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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #813472 it is the complementary color #7ECB8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #813472. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #813472 shade: #86346D, #974680, #A85893, #B96AA6 and #CA7CB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #813472. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #813472 shade: #813472, #70225F, #5F104C, #4E0039 and #3D0026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #813472 shade: #803371, #80335C, #803347 and #803333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #813472 shade: #803371, #7A3380, #653380, #503380 and #3C3380

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #813472 shade matches the following richer shades: #803371, #8E2479, #9D1682 and #AB088B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #813472 shade: #803371, #714168, #63505F, #545E56 and #466D4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #813472 shade: #653380, #793380, #803372, #80335D and #803349

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #813472 shade: #451B3D, #622757, #803371, #9D3F8B and #B84DA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #813472 shade: #813472, #805033 and #33806F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #813472 shade: #813472, #728033 and #337280

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #813472 shade: #813472, #805033, #338041 and #336280

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #813472 shade: #813472, #806733, #338041 and #334B80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 12 / 49

HEX #813472

RGB 129 52 114

HSL 311.69, 0.43%, 0.35%

LAB 34.68, 41.27, -19.95

 

Complementary color

CMYK 38 / 0 / 31 / 20

HEX #7ECB8D

RGB 126 203 141

HSL 131.69, 0.43%, 0.65%

LAB 75.5, -36.79, 23.63

 

CMYK 0 / 61 / 19 / 47

HEX #86346D

RGB 134 52 109

HSL 318.29, 0.44%, 0.36%

LAB 35.26, 41.98, -15.84

 

CMYK 0 / 54 / 15 / 41

HEX #974680

RGB 151 70 128

HSL 317.04, 0.37%, 0.43%

LAB 42.03, 41.46, -17.03

 

CMYK 0 / 48 / 13 / 34

HEX #A85893

RGB 168 88 147

HSL 315.75, 0.31%, 0.5%

LAB 48.77, 40.75, -17.96

 

CMYK 0 / 43 / 10 / 27

HEX #B96AA6

RGB 185 106 166

HSL 314.43, 0.36%, 0.57%

LAB 55.46, 39.99, -18.71

 

CMYK 0 / 39 / 8 / 21

HEX #CA7CB9

RGB 202 124 185

HSL 313.08, 0.42%, 0.64%

LAB 62.06, 39.22, -19.36

 

CMYK 0 / 60 / 12 / 49

HEX #813472

RGB 129 52 114

HSL 311.69, 0.43%, 0.35%

LAB 34.68, 41.27, -19.95

 

CMYK 0 / 70 / 15 / 56

HEX #70225F

RGB 112 34 95

HSL 313.08, 0.53%, 0.29%

LAB 27.89, 41.4, -18.54

 

CMYK 0 / 83 / 20 / 63

HEX #5F104C

RGB 95 16 76

HSL 314.43, 0.71%, 0.22%

LAB 21.3, 40.59, -16.38

 

CMYK 0 / 100 / 27 / 69

HEX #4E0039

RGB 78 0 57

HSL 316.15, 1%, 0.15%

LAB 15.04, 38.39, -13.18

 

CMYK 0 / 100 / 38 / 76

HEX #3D0026

RGB 61 0 38

HSL 322.62, 1%, 0.12%

LAB 10.05, 31.81, -7.26

 

CMYK 0 / 60 / 12 / 50

HEX #803371

RGB 128 51 113

HSL 311.69, 0.43%, 0.35%

LAB 34.29, 41.28, -19.93

 

CMYK 0 / 60 / 28 / 50

HEX #80335C

RGB 128 51 92

HSL 328.05, 0.43%, 0.35%

LAB 33.41, 37.97, -7.91

 

CMYK 0 / 60 / 45 / 50

HEX #803347

RGB 128 51 71

HSL 344.42, 0.43%, 0.35%

LAB 32.73, 35.27, 4.66

 

CMYK 0 / 60 / 60 / 50

HEX #803333

RGB 128 51 51

HSL 0, 0.43%, 0.35%

LAB 32.25, 33.33, 16.94

 

CMYK 0 / 60 / 12 / 50

HEX #803371

RGB 128 51 113

HSL 311.69, 0.43%, 0.35%

LAB 34.29, 41.28, -19.93

 

CMYK 5 / 60 / 0 / 50

HEX #7A3380

RGB 122 51 128

HSL 295.32, 0.43%, 0.35%

LAB 34.12, 42.3, -29.67

 

CMYK 21 / 60 / 0 / 50

HEX #653380

RGB 101 51 128

HSL 278.96, 0.43%, 0.35%

LAB 31.1, 36.5, -34.65

 

CMYK 38 / 60 / 0 / 50

HEX #503380

RGB 80 51 128

HSL 262.6, 0.43%, 0.35%

LAB 28.46, 30.96, -39.02

 

CMYK 53 / 60 / 0 / 50

HEX #3C3380

RGB 60 51 128

HSL 247.01, 0.43%, 0.35%

LAB 26.41, 26.22, -42.43

 

CMYK 0 / 60 / 12 / 50

HEX #803371

RGB 128 51 113

HSL 311.69, 0.43%, 0.35%

LAB 34.29, 41.28, -19.93

 

CMYK 0 / 75 / 15 / 44

HEX #8E2479

RGB 142 36 121

HSL 311.89, 0.6%, 0.35%

LAB 34.79, 52.7, -24.01

 

CMYK 0 / 86 / 17 / 38

HEX #9D1682

RGB 157 22 130

HSL 312, 0.75%, 0.35%

LAB 36.66, 61.33, -26.51

 

CMYK 0 / 95 / 19 / 33

HEX #AB088B

RGB 171 8 139

HSL 311.78, 0.91%, 0.35%

LAB 39.06, 67.51, -28.11

 

CMYK 0 / 60 / 12 / 50

HEX #803371

RGB 128 51 113

HSL 311.69, 0.43%, 0.35%

LAB 34.29, 41.28, -19.93

 

CMYK 0 / 42 / 8 / 56

HEX #714168

RGB 113 65 104

HSL 311.25, 0.27%, 0.35%

LAB 34.58, 27.1, -13.99

 

CMYK 0 / 19 / 4 / 61

HEX #63505F

RGB 99 80 95

HSL 312.63, 0.11%, 0.35%

LAB 36.4, 10.82, -5.75

 

CMYK 11 / 0 / 9 / 63

HEX #545E56

RGB 84 94 86

HSL 132, 0.06%, 0.35%

LAB 38.83, -5.63, 3.26

 

CMYK 36 / 0 / 29 / 57

HEX #466D4D

RGB 70 109 77

HSL 130.77, 0.22%, 0.35%

LAB 42.42, -21.14, 13.62

 

CMYK 21 / 60 / 0 / 50

HEX #653380

RGB 101 51 128

HSL 278.96, 0.43%, 0.35%

LAB 31.1, 36.5, -34.65

 

CMYK 5 / 60 / 0 / 50

HEX #793380

RGB 121 51 128

HSL 294.55, 0.43%, 0.35%

LAB 33.96, 42.02, -29.92

 

CMYK 0 / 60 / 11 / 50

HEX #803372

RGB 128 51 114

HSL 310.91, 0.43%, 0.35%

LAB 34.34, 41.45, -20.49

 

CMYK 0 / 60 / 27 / 50

HEX #80335D

RGB 128 51 93

HSL 327.27, 0.43%, 0.35%

LAB 33.45, 38.11, -8.49

 

CMYK 0 / 60 / 43 / 50

HEX #803349

RGB 128 51 73

HSL 342.86, 0.43%, 0.35%

LAB 32.78, 35.5, 3.44

 

CMYK 0 / 61 / 12 / 73

HEX #451B3D

RGB 69 27 61

HSL 311.43, 0.44%, 0.19%

LAB 17.39, 25.34, -12.49

 

CMYK 0 / 60 / 11 / 62

HEX #622757

RGB 98 39 87

HSL 311.19, 0.43%, 0.27%

LAB 25.97, 33.4, -16.46

 

CMYK 0 / 60 / 12 / 50

HEX #803371

RGB 128 51 113

HSL 311.69, 0.43%, 0.35%

LAB 34.29, 41.28, -19.93

 

CMYK 0 / 60 / 11 / 38

HEX #9D3F8B

RGB 157 63 139

HSL 311.49, 0.43%, 0.43%

LAB 42.13, 48.5, -23.5

 

CMYK 0 / 58 / 11 / 28

HEX #B84DA3

RGB 184 77 163

HSL 311.78, 0.43%, 0.51%

LAB 49.67, 53.68, -25.87

 

CMYK 0 / 60 / 12 / 49

HEX #813472

RGB 129 52 114

HSL 311.69, 0.43%, 0.35%

LAB 34.68, 41.27, -19.95

 

CMYK 0 / 38 / 60 / 50

HEX #805033

RGB 128 80 51

HSL 22.6, 0.43%, 0.35%

LAB 38.84, 17, 25.3

 

CMYK 60 / 0 / 13 / 50

HEX #33806F

RGB 51 128 111

HSL 166.75, 0.43%, 0.35%

LAB 48.62, -28.04, 2.17

 

CMYK 0 / 60 / 12 / 49

HEX #813472

RGB 129 52 114

HSL 311.69, 0.43%, 0.35%

LAB 34.68, 41.27, -19.95

 

CMYK 11 / 0 / 60 / 50

HEX #728033

RGB 114 128 51

HSL 70.91, 0.43%, 0.35%

LAB 50.98, -16.99, 39.19

 

CMYK 60 / 11 / 0 / 50

HEX #337280

RGB 51 114 128

HSL 190.91, 0.43%, 0.35%

LAB 44.66, -15.74, -13.82

 

CMYK 0 / 60 / 12 / 49

HEX #813472

RGB 129 52 114

HSL 311.69, 0.43%, 0.35%

LAB 34.68, 41.27, -19.95

 

CMYK 0 / 38 / 60 / 50

HEX #805033

RGB 128 80 51

HSL 22.6, 0.43%, 0.35%

LAB 38.84, 17, 25.3

 

CMYK 60 / 0 / 49 / 50

HEX #338041

RGB 51 128 65

HSL 130.91, 0.43%, 0.35%

LAB 47.65, -38.03, 27.18

 

CMYK 60 / 23 / 0 / 50

HEX #336280

RGB 51 98 128

HSL 203.38, 0.43%, 0.35%

LAB 39.58, -6.47, -21.6

 

CMYK 0 / 60 / 12 / 49

HEX #813472

RGB 129 52 114

HSL 311.69, 0.43%, 0.35%

LAB 34.68, 41.27, -19.95

 

CMYK 0 / 20 / 60 / 50

HEX #806733

RGB 128 103 51

HSL 40.52, 0.43%, 0.35%

LAB 44.98, 3.39, 32.67

 

CMYK 60 / 0 / 49 / 50

HEX #338041

RGB 51 128 65

HSL 130.91, 0.43%, 0.35%

LAB 47.65, -38.03, 27.18

 

CMYK 60 / 41 / 0 / 50

HEX #334B80

RGB 51 75 128

HSL 221.3, 0.43%, 0.35%

LAB 32.47, 8.16, -32.75

 

Description

Color code: HEX #813472 | qconv.com Color code: HEX #813472 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 52 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 52 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 12 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 12% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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