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Color name
RGB 128 103 51

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 103 51 it is the complementary color RGB 127 152 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 103 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 103 51 shade: RGB 133 103 46, RGB 150 121 65, RGB 167 139 84, RGB 184 157 103 and RGB 201 175 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 103 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 103 51 shade: RGB 128 103 51, RGB 111 85 32, RGB 94 67 13, RGB 77 49 0 and RGB 60 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 103 51 shade: RGB 128 103 51, RGB 128 82 51, RGB 128 61 51 and RGB 128 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 103 51 shade: RGB 128 103 51, RGB 128 123 51, RGB 111 128 51, RGB 90 128 51 and RGB 70 128 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 103 51 shade matches the following richer shades: RGB 128 103 51, RGB 142 108 36, RGB 157 113 22 and RGB 171 118 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 103 51 shade: RGB 128 103 51, RGB 113 98 65, RGB 99 93 80, RGB 84 88 94 and RGB 70 82 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 103 51 shade: RGB 128 61 51, RGB 128 82 51, RGB 128 102 51, RGB 128 123 51 and RGB 112 128 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 103 51 shade: RGB 69 55 27, RGB 98 79 39, RGB 128 103 51, RGB 157 126 63 and RGB 184 149 77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 103 51 shade: RGB 128 103 51, RGB 61 128 51 and RGB 71 51 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 103 51 shade: RGB 128 103 51, RGB 51 128 102 and RGB 102 51 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 103 51 shade: RGB 128 103 51, RGB 61 128 51, RGB 51 76 128 and RGB 117 51 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 103 51 shade: RGB 128 103 51, RGB 51 128 64, RGB 51 76 128 and RGB 128 51 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 60 / 50

HEX #806733

RGB 128 103 51

HSL 40.52, 0.43%, 0.35%

LAB 44.98, 3.39, 32.67

 

Complementary color

CMYK 38 / 25 / 0 / 20

HEX #7F98CC

RGB 127 152 204

HSL 220.52, 0.43%, 0.65%

LAB 62.78, 4.14, -29.53

 

CMYK 0 / 23 / 65 / 48

HEX #85672E

RGB 133 103 46

HSL 39.31, 0.49%, 0.35%

LAB 45.48, 5.32, 36

 

CMYK 0 / 19 / 57 / 41

HEX #967941

RGB 150 121 65

HSL 39.53, 0.4%, 0.42%

LAB 52.44, 4.2, 34.62

 

CMYK 0 / 17 / 50 / 35

HEX #A78B54

RGB 167 139 84

HSL 39.76, 0.33%, 0.49%

LAB 59.27, 3.3, 33.23

 

CMYK 0 / 15 / 44 / 28

HEX #B89D67

RGB 184 157 103

HSL 40, 0.36%, 0.56%

LAB 65.97, 2.57, 31.89

 

CMYK 0 / 13 / 39 / 21

HEX #C9AF7A

RGB 201 175 122

HSL 40.25, 0.42%, 0.63%

LAB 72.55, 1.95, 30.64

 

CMYK 0 / 20 / 60 / 50

HEX #806733

RGB 128 103 51

HSL 40.52, 0.43%, 0.35%

LAB 44.98, 3.39, 32.67

 

CMYK 0 / 23 / 71 / 56

HEX #6F5520

RGB 111 85 32

HSL 40.25, 0.55%, 0.28%

LAB 37.81, 4.62, 34

 

CMYK 0 / 29 / 86 / 63

HEX #5E430D

RGB 94 67 13

HSL 40, 0.76%, 0.21%

LAB 30.46, 6.26, 34.77

 

CMYK 0 / 36 / 100 / 70

HEX #4D3100

RGB 77 49 0

HSL 38.18, 1%, 0.15%

LAB 22.91, 8.47, 32.22

 

CMYK 0 / 48 / 100 / 76

HEX #3C1F00

RGB 60 31 0

HSL 31, 1%, 0.12%

LAB 15.17, 11.37, 22.58

 

CMYK 0 / 20 / 60 / 50

HEX #806733

RGB 128 103 51

HSL 40.52, 0.43%, 0.35%

LAB 44.98, 3.39, 32.67

 

CMYK 0 / 36 / 60 / 50

HEX #805233

RGB 128 82 51

HSL 24.16, 0.43%, 0.35%

LAB 39.35, 15.81, 25.93

 

CMYK 0 / 52 / 60 / 50

HEX #803D33

RGB 128 61 51

HSL 7.79, 0.43%, 0.35%

LAB 34.33, 27.98, 19.63

 

CMYK 0 / 60 / 60 / 50

HEX #803333

RGB 128 51 51

HSL 0, 0.43%, 0.35%

LAB 32.25, 33.33, 16.94

 

CMYK 0 / 20 / 60 / 50

HEX #806733

RGB 128 103 51

HSL 40.52, 0.43%, 0.35%

LAB 44.98, 3.39, 32.67

 

CMYK 0 / 4 / 60 / 50

HEX #807B33

RGB 128 123 51

HSL 56.1, 0.43%, 0.35%

LAB 50.68, -8.03, 39.18

 

CMYK 13 / 0 / 60 / 50

HEX #6F8033

RGB 111 128 51

HSL 73.25, 0.43%, 0.35%

LAB 50.75, -18.3, 38.87

 

CMYK 30 / 0 / 60 / 50

HEX #5A8033

RGB 90 128 51

HSL 89.61, 0.43%, 0.35%

LAB 49.31, -27.04, 36.86

 

CMYK 45 / 0 / 60 / 50

HEX #468033

RGB 70 128 51

HSL 105.19, 0.43%, 0.35%

LAB 48.23, -34.38, 35.33

 

CMYK 0 / 20 / 60 / 50

HEX #806733

RGB 128 103 51

HSL 40.52, 0.43%, 0.35%

LAB 44.98, 3.39, 32.67

 

CMYK 0 / 24 / 75 / 44

HEX #8E6C24

RGB 142 108 36

HSL 40.75, 0.6%, 0.35%

LAB 47.76, 5.99, 43.51

 

CMYK 0 / 28 / 86 / 38

HEX #9D7116

RGB 157 113 22

HSL 40.44, 0.75%, 0.35%

LAB 50.73, 9.54, 52.18

 

CMYK 0 / 31 / 95 / 33

HEX #AB7608

RGB 171 118 8

HSL 40.49, 0.91%, 0.35%

LAB 53.63, 12.85, 58.49

 

CMYK 0 / 20 / 60 / 50

HEX #806733

RGB 128 103 51

HSL 40.52, 0.43%, 0.35%

LAB 44.98, 3.39, 32.67

 

CMYK 0 / 13 / 42 / 56

HEX #716241

RGB 113 98 65

HSL 41.25, 0.27%, 0.35%

LAB 42.2, 0.9, 20.99

 

CMYK 0 / 6 / 19 / 61

HEX #635D50

RGB 99 93 80

HSL 41.05, 0.11%, 0.35%

LAB 39.68, -0.04, 8.34

 

CMYK 11 / 6 / 0 / 63

HEX #54585E

RGB 84 88 94

HSL 216, 0.06%, 0.35%

LAB 37.25, -0.23, -4.01

 

CMYK 36 / 25 / 0 / 57

HEX #46526D

RGB 70 82 109

HSL 221.54, 0.22%, 0.35%

LAB 34.88, 2.53, -17.05

 

CMYK 0 / 52 / 60 / 50

HEX #803D33

RGB 128 61 51

HSL 7.79, 0.43%, 0.35%

LAB 34.33, 27.98, 19.63

 

CMYK 0 / 36 / 60 / 50

HEX #805233

RGB 128 82 51

HSL 24.16, 0.43%, 0.35%

LAB 39.35, 15.81, 25.93

 

CMYK 0 / 20 / 60 / 50

HEX #806633

RGB 128 102 51

HSL 39.74, 0.43%, 0.35%

LAB 44.7, 3.97, 32.35

 

CMYK 0 / 4 / 60 / 50

HEX #807B33

RGB 128 123 51

HSL 56.1, 0.43%, 0.35%

LAB 50.68, -8.03, 39.18

 

CMYK 13 / 0 / 60 / 50

HEX #708033

RGB 112 128 51

HSL 72.47, 0.43%, 0.35%

LAB 50.83, -17.87, 38.98

 

CMYK 0 / 20 / 61 / 73

HEX #45371B

RGB 69 55 27

HSL 40, 0.44%, 0.19%

LAB 23.92, 2.1, 19.72

 

CMYK 0 / 19 / 60 / 62

HEX #624F27

RGB 98 79 39

HSL 40.68, 0.43%, 0.27%

LAB 34.67, 2.52, 26.32

 

CMYK 0 / 20 / 60 / 50

HEX #806733

RGB 128 103 51

HSL 40.52, 0.43%, 0.35%

LAB 44.98, 3.39, 32.67

 

CMYK 0 / 20 / 60 / 38

HEX #9D7E3F

RGB 157 126 63

HSL 40.21, 0.43%, 0.43%

LAB 54.5, 4.33, 38.27

 

CMYK 0 / 19 / 58 / 28

HEX #B8954D

RGB 184 149 77

HSL 40.37, 0.43%, 0.51%

LAB 63.53, 4.53, 42.41

 

CMYK 0 / 20 / 60 / 50

HEX #806733

RGB 128 103 51

HSL 40.52, 0.43%, 0.35%

LAB 44.98, 3.39, 32.67

 

CMYK 52 / 0 / 60 / 50

HEX #3D8033

RGB 61 128 51

HSL 112.21, 0.43%, 0.35%

LAB 47.84, -37.25, 34.78

 

CMYK 45 / 60 / 0 / 50

HEX #473380

RGB 71 51 128

HSL 255.58, 0.43%, 0.35%

LAB 27.48, 28.74, -40.65

 

CMYK 0 / 20 / 60 / 50

HEX #806733

RGB 128 103 51

HSL 40.52, 0.43%, 0.35%

LAB 44.98, 3.39, 32.67

 

CMYK 60 / 0 / 20 / 50

HEX #338066

RGB 51 128 102

HSL 159.74, 0.43%, 0.35%

LAB 48.39, -30.36, 7.11

 

CMYK 20 / 60 / 0 / 50

HEX #663380

RGB 102 51 128

HSL 279.74, 0.43%, 0.35%

LAB 31.23, 36.78, -34.43

 

CMYK 0 / 20 / 60 / 50

HEX #806733

RGB 128 103 51

HSL 40.52, 0.43%, 0.35%

LAB 44.98, 3.39, 32.67

 

CMYK 52 / 0 / 60 / 50

HEX #3D8033

RGB 61 128 51

HSL 112.21, 0.43%, 0.35%

LAB 47.84, -37.25, 34.78

 

CMYK 60 / 41 / 0 / 50

HEX #334C80

RGB 51 76 128

HSL 220.52, 0.43%, 0.35%

LAB 32.77, 7.5, -32.28

 

CMYK 9 / 60 / 0 / 50

HEX #753380

RGB 117 51 128

HSL 291.43, 0.43%, 0.35%

LAB 33.37, 40.91, -30.9

 

CMYK 0 / 20 / 60 / 50

HEX #806733

RGB 128 103 51

HSL 40.52, 0.43%, 0.35%

LAB 44.98, 3.39, 32.67

 

CMYK 60 / 0 / 50 / 50

HEX #338040

RGB 51 128 64

HSL 130.13, 0.43%, 0.35%

LAB 47.64, -38.19, 27.7

 

CMYK 60 / 41 / 0 / 50

HEX #334C80

RGB 51 76 128

HSL 220.52, 0.43%, 0.35%

LAB 32.77, 7.5, -32.28

 

CMYK 0 / 60 / 10 / 50

HEX #803373

RGB 128 51 115

HSL 310.13, 0.43%, 0.35%

LAB 34.39, 41.62, -21.05

 

Description

Color code: RGB 128 103 51 | qconv.com Color code: RGB 128 103 51 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 103 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 103 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 60 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 60% 50% C M Y K

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Provide designers and agencies with accurate color values.

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