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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #998015 it is the complementary color #667FEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #998015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #998015 shade: #9E8010, #AF9223, #C0A436, #D1B649 and #E2C85C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #998015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #998015 shade: #998015, #886E02, #775C00, #664A00 and #553800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #998015 shade: #998015, #995C15, #993915 and #991515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #998015 shade: #998015, #8E9915, #6A9915, #479915 and #239915

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #998015 shade matches the following richer shades: #998015 and #A78807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #998015 shade: #998015, #8B7723, #7D6E31, #6F653F and #605D4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #998015 shade: #993815, #995B15, #997E15, #909915 and #6D9915

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #998015 shade: #50430B, #746110, #998015, #BD9E1A and #E1BC1F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #998015 shade: #998015, #159915 and #4A1599

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #998015 shade: #998015, #15997E and #7E1599

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #998015 shade: #998015, #159915, #152F99 and #991599

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #998015 shade: #998015, #15993C, #152F99 and #991571

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 86 / 40

HEX #998015

RGB 153 128 21

HSL 48.64, 0.76%, 0.34%

LAB 54.31, -0.82, 55.29

 

Complementary color

CMYK 56 / 46 / 0 / 8

HEX #667FEA

RGB 102 127 234

HSL 228.64, 0.76%, 0.66%

LAB 56.03, 21.89, -57.02

 

CMYK 0 / 19 / 90 / 38

HEX #9E8010

RGB 158 128 16

HSL 47.32, 0.82%, 0.34%

LAB 54.81, 1.38, 57.16

 

CMYK 0 / 17 / 80 / 31

HEX #AF9223

RGB 175 146 35

HSL 47.57, 0.67%, 0.41%

LAB 61.48, -0.22, 58.11

 

CMYK 0 / 15 / 72 / 25

HEX #C0A436

RGB 192 164 54

HSL 47.83, 0.56%, 0.48%

LAB 68.04, -1.55, 57.94

 

CMYK 0 / 13 / 65 / 18

HEX #D1B649

RGB 209 182 73

HSL 48.09, 0.6%, 0.55%

LAB 74.5, -2.65, 57.21

 

CMYK 0 / 12 / 59 / 11

HEX #E2C85C

RGB 226 200 92

HSL 48.36, 0.7%, 0.62%

LAB 80.88, -3.59, 56.21

 

CMYK 0 / 16 / 86 / 40

HEX #998015

RGB 153 128 21

HSL 48.64, 0.76%, 0.34%

LAB 54.31, -0.82, 55.29

 

CMYK 0 / 19 / 99 / 47

HEX #886E02

RGB 136 110 2

HSL 48.36, 0.97%, 0.27%

LAB 47.48, 0.94, 53.44

 

CMYK 0 / 23 / 100 / 53

HEX #775C00

RGB 119 92 0

HSL 46.39, 1%, 0.23%

LAB 40.53, 3.15, 48.16

 

CMYK 0 / 27 / 100 / 60

HEX #664A00

RGB 102 74 0

HSL 43.53, 1%, 0.2%

LAB 33.4, 5.54, 42.29

 

CMYK 0 / 34 / 100 / 67

HEX #553800

RGB 85 56 0

HSL 39.53, 1%, 0.17%

LAB 26.04, 8.13, 35.64

 

CMYK 0 / 16 / 86 / 40

HEX #998015

RGB 153 128 21

HSL 48.64, 0.76%, 0.34%

LAB 54.31, -0.82, 55.29

 

CMYK 0 / 40 / 86 / 40

HEX #995C15

RGB 153 92 21

HSL 32.27, 0.76%, 0.34%

LAB 44.91, 19.7, 47.41

 

CMYK 0 / 63 / 86 / 40

HEX #993915

RGB 153 57 21

HSL 16.36, 0.76%, 0.34%

LAB 37.39, 38.45, 40.97

 

CMYK 0 / 86 / 86 / 40

HEX #991515

RGB 153 21 21

HSL 0, 0.76%, 0.34%

LAB 32.62, 51.57, 36.78

 

CMYK 0 / 16 / 86 / 40

HEX #998015

RGB 153 128 21

HSL 48.64, 0.76%, 0.34%

LAB 54.31, -0.82, 55.29

 

CMYK 7 / 0 / 86 / 40

HEX #8E9915

RGB 142 153 21

HSL 65, 0.76%, 0.34%

LAB 60.42, -19.24, 59.98

 

CMYK 31 / 0 / 86 / 40

HEX #6A9915

RGB 106 153 21

HSL 81.36, 0.76%, 0.34%

LAB 57.94, -34.43, 56.89

 

CMYK 54 / 0 / 86 / 40

HEX #479915

RGB 71 153 21

HSL 97.27, 0.76%, 0.34%

LAB 56.26, -46.64, 54.78

 

CMYK 77 / 0 / 86 / 40

HEX #239915

RGB 35 153 21

HSL 113.64, 0.76%, 0.34%

LAB 55.27, -54.85, 53.52

 

CMYK 0 / 16 / 86 / 40

HEX #998015

RGB 153 128 21

HSL 48.64, 0.76%, 0.34%

LAB 54.31, -0.82, 55.29

 

CMYK 0 / 19 / 96 / 35

HEX #A78807

RGB 167 136 7

HSL 48.38, 0.92%, 0.34%

LAB 57.88, 0.95, 61.56

 

CMYK 0 / 16 / 86 / 40

HEX #998015

RGB 153 128 21

HSL 48.64, 0.76%, 0.34%

LAB 54.31, -0.82, 55.29

 

CMYK 0 / 14 / 75 / 45

HEX #8B7723

RGB 139 119 35

HSL 48.46, 0.6%, 0.34%

LAB 50.46, -1.75, 46.5

 

CMYK 0 / 12 / 61 / 51

HEX #7D6E31

RGB 125 110 49

HSL 48.16, 0.44%, 0.34%

LAB 46.62, -2.22, 35.53

 

CMYK 0 / 9 / 43 / 56

HEX #6F653F

RGB 111 101 63

HSL 47.5, 0.28%, 0.34%

LAB 42.83, -2.01, 22.94

 

CMYK 0 / 3 / 20 / 62

HEX #605D4D

RGB 96 93 77

HSL 50.53, 0.11%, 0.34%

LAB 39.33, -1.83, 9.64

 

CMYK 0 / 63 / 86 / 40

HEX #993815

RGB 153 56 21

HSL 15.91, 0.76%, 0.34%

LAB 37.22, 38.93, 40.81

 

CMYK 0 / 41 / 86 / 40

HEX #995B15

RGB 153 91 21

HSL 31.82, 0.76%, 0.34%

LAB 44.67, 20.27, 47.2

 

CMYK 0 / 18 / 86 / 40

HEX #997E15

RGB 153 126 21

HSL 47.73, 0.76%, 0.34%

LAB 53.76, 0.3, 54.83

 

CMYK 6 / 0 / 86 / 40

HEX #909915

RGB 144 153 21

HSL 64.09, 0.76%, 0.34%

LAB 60.57, -18.36, 60.18

 

CMYK 29 / 0 / 86 / 40

HEX #6D9915

RGB 109 153 21

HSL 80, 0.76%, 0.34%

LAB 58.12, -33.24, 57.12

 

CMYK 0 / 16 / 86 / 69

HEX #50430B

RGB 80 67 11

HSL 48.7, 0.76%, 0.18%

LAB 28.76, -0.99, 33.39

 

CMYK 0 / 16 / 86 / 55

HEX #746110

RGB 116 97 16

HSL 48.6, 0.76%, 0.26%

LAB 41.69, -0.85, 44.54

 

CMYK 0 / 16 / 86 / 40

HEX #998015

RGB 153 128 21

HSL 48.64, 0.76%, 0.34%

LAB 54.31, -0.82, 55.29

 

CMYK 0 / 16 / 86 / 26

HEX #BD9E1A

RGB 189 158 26

HSL 48.59, 0.76%, 0.42%

LAB 66.02, -0.69, 65.14

 

CMYK 0 / 16 / 86 / 12

HEX #E1BC1F

RGB 225 188 31

HSL 48.56, 0.76%, 0.5%

LAB 77.32, -0.57, 74.6

 

CMYK 0 / 16 / 86 / 40

HEX #998015

RGB 153 128 21

HSL 48.64, 0.76%, 0.34%

LAB 54.31, -0.82, 55.29

 

CMYK 86 / 0 / 86 / 40

HEX #159915

RGB 21 153 21

HSL 120, 0.76%, 0.34%

LAB 55.07, -56.64, 53.26

 

CMYK 52 / 86 / 0 / 40

HEX #4A1599

RGB 74 21 153

HSL 264.09, 0.76%, 0.34%

LAB 24.61, 51.49, -60.84

 

CMYK 0 / 16 / 86 / 40

HEX #998015

RGB 153 128 21

HSL 48.64, 0.76%, 0.34%

LAB 54.31, -0.82, 55.29

 

CMYK 86 / 0 / 18 / 40

HEX #15997E

RGB 21 153 126

HSL 167.73, 0.76%, 0.34%

LAB 56.53, -39.67, 4.85

 

CMYK 18 / 86 / 0 / 40

HEX #7E1599

RGB 126 21 153

HSL 287.73, 0.76%, 0.34%

LAB 32.42, 59.22, -47.77

 

CMYK 0 / 16 / 86 / 40

HEX #998015

RGB 153 128 21

HSL 48.64, 0.76%, 0.34%

LAB 54.31, -0.82, 55.29

 

CMYK 86 / 0 / 86 / 40

HEX #159915

RGB 21 153 21

HSL 120, 0.76%, 0.34%

LAB 55.07, -56.64, 53.26

 

CMYK 86 / 69 / 0 / 40

HEX #152F99

RGB 21 47 153

HSL 228.18, 0.76%, 0.34%

LAB 25.24, 32.59, -59.95

 

CMYK 0 / 86 / 0 / 40

HEX #991599

RGB 153 21 153

HSL 300, 0.76%, 0.34%

LAB 37.13, 64.13, -39.94

 

CMYK 0 / 16 / 86 / 40

HEX #998015

RGB 153 128 21

HSL 48.64, 0.76%, 0.34%

LAB 54.31, -0.82, 55.29

 

CMYK 86 / 0 / 61 / 40

HEX #15993C

RGB 21 153 60

HSL 137.73, 0.76%, 0.34%

LAB 55.35, -53.15, 38.88

 

CMYK 86 / 69 / 0 / 40

HEX #152F99

RGB 21 47 153

HSL 228.18, 0.76%, 0.34%

LAB 25.24, 32.59, -59.95

 

CMYK 0 / 86 / 26 / 40

HEX #991571

RGB 153 21 113

HSL 318.18, 0.76%, 0.34%

LAB 35.01, 58.43, -18.47

 

Description

Color code: HEX #998015 | qconv.com Color code: HEX #998015 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 128 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 128 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 86 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 86% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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