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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80AE57 it is the complementary color #7F51A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80AE57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #80AE57: #85AE52, #96C065, #A7D278, #B8E48B and #C9F69E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80AE57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #80AE57: #80AE57, #6F9C44, #5E8A31, #4D781E and #3C660B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 50 / 32

HEX #80AE57

RGB 128 174 87

HSL 91.72, 0.35%, 0.51%

LAB 66.17, -30.63, 39.5

 

Complementary color

CMYK 24 / 52 / 0 / 34

HEX #7F51A8

RGB 127 81 168

HSL 271.72, 0.35%, 0.49%

LAB 43.1, 36.39, -39.67

 

CMYK 24 / 0 / 53 / 32

HEX #85AE52

RGB 133 174 82

HSL 86.74, 0.36%, 0.5%

LAB 66.42, -29.3, 42.33

 

CMYK 22 / 0 / 47 / 25

HEX #96C065

RGB 150 192 101

HSL 87.69, 0.42%, 0.57%

LAB 72.97, -29.35, 41.17

 

CMYK 20 / 0 / 43 / 18

HEX #A7D278

RGB 167 210 120

HSL 88.67, 0.5%, 0.65%

LAB 79.42, -29.34, 40

 

CMYK 19 / 0 / 39 / 11

HEX #B8E48B

RGB 184 228 139

HSL 89.66, 0.62%, 0.72%

LAB 85.78, -29.31, 38.85

 

CMYK 18 / 0 / 36 / 4

HEX #C9F69E

RGB 201 246 158

HSL 90.68, 0.83%, 0.79%

LAB 92.04, -29.25, 37.73

 

CMYK 26 / 0 / 50 / 32

HEX #80AE57

RGB 128 174 87

HSL 91.72, 0.35%, 0.51%

LAB 66.17, -30.63, 39.5

 

CMYK 29 / 0 / 56 / 39

HEX #6F9C44

RGB 111 156 68

HSL 90.68, 0.39%, 0.44%

LAB 59.5, -30.61, 40.66

 

CMYK 32 / 0 / 64 / 46

HEX #5E8A31

RGB 94 138 49

HSL 89.66, 0.48%, 0.37%

LAB 52.71, -30.47, 41.66

 

CMYK 36 / 0 / 75 / 53

HEX #4D781E

RGB 77 120 30

HSL 88.67, 0.6%, 0.29%

LAB 45.78, -30.15, 42.22

 

CMYK 41 / 0 / 89 / 60

HEX #3C660B

RGB 60 102 11

HSL 87.69, 0.81%, 0.22%

LAB 38.7, -29.5, 41.64

 

CMYK 26 / 0 / 50 / 32

HEX #80AE57

RGB 128 174 87

HSL 91.72, 0.35%, 0.51%

LAB 66.17, -30.63, 39.5

 

CMYK 34 / 0 / 50 / 32

HEX #72AD56

RGB 114 173 86

HSL 100.69, 0.35%, 0.51%

LAB 65.07, -35.34, 38.47

 

CMYK 43 / 0 / 50 / 32

HEX #63AD56

RGB 99 173 86

HSL 111.03, 0.35%, 0.51%

LAB 64.33, -40.34, 37.4

 

CMYK 50 / 0 / 50 / 32

HEX #56AD57

RGB 86 173 87

HSL 120.69, 0.35%, 0.51%

LAB 63.8, -44.1, 36.11

 

CMYK 50 / 0 / 41 / 32

HEX #56AD66

RGB 86 173 102

HSL 131.03, 0.35%, 0.51%

LAB 64.02, -41.78, 28.63

 

CMYK 26 / 0 / 50 / 32

HEX #80AE57

RGB 128 174 87

HSL 91.72, 0.35%, 0.51%

LAB 66.17, -30.63, 39.5

 

CMYK 26 / 0 / 50 / 12

HEX #A6E171

RGB 166 225 113

HSL 91.61, 0.65%, 0.66%

LAB 83.52, -37.46, 48.46

 

CMYK 29 / 0 / 48 / 92

HEX #0F150B

RGB 15 21 11

HSL 96, 0.31%, 0.06%

LAB 5.98, -4.25, 4.35

 

CMYK 26 / 0 / 50 / 72

HEX #354824

RGB 53 72 36

HSL 91.67, 0.33%, 0.21%

LAB 28.16, -14.95, 19.17

 

CMYK 27 / 0 / 50 / 52

HEX #5A7B3E

RGB 90 123 62

HSL 92.46, 0.33%, 0.36%

LAB 47.86, -23.27, 29.47

 

CMYK 26 / 0 / 50 / 32

HEX #80AE57

RGB 128 174 87

HSL 91.72, 0.35%, 0.51%

LAB 66.17, -30.63, 39.5

 

CMYK 50 / 0 / 14 / 32

HEX #56AD95

RGB 86 173 149

HSL 163.45, 0.35%, 0.51%

LAB 64.99, -32.17, 4.32

 

CMYK 0 / 50 / 6 / 32

HEX #AD56A3

RGB 173 86 163

HSL 306.9, 0.35%, 0.51%

LAB 49.72, 46.11, -25.91

 

CMYK 26 / 0 / 50 / 32

HEX #80AE57

RGB 128 174 87

HSL 91.72, 0.35%, 0.51%

LAB 66.17, -30.63, 39.5

 

CMYK 50 / 26 / 0 / 32

HEX #5680AD

RGB 86 128 173

HSL 211.03, 0.35%, 0.51%

LAB 52.32, -1.64, -28.33

 

CMYK 0 / 50 / 26 / 32

HEX #AD5680

RGB 173 86 128

HSL 331.03, 0.35%, 0.51%

LAB 48.38, 40.51, -7.12

 

CMYK 26 / 0 / 50 / 32

HEX #80AE57

RGB 128 174 87

HSL 91.72, 0.35%, 0.51%

LAB 66.17, -30.63, 39.5

 

CMYK 50 / 0 / 14 / 32

HEX #56AD95

RGB 86 173 149

HSL 163.45, 0.35%, 0.51%

LAB 64.99, -32.17, 4.32

 

CMYK 24 / 50 / 0 / 32

HEX #8356AD

RGB 131 86 173

HSL 271.03, 0.35%, 0.51%

LAB 44.94, 35.87, -39.67

 

CMYK 0 / 50 / 36 / 32

HEX #AD566F

RGB 173 86 111

HSL 342.76, 0.35%, 0.51%

LAB 47.86, 38.23, 2.36

 

CMYK 26 / 0 / 50 / 32

HEX #80AE57

RGB 128 174 87

HSL 91.72, 0.35%, 0.51%

LAB 66.17, -30.63, 39.5

 

CMYK 50 / 1 / 0 / 32

HEX #56ACAD

RGB 86 172 173

HSL 180.69, 0.35%, 0.51%

LAB 65.36, -25.55, -8.5

 

CMYK 24 / 50 / 0 / 32

HEX #8356AD

RGB 131 86 173

HSL 271.03, 0.35%, 0.51%

LAB 44.94, 35.87, -39.67

 

CMYK 0 / 50 / 50 / 32

HEX #AD5756

RGB 173 87 86

HSL 0.69, 0.35%, 0.51%

LAB 47.46, 34.95, 16.87

 

Description

Color code: HEX #80AE57 | qconv.com Color code: HEX #80AE57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 174 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 174 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 50 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 50% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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