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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80B941 it is the complementary color #7F46BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80B941. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #80B941: #85B93C, #96CB4F, #A7DD62, #B8EF75 and #C9FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80B941. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #80B941: #80B941, #6FA72E, #5E951B, #4D8308 and #3C7100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 65 / 27

HEX #80B941

RGB 128 185 65

HSL 88.5, 0.48%, 0.49%

LAB 69.23, -37.87, 53.18

 

Complementary color

CMYK 33 / 63 / 0 / 25

HEX #7F46BE

RGB 127 70 190

HSL 268.5, 0.48%, 0.51%

LAB 42.17, 47.83, -54.09

 

CMYK 28 / 0 / 68 / 27

HEX #85B93C

RGB 133 185 60

HSL 84.96, 0.51%, 0.48%

LAB 69.48, -36.39, 55.57

 

CMYK 26 / 0 / 61 / 20

HEX #96CB4F

RGB 150 203 79

HSL 85.65, 0.54%, 0.55%

LAB 75.92, -36.66, 54.87

 

CMYK 24 / 0 / 56 / 13

HEX #A7DD62

RGB 167 221 98

HSL 86.34, 0.64%, 0.63%

LAB 82.28, -36.82, 53.94

 

CMYK 23 / 0 / 51 / 6

HEX #B8EF75

RGB 184 239 117

HSL 87.05, 0.79%, 0.7%

LAB 88.55, -36.91, 52.89

 

CMYK 21 / 0 / 47 / 0

HEX #C9FF88

RGB 201 255 136

HSL 87.23, 1%, 0.77%

LAB 94.19, -36.05, 51.11

 

CMYK 31 / 0 / 65 / 27

HEX #80B941

RGB 128 185 65

HSL 88.5, 0.48%, 0.49%

LAB 69.23, -37.87, 53.18

 

CMYK 34 / 0 / 72 / 35

HEX #6FA72E

RGB 111 167 46

HSL 87.77, 0.57%, 0.42%

LAB 62.69, -37.54, 53.65

 

CMYK 37 / 0 / 82 / 42

HEX #5E951B

RGB 94 149 27

HSL 87.05, 0.69%, 0.35%

LAB 56.04, -36.99, 53.36

 

CMYK 41 / 0 / 94 / 49

HEX #4D8308

RGB 77 131 8

HSL 86.34, 0.88%, 0.27%

LAB 49.29, -36.13, 51.63

 

CMYK 47 / 0 / 100 / 56

HEX #3C7100

RGB 60 113 0

HSL 88.14, 1%, 0.22%

LAB 42.42, -34.8, 47.46

 

CMYK 31 / 0 / 65 / 27

HEX #80B941

RGB 128 185 65

HSL 88.5, 0.48%, 0.49%

LAB 69.23, -37.87, 53.18

 

CMYK 41 / 0 / 65 / 28

HEX #6CB840

RGB 108 184 64

HSL 98, 0.48%, 0.49%

LAB 67.9, -44.52, 51.86

 

CMYK 52 / 0 / 65 / 28

HEX #58B840

RGB 88 184 64

HSL 108, 0.48%, 0.49%

LAB 67.07, -50.65, 50.72

 

CMYK 63 / 0 / 65 / 28

HEX #44B840

RGB 68 184 64

HSL 118, 0.48%, 0.49%

LAB 66.43, -55.69, 49.83

 

CMYK 65 / 0 / 57 / 28

HEX #40B850

RGB 64 184 80

HSL 128, 0.48%, 0.49%

LAB 66.48, -54.69, 42.64

 

CMYK 31 / 0 / 65 / 27

HEX #80B941

RGB 128 185 65

HSL 88.5, 0.48%, 0.49%

LAB 69.23, -37.87, 53.18

 

CMYK 31 / 0 / 65 / 7

HEX #A3EC53

RGB 163 236 83

HSL 88.63, 0.8%, 0.63%

LAB 86.21, -46.11, 64.6

 

CMYK 31 / 0 / 66 / 87

HEX #16200B

RGB 22 32 11

HSL 88.57, 0.49%, 0.08%

LAB 10.76, -9.26, 11.32

 

CMYK 31 / 0 / 65 / 67

HEX #39531D

RGB 57 83 29

HSL 88.89, 0.48%, 0.22%

LAB 32.13, -20.1, 27.88

 

CMYK 31 / 0 / 65 / 47

HEX #5D862F

RGB 93 134 47

HSL 88.28, 0.48%, 0.35%

LAB 51.36, -29.14, 41.08

 

CMYK 31 / 0 / 65 / 27

HEX #80B941

RGB 128 185 65

HSL 88.5, 0.48%, 0.49%

LAB 69.23, -37.87, 53.18

 

CMYK 65 / 0 / 22 / 28

HEX #40B890

RGB 64 184 144

HSL 160, 0.48%, 0.49%

LAB 67.56, -42.9, 10.66

 

CMYK 0 / 65 / 4 / 28

HEX #B840B0

RGB 184 64 176

HSL 304, 0.48%, 0.49%

LAB 48.25, 61.35, -35.73

 

CMYK 31 / 0 / 65 / 27

HEX #80B941

RGB 128 185 65

HSL 88.5, 0.48%, 0.49%

LAB 69.23, -37.87, 53.18

 

CMYK 65 / 30 / 0 / 28

HEX #4080B8

RGB 64 128 184

HSL 208, 0.48%, 0.49%

LAB 51.82, -2.66, -35.52

 

CMYK 0 / 65 / 30 / 28

HEX #B84080

RGB 184 64 128

HSL 328, 0.48%, 0.49%

LAB 46.2, 54.37, -10.22

 

CMYK 31 / 0 / 65 / 27

HEX #80B941

RGB 128 185 65

HSL 88.5, 0.48%, 0.49%

LAB 69.23, -37.87, 53.18

 

CMYK 65 / 0 / 22 / 28

HEX #40B890

RGB 64 184 144

HSL 160, 0.48%, 0.49%

LAB 67.56, -42.9, 10.66

 

CMYK 35 / 65 / 0 / 28

HEX #7840B8

RGB 120 64 184

HSL 268, 0.48%, 0.49%

LAB 39.78, 47.91, -54.47

 

CMYK 0 / 65 / 43 / 28

HEX #B84068

RGB 184 64 104

HSL 340, 0.48%, 0.49%

LAB 45.44, 51.65, 3.34

 

CMYK 31 / 0 / 65 / 27

HEX #80B941

RGB 128 185 65

HSL 88.5, 0.48%, 0.49%

LAB 69.23, -37.87, 53.18

 

CMYK 65 / 0 / 2 / 28

HEX #40B8B4

RGB 64 184 180

HSL 178, 0.48%, 0.49%

LAB 68.51, -33.59, -7.76

 

CMYK 35 / 65 / 0 / 28

HEX #7840B8

RGB 120 64 184

HSL 268, 0.48%, 0.49%

LAB 39.78, 47.91, -54.47

 

CMYK 0 / 65 / 63 / 28

HEX #B84044

RGB 184 64 68

HSL 358, 0.48%, 0.49%

LAB 44.62, 48.65, 24.29

 

Description

Color code: HEX #80B941 | qconv.com Color code: HEX #80B941 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 185 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 185 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 65 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 65% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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