542F, #5F421C, #4E3009 and #3D1E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 49 / 49

HEX #816642

RGB 129 102 66

HSL 34.29, 0.32%, 0.38%

LAB 45.03, 5.86, 24.4

 

Complementary color

CMYK 33 / 19 / 0 / 26

HEX #7E99BD

RGB 126 153 189

HSL 214.29, 0.32%, 0.62%

LAB 62.42, -0.7, -21.7

 

CMYK 0 / 24 / 54 / 47

HEX #86663D

RGB 134 102 61

HSL 33.7, 0.37%, 0.38%

LAB 45.51, 7.61, 27.97

 

CMYK 0 / 21 / 47 / 41

HEX #977850

RGB 151 120 80

HSL 33.8, 0.31%, 0.45%

LAB 52.5, 6.66, 26.5

 

CMYK 0 / 18 / 41 / 34

HEX #A88A63

RGB 168 138 99

HSL 33.91, 0.28%, 0.52%

LAB 59.35, 5.89, 25.15

 

CMYK 0 / 16 / 36 / 27

HEX #B99C76

RGB 185 156 118

HSL 34.03, 0.32%, 0.59%

LAB 66.06, 5.25, 23.91

 

CMYK 0 / 14 / 32 / 21

HEX #CAAE89

RGB 202 174 137

HSL 34.15, 0.38%, 0.66%

LAB 72.65, 4.7, 22.76

 

CMYK 0 / 21 / 49 / 49

HEX #816642

RGB 129 102 66

HSL 34.29, 0.32%, 0.38%

LAB 45.03, 5.86, 24.4

 

CMYK 0 / 25 / 58 / 56

HEX #70542F

RGB 112 84 47

HSL 34.15, 0.41%, 0.31%

LAB 37.83, 6.88, 25.92

 

CMYK 0 / 31 / 71 / 63

HEX #5F421C

RGB 95 66 28

HSL 34.03, 0.54%, 0.24%

LAB 30.43, 8.21, 27.51

 

CMYK 0 / 38 / 88 / 69

HEX #4E3009

RGB 78 48 9

HSL 33.91, 0.79%, 0.17%

LAB 22.84, 10.03, 28.52

 

CMYK 0 / 51 / 100 / 76

HEX #3D1E00

RGB 61 30 0

HSL 29.51, 1%, 0.12%

LAB 15.07, 12.56, 22.47

 

CMYK 0 / 21 / 49 / 49

HEX #816642

RGB 129 102 66

HSL 34.29, 0.32%, 0.38%

LAB 45.03, 5.86, 24.4

 

CMYK 0 / 13 / 49 / 50

HEX #7F6F41

RGB 127 111 65

HSL 44.52, 0.32%, 0.38%

LAB 47.32, -0.39, 27.81

 

CMYK 0 / 5 / 49 / 50

HEX #7F7941

RGB 127 121 65

HSL 54.19, 0.32%, 0.38%

LAB 50.18, -6.08, 31.35

 

CMYK 3 / 0 / 49 / 50

HEX #7B7F41

RGB 123 127 65

HSL 63.87, 0.32%, 0.38%

LAB 51.58, -11.17, 32.97

 

CMYK 11 / 0 / 49 / 50

HEX #717F41

RGB 113 127 65

HSL 73.55, 0.32%, 0.38%

LAB 50.77, -15.5, 31.8

 

CMYK 0 / 21 / 49 / 49

HEX #816642

RGB 129 102 66

HSL 34.29, 0.32%, 0.38%

LAB 45.03, 5.86, 24.4

 

CMYK 0 / 21 / 49 / 29

HEX #B48E5C

RGB 180 142 92

HSL 34.09, 0.37%, 0.53%

LAB 61.5, 7.99, 32.01

 

CMYK 0 / 21 / 49 / 9

HEX #E7B776

RGB 231 183 118

HSL 34.51, 0.7%, 0.68%

LAB 77.38, 9.46, 39.51

 

CMYK 0 / 22 / 48 / 89

HEX #1B150E

RGB 27 21 14

HSL 32.31, 0.32%, 0.08%

LAB 7.24, 1.56, 4.92

 

CMYK 0 / 21 / 49 / 69

HEX #4E3E28

RGB 78 62 40

HSL 34.74, 0.32%, 0.23%

LAB 27.35, 3.55, 16.14

 

CMYK 0 / 21 / 49 / 49

HEX #816642

RGB 129 102 66

HSL 34.29, 0.32%, 0.38%

LAB 45.03, 5.86, 24.4

 

CMYK 37 / 0 / 49 / 50

HEX #507F41

RGB 80 127 65

HSL 105.48, 0.32%, 0.38%

LAB 48.59, -28.62, 28.63

 

CMYK 40 / 49 / 0 / 50

HEX #4C417F

RGB 76 65 127

HSL 250.65, 0.32%, 0.38%

LAB 31.46, 20.77, -33.62

 

CMYK 0 / 21 / 49 / 49

HEX #816642

RGB 129 102 66

HSL 34.29, 0.32%, 0.38%

LAB 45.03, 5.86, 24.4

 

CMYK 49 / 0 / 20 / 50

HEX #417F65

RGB 65 127 101

HSL 154.84, 0.32%, 0.38%

LAB 48.56, -26.64, 8.02

 

CMYK 20 / 49 / 0 / 50

HEX #65417F

RGB 101 65 127

HSL 274.84, 0.32%, 0.38%

LAB 34.15, 28.15, -29.19

 

CMYK 0 / 21 / 49 / 49

HEX #816642

RGB 129 102 66

HSL 34.29, 0.32%, 0.38%

LAB 45.03, 5.86, 24.4

 

CMYK 37 / 0 / 49 / 50

HEX #507F41

RGB 80 127 65

HSL 105.48, 0.32%, 0.38%

LAB 48.59, -28.62, 28.63

 

CMYK 49 / 28 / 0 / 50

HEX #415C7F

RGB 65 92 127

HSL 213.87, 0.32%, 0.38%

LAB 38.39, 0.3, -22.77

 

CMYK 11 / 49 / 0 / 50

HEX #71417F

RGB 113 65 127

HSL 286.45, 0.32%, 0.38%

LAB 35.64, 31.88, -26.74

 

CMYK 0 / 21 / 49 / 49

HEX #816642

RGB 129 102 66

HSL 34.29, 0.32%, 0.38%

LAB 45.03, 5.86, 24.4

 

CMYK 49 / 0 / 45 / 50

HEX #417F46

RGB 65 127 70

HSL 124.84, 0.32%, 0.38%

LAB 47.94, -32.86, 24.92

 

CMYK 49 / 28 / 0 / 50

HEX #415C7F

RGB 65 92 127

HSL 213.87, 0.32%, 0.38%

LAB 38.39, 0.3, -22.77

 

CMYK 0 / 49 / 3 / 50

HEX #7F417B

RGB 127 65 123

HSL 303.87, 0.32%, 0.38%

LAB 37.34, 35.51, -21.47

 

Description

Color code: HEX #816642 | qconv.com Color code: HEX #816642 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 102 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 102 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 49 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 49% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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