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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80F3FD it is the complementary color #7F0C02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80F3FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #80F3FD: #85F3F8, #96FFFF, #A7FFFF, #B8FFFF and #C9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80F3FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #80F3FD: #80F3FD, #6FE1EA, #5ECFD7, #4DBDC4 and #3CABB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 4 / 0 / 1

HEX #80F3FD

RGB 128 243 253

HSL 184.8, 0.97%, 0.75%

LAB 89.76, -30.1, -14.91

 

Complementary color

CMYK 0 / 91 / 98 / 50

HEX #7F0C02

RGB 127 12 2

HSL 4.8, 0.97%, 0.25%

LAB 26.1, 45.55, 37.68

 

CMYK 46 / 2 / 0 / 3

HEX #85F3F8

RGB 133 243 248

HSL 182.61, 0.89%, 0.75%

LAB 89.8, -30.3, -12.23

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 49 / 4 / 0 / 1

HEX #80F3FD

RGB 128 243 253

HSL 184.8, 0.97%, 0.75%

LAB 89.76, -30.1, -14.91

 

CMYK 53 / 4 / 0 / 8

HEX #6FE1EA

RGB 111 225 234

HSL 184.39, 0.75%, 0.68%

LAB 83.53, -29.93, -14.33

 

CMYK 56 / 4 / 0 / 16

HEX #5ECFD7

RGB 94 207 215

HSL 183.97, 0.6%, 0.61%

LAB 77.23, -29.68, -13.7

 

CMYK 61 / 4 / 0 / 23

HEX #4DBDC4

RGB 77 189 196

HSL 183.53, 0.5%, 0.54%

LAB 70.84, -29.33, -13.03

 

CMYK 66 / 3 / 0 / 31

HEX #3CABB1

RGB 60 171 177

HSL 183.08, 0.49%, 0.46%

LAB 64.37, -28.82, -12.29

 

CMYK 49 / 4 / 0 / 1

HEX #80F3FD

RGB 128 243 253

HSL 184.8, 0.97%, 0.75%

LAB 89.76, -30.1, -14.91

 

CMYK 49 / 11 / 0 / 1

HEX #81E0FD

RGB 129 224 253

HSL 194.03, 0.97%, 0.75%

LAB 84.52, -20.6, -22.81

 

CMYK 49 / 20 / 0 / 1

HEX #81CBFD

RGB 129 203 253

HSL 204.19, 0.97%, 0.75%

LAB 78.74, -9.79, -31.65

 

CMYK 49 / 28 / 0 / 1

HEX #81B7FD

RGB 129 183 253

HSL 213.87, 0.97%, 0.75%

LAB 73.3, 1.03, -40.07

 

CMYK 49 / 36 / 0 / 1

HEX #81A2FD

RGB 129 162 253

HSL 224.03, 0.97%, 0.75%

LAB 67.72, 12.88, -48.81

 

CMYK 49 / 4 / 0 / 1

HEX #80F3FD

RGB 128 243 253

HSL 184.8, 0.97%, 0.75%

LAB 89.76, -30.1, -14.91

 

CMYK 49 / 4 / 0 / 81

HEX #192F31

RGB 25 47 49

HSL 185, 0.32%, 0.15%

LAB 17.74, -8.06, -4.03

 

CMYK 49 / 4 / 0 / 61

HEX #336064

RGB 51 96 100

HSL 184.9, 0.32%, 0.3%

LAB 37.82, -14.27, -7.1

 

CMYK 50 / 4 / 0 / 41

HEX #4C9197

RGB 76 145 151

HSL 184.8, 0.33%, 0.45%

LAB 56.11, -20.05, -9.92

 

CMYK 50 / 4 / 0 / 21

HEX #66C2CA

RGB 102 194 202

HSL 184.8, 0.49%, 0.6%

LAB 73.33, -25.2, -12.48

 

CMYK 49 / 4 / 0 / 1

HEX #80F3FD

RGB 128 243 253

HSL 184.8, 0.97%, 0.75%

LAB 89.76, -30.1, -14.91

 

CMYK 36 / 49 / 0 / 1

HEX #A281FD

RGB 162 129 253

HSL 255.97, 0.97%, 0.75%

LAB 62.06, 39.72, -57.64

 

CMYK 0 / 17 / 49 / 1

HEX #FDD381

RGB 253 211 129

HSL 39.68, 0.97%, 0.75%

LAB 86.53, 4.73, 45.88

 

CMYK 49 / 4 / 0 / 1

HEX #80F3FD

RGB 128 243 253

HSL 184.8, 0.97%, 0.75%

LAB 89.76, -30.1, -14.91

 

CMYK 0 / 49 / 4 / 1

HEX #FD81F4

RGB 253 129 244

HSL 304.35, 0.97%, 0.75%

LAB 71.63, 62.08, -36.95

 

CMYK 4 / 0 / 49 / 1

HEX #F4FD81

RGB 244 253 129

HSL 64.35, 0.97%, 0.75%

LAB 96.44, -19.76, 57.75

 

CMYK 49 / 4 / 0 / 1

HEX #80F3FD

RGB 128 243 253

HSL 184.8, 0.97%, 0.75%

LAB 89.76, -30.1, -14.91

 

CMYK 36 / 49 / 0 / 1

HEX #A281FD

RGB 162 129 253

HSL 255.97, 0.97%, 0.75%

LAB 62.06, 39.72, -57.64

 

CMYK 0 / 46 / 49 / 1

HEX #FD8981

RGB 253 137 129

HSL 3.87, 0.97%, 0.75%

LAB 69.72, 43.12, 24.13

 

CMYK 13 / 0 / 49 / 1

HEX #DCFD81

RGB 220 253 129

HSL 75.97, 0.97%, 0.75%

LAB 94.76, -28.9, 55.34

 

CMYK 49 / 4 / 0 / 1

HEX #80F3FD

RGB 128 243 253

HSL 184.8, 0.97%, 0.75%

LAB 89.76, -30.1, -14.91

 

CMYK 21 / 49 / 0 / 1

HEX #C781FD

RGB 199 129 253

HSL 273.87, 0.97%, 0.75%

LAB 65.7, 49.14, -51.64

 

CMYK 0 / 46 / 49 / 1

HEX #FD8981

RGB 253 137 129

HSL 3.87, 0.97%, 0.75%

LAB 69.72, 43.12, 24.13

 

CMYK 28 / 0 / 49 / 1

HEX #B7FD81

RGB 183 253 129

HSL 93.87, 0.97%, 0.75%

LAB 92.53, -42.22, 52.12

 

Description

Color code: HEX #80F3FD | qconv.com Color code: HEX #80F3FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 243 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 243 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 4 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 4% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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