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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 21 / 49 / 0 / 1 it is the complementary color CMYK 56 / 0 / 98 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 21 / 49 / 0 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 21 / 49 / 0 / 1: CMYK 17 / 48 / 0 / 3, CMYK 13 / 42 / 0 / 0, CMYK 7 / 35 / 0 / 0, CMYK 0 / 28 / 0 / 0 and CMYK 0 / 21 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 21 / 49 / 0 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 21 / 49 / 0 / 1: CMYK 21 / 49 / 0 / 1, CMYK 22 / 52 / 0 / 9, CMYK 23 / 57 / 0 / 16, CMYK 24 / 62 / 0 / 24 and CMYK 26 / 68 / 0 / 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 49 / 0 / 1

HEX #C781FC

RGB 199 129 252

HSL 274.15, 0.95%, 0.75%

LAB 65.65, 48.92, -51.17

 

Complementary color

CMYK 56 / 0 / 98 / 51

HEX #387E03

RGB 56 126 3

HSL 94.15, 0.95%, 0.25%

LAB 46.67, -41.32, 50.09

 

CMYK 17 / 48 / 0 / 3

HEX #CC81F7

RGB 204 129 247

HSL 278.14, 0.88%, 0.74%

LAB 65.95, 49.17, -47.92

 

CMYK 13 / 42 / 0 / 0

HEX #DD93FF

RGB 221 147 255

HSL 281.11, 1%, 0.79%

LAB 71.87, 46.1, -42.86

 

CMYK 7 / 35 / 0 / 0

HEX #EEA5FF

RGB 238 165 255

HSL 288.67, 1%, 0.82%

LAB 77.46, 41.6, -34.03

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 21 / 49 / 0 / 1

HEX #C781FC

RGB 199 129 252

HSL 274.15, 0.95%, 0.75%

LAB 65.65, 48.92, -51.17

 

CMYK 22 / 52 / 0 / 9

HEX #B66FE9

RGB 182 111 233

HSL 274.92, 0.73%, 0.67%

LAB 59.16, 49.75, -51.08

 

CMYK 23 / 57 / 0 / 16

HEX #A55DD6

RGB 165 93 214

HSL 275.7, 0.6%, 0.6%

LAB 52.6, 50.57, -50.94

 

CMYK 24 / 62 / 0 / 24

HEX #944BC3

RGB 148 75 195

HSL 276.5, 0.5%, 0.53%

LAB 46, 51.31, -50.71

 

CMYK 26 / 68 / 0 / 31

HEX #8339B0

RGB 131 57 176

HSL 277.31, 0.51%, 0.46%

LAB 39.39, 51.86, -50.31

 

CMYK 21 / 49 / 0 / 1

HEX #C781FC

RGB 199 129 252

HSL 274.15, 0.95%, 0.75%

LAB 65.65, 48.92, -51.17

 

CMYK 13 / 48 / 0 / 2

HEX #DB82FB

RGB 219 130 251

HSL 284.13, 0.94%, 0.75%

LAB 68.01, 53.54, -46.74

 

CMYK 5 / 48 / 0 / 2

HEX #EF82FB

RGB 239 130 251

HSL 294.05, 0.94%, 0.75%

LAB 70.37, 58.97, -42.87

 

CMYK 0 / 48 / 3 / 2

HEX #FB82F3

RGB 251 130 243

HSL 303.97, 0.94%, 0.75%

LAB 71.52, 60.88, -36.6

 

CMYK 0 / 48 / 11 / 2

HEX #FB82DF

RGB 251 130 223

HSL 313.88, 0.94%, 0.75%

LAB 70.73, 57.63, -26.82

 

CMYK 21 / 49 / 0 / 1

HEX #C781FC

RGB 199 129 252

HSL 274.15, 0.95%, 0.75%

LAB 65.65, 48.92, -51.17

 

CMYK 21 / 48 / 0 / 81

HEX #261930

RGB 38 25 48

HSL 273.91, 0.32%, 0.14%

LAB 11.42, 12.07, -12.88

 

CMYK 21 / 48 / 0 / 61

HEX #4E3363

RGB 78 51 99

HSL 273.75, 0.32%, 0.29%

LAB 26.41, 22.46, -23.82

 

CMYK 21 / 49 / 0 / 41

HEX #764D96

RGB 118 77 150

HSL 273.7, 0.32%, 0.45%

LAB 40.18, 31.77, -33.6

 

CMYK 21 / 49 / 0 / 21

HEX #9F67C9

RGB 159 103 201

HSL 274.29, 0.48%, 0.6%

LAB 53.26, 40.71, -42.52

 

CMYK 21 / 49 / 0 / 1

HEX #C781FC

RGB 199 129 252

HSL 274.15, 0.95%, 0.75%

LAB 65.65, 48.92, -51.17

 

CMYK 0 / 48 / 37 / 2

HEX #FB829E

RGB 251 130 158

HSL 346.12, 0.94%, 0.75%

LAB 68.71, 48.83, 6.46

 

CMYK 48 / 0 / 40 / 2

HEX #82FB96

RGB 130 251 150

HSL 129.92, 0.94%, 0.75%

LAB 89.83, -54.69, 38.14

 

CMYK 21 / 49 / 0 / 1

HEX #C781FC

RGB 199 129 252

HSL 274.15, 0.95%, 0.75%

LAB 65.65, 48.92, -51.17

 

CMYK 0 / 21 / 48 / 2

HEX #FBC782

RGB 251 199 130

HSL 34.21, 0.94%, 0.75%

LAB 83.43, 10.23, 41.44

 

CMYK 48 / 0 / 21 / 2

HEX #82FBC7

RGB 130 251 199

HSL 154.21, 0.94%, 0.75%

LAB 90.72, -45.84, 14.55

 

CMYK 21 / 49 / 0 / 1

HEX #C781FC

RGB 199 129 252

HSL 274.15, 0.95%, 0.75%

LAB 65.65, 48.92, -51.17

 

CMYK 0 / 48 / 37 / 2

HEX #FB829E

RGB 251 130 158

HSL 346.12, 0.94%, 0.75%

LAB 68.71, 48.83, 6.46

 

CMYK 27 / 0 / 48 / 2

HEX #B7FB82

RGB 183 251 130

HSL 93.72, 0.94%, 0.75%

LAB 91.99, -41.23, 50.99

 

CMYK 48 / 0 / 11 / 2

HEX #82FBDF

RGB 130 251 223

HSL 166.12, 0.94%, 0.75%

LAB 91.27, -40.65, 2.93

 

CMYK 21 / 49 / 0 / 1

HEX #C781FC

RGB 199 129 252

HSL 274.15, 0.95%, 0.75%

LAB 65.65, 48.92, -51.17

 

CMYK 0 / 45 / 48 / 2

HEX #FB8A82

RGB 251 138 130

HSL 3.97, 0.94%, 0.75%

LAB 69.68, 41.97, 23.47

 

CMYK 27 / 0 / 48 / 2

HEX #B7FB82

RGB 183 251 130

HSL 93.72, 0.94%, 0.75%

LAB 91.99, -41.23, 50.99

 

CMYK 48 / 3 / 0 / 2

HEX #82F3FB

RGB 130 243 251

HSL 183.97, 0.94%, 0.75%

LAB 89.77, -30.19, -13.84

 

Description

Color code: CMYK 21 / 49 / 0 / 1 | qconv.com Color code: CMYK 21 / 49 / 0 / 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 129 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 129 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 49 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 49% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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