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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #811598 it is the complementary color #7EEA67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #811598. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #811598 shade: #861593, #9727A6, #A839B9, #B94BCC and #CA5DDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #811598. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #811598 shade: #811598, #700385, #5F0072, #4E005F and #3D004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #811598 shade: #811599, #99158C, #991569, #991545 and #991522

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #811598 shade: #811599, #5E1599, #3A1599, #171599 and #151599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #811598 shade matches the following richer shades: #811599 and #8B07A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #811598 shade: #811599, #78238B, #6F317D, #663F6F and #5D4D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #811598 shade: #3A1599, #5D1599, #801599, #99158E and #99156A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #811598 shade: #440B50, #631074, #811599, #A01ABD and #BF1FE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #811598 shade: #811598, #991715 and #15994C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #811598 shade: #811598, #998015 and #159980

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #811598 shade: #811598, #991715, #2D9915 and #159699

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #811598 shade: #811598, #993F15, #2D9915 and #156F99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 86 / 0 / 40

HEX #811598

RGB 129 21 152

HSL 289.47, 0.76%, 0.34%

LAB 32.85, 59.55, -46.42

 

Complementary color

CMYK 46 / 0 / 56 / 8

HEX #7EEA67

RGB 126 234 103

HSL 109.47, 0.76%, 0.66%

LAB 84.1, -55.3, 53.3

 

CMYK 9 / 86 / 0 / 42

HEX #861593

RGB 134 21 147

HSL 293.81, 0.75%, 0.33%

LAB 33.37, 59.56, -42.48

 

CMYK 9 / 77 / 0 / 35

HEX #9727A6

RGB 151 39 166

HSL 292.91, 0.62%, 0.4%

LAB 39.21, 61.23, -44.48

 

CMYK 9 / 69 / 0 / 27

HEX #A839B9

RGB 168 57 185

HSL 292.03, 0.53%, 0.47%

LAB 45.3, 61.9, -45.85

 

CMYK 9 / 63 / 0 / 20

HEX #B94BCC

RGB 185 75 204

HSL 291.16, 0.56%, 0.55%

LAB 51.5, 61.95, -46.82

 

CMYK 9 / 58 / 0 / 13

HEX #CA5DDF

RGB 202 93 223

HSL 290.31, 0.67%, 0.62%

LAB 57.76, 61.65, -47.53

 

CMYK 15 / 86 / 0 / 40

HEX #811598

RGB 129 21 152

HSL 289.47, 0.76%, 0.34%

LAB 32.85, 59.55, -46.42

 

CMYK 16 / 98 / 0 / 48

HEX #700385

RGB 112 3 133

HSL 290.31, 0.96%, 0.27%

LAB 27.31, 56.61, -43.78

 

CMYK 17 / 100 / 0 / 55

HEX #5F0072

RGB 95 0 114

HSL 290, 1%, 0.22%

LAB 22.47, 51.05, -39.68

 

CMYK 18 / 100 / 0 / 63

HEX #4E005F

RGB 78 0 95

HSL 289.26, 1%, 0.19%

LAB 17.67, 44.76, -35.16

 

CMYK 20 / 100 / 0 / 70

HEX #3D004C

RGB 61 0 76

HSL 288.16, 1%, 0.15%

LAB 12.7, 38.25, -30.49

 

CMYK 16 / 86 / 0 / 40

HEX #811599

RGB 129 21 153

HSL 289.09, 0.76%, 0.34%

LAB 32.93, 59.74, -46.92

 

CMYK 0 / 86 / 8 / 40

HEX #99158C

RGB 153 21 140

HSL 305.91, 0.76%, 0.34%

LAB 36.37, 62.13, -33.2

 

CMYK 0 / 86 / 31 / 40

HEX #991569

RGB 153 21 105

HSL 321.82, 0.76%, 0.34%

LAB 34.66, 57.46, -13.92

 

CMYK 0 / 86 / 55 / 40

HEX #991545

RGB 153 21 69

HSL 338.18, 0.76%, 0.34%

LAB 33.43, 53.97, 7.62

 

CMYK 0 / 86 / 78 / 40

HEX #991522

RGB 153 21 34

HSL 354.09, 0.76%, 0.34%

LAB 32.75, 51.97, 29.38

 

CMYK 16 / 86 / 0 / 40

HEX #811599

RGB 129 21 153

HSL 289.09, 0.76%, 0.34%

LAB 32.93, 59.74, -46.92

 

CMYK 39 / 86 / 0 / 40

HEX #5E1599

RGB 94 21 153

HSL 273.18, 0.76%, 0.34%

LAB 27.34, 54.11, -56.25

 

CMYK 62 / 86 / 0 / 40

HEX #3A1599

RGB 58 21 153

HSL 256.82, 0.76%, 0.34%

LAB 22.78, 49.79, -63.93

 

CMYK 85 / 86 / 0 / 40

HEX #171599

RGB 23 21 153

HSL 240.91, 0.76%, 0.34%

LAB 20.12, 47.43, -68.42

 

CMYK 86 / 86 / 0 / 40

HEX #151599

RGB 21 21 153

HSL 240, 0.76%, 0.34%

LAB 20.03, 47.35, -68.58

 

CMYK 16 / 86 / 0 / 40

HEX #811599

RGB 129 21 153

HSL 289.09, 0.76%, 0.34%

LAB 32.93, 59.74, -46.92

 

CMYK 17 / 96 / 0 / 35

HEX #8B07A7

RGB 139 7 167

HSL 289.5, 0.92%, 0.34%

LAB 34.86, 66.28, -52.19

 

CMYK 16 / 86 / 0 / 40

HEX #811599

RGB 129 21 153

HSL 289.09, 0.76%, 0.34%

LAB 32.93, 59.74, -46.92

 

CMYK 14 / 75 / 0 / 45

HEX #78238B

RGB 120 35 139

HSL 289.04, 0.6%, 0.34%

LAB 31.94, 51.02, -39.98

 

CMYK 11 / 61 / 0 / 51

HEX #6F317D

RGB 111 49 125

HSL 288.95, 0.44%, 0.34%

LAB 31.94, 39.64, -31.35

 

CMYK 8 / 43 / 0 / 56

HEX #663F6F

RGB 102 63 111

HSL 288.75, 0.28%, 0.34%

LAB 32.98, 25.92, -21

 

CMYK 3 / 20 / 0 / 62

HEX #5D4D60

RGB 93 77 96

HSL 290.53, 0.11%, 0.34%

LAB 34.96, 10.57, -8.59

 

CMYK 62 / 86 / 0 / 40

HEX #3A1599

RGB 58 21 153

HSL 256.82, 0.76%, 0.34%

LAB 22.78, 49.79, -63.93

 

CMYK 39 / 86 / 0 / 40

HEX #5D1599

RGB 93 21 153

HSL 272.73, 0.76%, 0.34%

LAB 27.2, 53.97, -56.5

 

CMYK 16 / 86 / 0 / 40

HEX #801599

RGB 128 21 153

HSL 288.64, 0.76%, 0.34%

LAB 32.76, 59.56, -47.2

 

CMYK 0 / 86 / 7 / 40

HEX #99158E

RGB 153 21 142

HSL 305, 0.76%, 0.34%

LAB 36.48, 62.43, -34.25

 

CMYK 0 / 86 / 31 / 40

HEX #99156A

RGB 153 21 106

HSL 321.36, 0.76%, 0.34%

LAB 34.7, 57.58, -14.49

 

CMYK 15 / 86 / 0 / 69

HEX #440B50

RGB 68 11 80

HSL 289.57, 0.76%, 0.18%

LAB 15.73, 36.43, -28.26

 

CMYK 15 / 86 / 0 / 55

HEX #631074

RGB 99 16 116

HSL 289.8, 0.76%, 0.26%

LAB 24.59, 48.49, -37.51

 

CMYK 16 / 86 / 0 / 40

HEX #811599

RGB 129 21 153

HSL 289.09, 0.76%, 0.34%

LAB 32.93, 59.74, -46.92

 

CMYK 15 / 86 / 0 / 26

HEX #A01ABD

RGB 160 26 189

HSL 289.33, 0.76%, 0.42%

LAB 41.04, 70.42, -55.11

 

CMYK 15 / 86 / 0 / 12

HEX #BF1FE1

RGB 191 31 225

HSL 289.48, 0.76%, 0.5%

LAB 48.87, 80.67, -62.98

 

CMYK 15 / 86 / 0 / 40

HEX #811598

RGB 129 21 152

HSL 289.47, 0.76%, 0.34%

LAB 32.85, 59.55, -46.42

 

CMYK 0 / 85 / 86 / 40

HEX #991715

RGB 153 23 21

HSL 0.91, 0.76%, 0.34%

LAB 32.79, 51.09, 36.93

 

CMYK 86 / 0 / 50 / 40

HEX #15994C

RGB 21 153 76

HSL 145, 0.76%, 0.34%

LAB 55.55, -50.74, 31.12

 

CMYK 15 / 86 / 0 / 40

HEX #811598

RGB 129 21 152

HSL 289.47, 0.76%, 0.34%

LAB 32.85, 59.55, -46.42

 

CMYK 0 / 16 / 86 / 40

HEX #998015

RGB 153 128 21

HSL 48.64, 0.76%, 0.34%

LAB 54.31, -0.82, 55.29

 

CMYK 86 / 0 / 16 / 40

HEX #159980

RGB 21 153 128

HSL 168.64, 0.76%, 0.34%

LAB 56.59, -39.13, 3.78

 

CMYK 15 / 86 / 0 / 40

HEX #811598

RGB 129 21 152

HSL 289.47, 0.76%, 0.34%

LAB 32.85, 59.55, -46.42

 

CMYK 0 / 85 / 86 / 40

HEX #991715

RGB 153 23 21

HSL 0.91, 0.76%, 0.34%

LAB 32.79, 51.09, 36.93

 

CMYK 71 / 0 / 86 / 40

HEX #2D9915

RGB 45 153 21

HSL 109.09, 0.76%, 0.34%

LAB 55.48, -53.08, 53.78

 

CMYK 86 / 2 / 0 / 40

HEX #159699

RGB 21 150 153

HSL 181.36, 0.76%, 0.34%

LAB 56.36, -30.37, -10.83

 

CMYK 15 / 86 / 0 / 40

HEX #811598

RGB 129 21 152

HSL 289.47, 0.76%, 0.34%

LAB 32.85, 59.55, -46.42

 

CMYK 0 / 59 / 86 / 40

HEX #993F15

RGB 153 63 21

HSL 19.09, 0.76%, 0.34%

LAB 38.52, 35.51, 41.94

 

CMYK 71 / 0 / 86 / 40

HEX #2D9915

RGB 45 153 21

HSL 109.09, 0.76%, 0.34%

LAB 55.48, -53.08, 53.78

 

CMYK 86 / 27 / 0 / 40

HEX #156F99

RGB 21 111 153

HSL 199.09, 0.76%, 0.34%

LAB 43.99, -9.53, -29.81

 

Description

Color code: HEX #811598 | qconv.com Color code: HEX #811598 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 21 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 21 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 86 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 86% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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