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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #814C84 it is the complementary color #7EB37B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #814C84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #814C84: #864C7F, #975E92, #A870A5, #B982B8 and #CA94CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #814C84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #814C84: #814C84, #703A71, #5F285E, #4E164B and #3D0438

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 42 / 0 / 48

HEX #814C84

RGB 129 76 132

HSL 296.79, 0.27%, 0.41%

LAB 40.41, 31.78, -22.22

 

Complementary color

CMYK 30 / 0 / 31 / 30

HEX #7EB37B

RGB 126 179 123

HSL 116.79, 0.27%, 0.59%

LAB 68.1, -28.62, 23.18

 

CMYK 0 / 43 / 5 / 47

HEX #864C7F

RGB 134 76 127

HSL 307.24, 0.28%, 0.41%

LAB 40.85, 32.46, -18.44

 

CMYK 0 / 38 / 3 / 41

HEX #975E92

RGB 151 94 146

HSL 305.26, 0.23%, 0.48%

LAB 47.83, 31.65, -19

 

CMYK 0 / 33 / 2 / 34

HEX #A870A5

RGB 168 112 165

HSL 303.21, 0.24%, 0.55%

LAB 54.69, 30.88, -19.49

 

CMYK 0 / 30 / 1 / 27

HEX #B982B8

RGB 185 130 184

HSL 301.09, 0.28%, 0.62%

LAB 61.43, 30.15, -19.93

 

CMYK 0 / 27 / 0 / 20

HEX #CA94CB

RGB 202 148 203

HSL 298.91, 0.35%, 0.69%

LAB 68.06, 29.47, -20.34

 

CMYK 2 / 42 / 0 / 48

HEX #814C84

RGB 129 76 132

HSL 296.79, 0.27%, 0.41%

LAB 40.41, 31.78, -22.22

 

CMYK 1 / 49 / 0 / 56

HEX #703A71

RGB 112 58 113

HSL 298.91, 0.32%, 0.34%

LAB 33.27, 32.58, -21.71

 

CMYK 0 / 58 / 1 / 63

HEX #5F285E

RGB 95 40 94

HSL 301.09, 0.41%, 0.26%

LAB 26.04, 33.26, -20.99

 

CMYK 0 / 72 / 4 / 69

HEX #4E164B

RGB 78 22 75

HSL 303.21, 0.56%, 0.2%

LAB 18.81, 33.48, -19.84

 

CMYK 0 / 93 / 8 / 76

HEX #3D0438

RGB 61 4 56

HSL 305.26, 0.88%, 0.13%

LAB 11.72, 32.74, -17.93

 

CMYK 2 / 42 / 0 / 48

HEX #814C84

RGB 129 76 132

HSL 296.79, 0.27%, 0.41%

LAB 40.41, 31.78, -22.22

 

CMYK 0 / 42 / 4 / 48

HEX #844C7F

RGB 132 76 127

HSL 305.36, 0.27%, 0.41%

LAB 40.58, 31.78, -18.87

 

CMYK 0 / 42 / 11 / 48

HEX #844C75

RGB 132 76 117

HSL 316.07, 0.27%, 0.41%

LAB 40.18, 29.91, -13.34

 

CMYK 0 / 42 / 18 / 48

HEX #844C6C

RGB 132 76 108

HSL 325.71, 0.27%, 0.41%

LAB 39.84, 28.33, -8.28

 

CMYK 0 / 42 / 26 / 48

HEX #844C62

RGB 132 76 98

HSL 336.43, 0.27%, 0.41%

LAB 39.51, 26.71, -2.57

 

CMYK 2 / 42 / 0 / 48

HEX #814C84

RGB 129 76 132

HSL 296.79, 0.27%, 0.41%

LAB 40.41, 31.78, -22.22

 

CMYK 2 / 43 / 0 / 28

HEX #B369B7

RGB 179 105 183

HSL 296.92, 0.35%, 0.56%

LAB 55.18, 41.7, -29.03

 

CMYK 2 / 42 / 0 / 8

HEX #E587EA

RGB 229 135 234

HSL 296.97, 0.7%, 0.72%

LAB 69.42, 50.56, -35.14

 

CMYK 3 / 43 / 0 / 88

HEX #1D111E

RGB 29 17 30

HSL 295.38, 0.28%, 0.09%

LAB 6.83, 8.99, -6.64

 

CMYK 2 / 42 / 0 / 68

HEX #4F2F51

RGB 79 47 81

HSL 296.47, 0.27%, 0.25%

LAB 24.61, 20.98, -14.83

 

CMYK 2 / 42 / 0 / 48

HEX #814C84

RGB 129 76 132

HSL 296.79, 0.27%, 0.41%

LAB 40.41, 31.78, -22.22

 

CMYK 0 / 37 / 42 / 48

HEX #84534C

RGB 132 83 76

HSL 7.5, 0.27%, 0.41%

LAB 40.6, 19.57, 12.62

 

CMYK 42 / 0 / 20 / 48

HEX #4C846A

RGB 76 132 106

HSL 152.14, 0.27%, 0.41%

LAB 50.78, -24.84, 8.32

 

CMYK 2 / 42 / 0 / 48

HEX #814C84

RGB 129 76 132

HSL 296.79, 0.27%, 0.41%

LAB 40.41, 31.78, -22.22

 

CMYK 0 / 2 / 42 / 48

HEX #84814C

RGB 132 129 76

HSL 56.79, 0.27%, 0.41%

LAB 53.09, -7.14, 29.09

 

CMYK 42 / 0 / 2 / 48

HEX #4C8481

RGB 76 132 129

HSL 176.79, 0.27%, 0.41%

LAB 51.41, -19.2, -4.18

 

CMYK 2 / 42 / 0 / 48

HEX #814C84

RGB 129 76 132

HSL 296.79, 0.27%, 0.41%

LAB 40.41, 31.78, -22.22

 

CMYK 0 / 37 / 42 / 48

HEX #84534C

RGB 132 83 76

HSL 7.5, 0.27%, 0.41%

LAB 40.6, 19.57, 12.62

 

CMYK 39 / 0 / 42 / 48

HEX #50844C

RGB 80 132 76

HSL 115.71, 0.27%, 0.41%

LAB 50.37, -29.36, 24.88

 

CMYK 42 / 5 / 0 / 48

HEX #4C7D84

RGB 76 125 132

HSL 187.5, 0.27%, 0.41%

LAB 49.34, -14.59, -9.02

 

CMYK 2 / 42 / 0 / 48

HEX #814C84

RGB 129 76 132

HSL 296.79, 0.27%, 0.41%

LAB 40.41, 31.78, -22.22

 

CMYK 0 / 24 / 42 / 48

HEX #84644C

RGB 132 100 76

HSL 25.71, 0.27%, 0.41%

LAB 45, 9.52, 18.59

 

CMYK 39 / 0 / 42 / 48

HEX #50844C

RGB 80 132 76

HSL 115.71, 0.27%, 0.41%

LAB 50.37, -29.36, 24.88

 

CMYK 42 / 18 / 0 / 48

HEX #4C6C84

RGB 76 108 132

HSL 205.71, 0.27%, 0.41%

LAB 44.13, -4.85, -16.91

 

Description

Color code: HEX #814C84 | qconv.com Color code: HEX #814C84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 76 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 76 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 42 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 42% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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