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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8088D0 it is the complementary color #7F772F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8088D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8088D0: #8588CB, #969ADE, #A7ACF1, #B8BEFF and #C9D0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8088D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8088D0: #8088D0, #6F76BD, #5E64AA, #4D5297 and #3C4084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 35 / 0 / 18

HEX #8088D0

RGB 128 136 208

HSL 234, 0.46%, 0.66%

LAB 58.74, 14.79, -38.06

 

Complementary color

CMYK 0 / 6 / 63 / 50

HEX #7F772F

RGB 127 119 47

HSL 54, 0.46%, 0.34%

LAB 49.39, -6.56, 39.67

 

CMYK 34 / 33 / 0 / 20

HEX #8588CB

RGB 133 136 203

HSL 237.43, 0.4%, 0.66%

LAB 58.89, 14.8, -34.99

 

CMYK 32 / 31 / 0 / 13

HEX #969ADE

RGB 150 154 222

HSL 236.67, 0.52%, 0.73%

LAB 65.65, 14.2, -34.97

 

CMYK 31 / 29 / 0 / 5

HEX #A7ACF1

RGB 167 172 241

HSL 235.95, 0.73%, 0.8%

LAB 72.28, 13.67, -34.99

 

CMYK 28 / 25 / 0 / 0

HEX #B8BEFF

RGB 184 190 255

HSL 234.93, 1%, 0.86%

LAB 78.6, 11.98, -32.66

 

CMYK 21 / 18 / 0 / 0

HEX #C9D0FF

RGB 201 208 255

HSL 232.22, 1%, 0.89%

LAB 84.35, 7.26, -23.75

 

CMYK 38 / 35 / 0 / 18

HEX #8088D0

RGB 128 136 208

HSL 234, 0.46%, 0.66%

LAB 58.74, 14.79, -38.06

 

CMYK 41 / 38 / 0 / 26

HEX #6F76BD

RGB 111 118 189

HSL 234.62, 0.37%, 0.59%

LAB 51.85, 15.56, -38.17

 

CMYK 45 / 41 / 0 / 33

HEX #5E64AA

RGB 94 100 170

HSL 235.26, 0.31%, 0.52%

LAB 44.8, 16.47, -38.35

 

CMYK 49 / 46 / 0 / 41

HEX #4D5297

RGB 77 82 151

HSL 235.95, 0.32%, 0.45%

LAB 37.57, 17.58, -38.6

 

CMYK 55 / 52 / 0 / 48

HEX #3C4084

RGB 60 64 132

HSL 236.67, 0.38%, 0.38%

LAB 30.14, 18.97, -38.92

 

CMYK 38 / 35 / 0 / 18

HEX #8088D0

RGB 128 136 208

HSL 234, 0.46%, 0.66%

LAB 58.74, 14.79, -38.06

 

CMYK 36 / 38 / 0 / 18

HEX #8580D0

RGB 133 128 208

HSL 243.75, 0.46%, 0.66%

LAB 57.05, 20.85, -40.68

 

CMYK 29 / 38 / 0 / 18

HEX #9380D0

RGB 147 128 208

HSL 254.25, 0.46%, 0.66%

LAB 58.22, 24.76, -38.77

 

CMYK 23 / 38 / 0 / 18

HEX #A080D0

RGB 160 128 208

HSL 264, 0.46%, 0.66%

LAB 59.4, 28.53, -36.83

 

CMYK 17 / 38 / 0 / 18

HEX #AD80D0

RGB 173 128 208

HSL 273.75, 0.46%, 0.66%

LAB 60.67, 32.41, -34.76

 

CMYK 38 / 35 / 0 / 18

HEX #8088D0

RGB 128 136 208

HSL 234, 0.46%, 0.66%

LAB 58.74, 14.79, -38.06

 

CMYK 50 / 25 / 0 / 98

HEX #020304

RGB 2 3 4

HSL 210, 0.33%, 0.01%

LAB 0.78, -0.12, -0.47

 

CMYK 38 / 35 / 0 / 78

HEX #222437

RGB 34 36 55

HSL 234.29, 0.24%, 0.17%

LAB 14.83, 4.69, -12.61

 

CMYK 39 / 35 / 0 / 58

HEX #41456A

RGB 65 69 106

HSL 234.15, 0.24%, 0.34%

LAB 30.45, 8.46, -22.07

 

CMYK 38 / 34 / 0 / 38

HEX #61679D

RGB 97 103 157

HSL 234, 0.24%, 0.5%

LAB 45.19, 11.56, -30.05

 

CMYK 38 / 35 / 0 / 18

HEX #8088D0

RGB 128 136 208

HSL 234, 0.46%, 0.66%

LAB 58.74, 14.79, -38.06

 

CMYK 0 / 38 / 4 / 18

HEX #D080C8

RGB 208 128 200

HSL 306, 0.46%, 0.66%

LAB 64.18, 41.66, -24.53

 

CMYK 19 / 0 / 38 / 18

HEX #A8D080

RGB 168 208 128

HSL 90, 0.46%, 0.66%

LAB 79.04, -27, 35.49

 

CMYK 38 / 35 / 0 / 18

HEX #8088D0

RGB 128 136 208

HSL 234, 0.46%, 0.66%

LAB 58.74, 14.79, -38.06

 

CMYK 0 / 38 / 35 / 18

HEX #D08088

RGB 208 128 136

HSL 354, 0.46%, 0.66%

LAB 62.19, 31.88, 8.86

 

CMYK 35 / 0 / 38 / 18

HEX #88D080

RGB 136 208 128

HSL 114, 0.46%, 0.66%

LAB 77.22, -38.05, 32.78

 

CMYK 38 / 35 / 0 / 18

HEX #8088D0

RGB 128 136 208

HSL 234, 0.46%, 0.66%

LAB 58.74, 14.79, -38.06

 

CMYK 0 / 38 / 4 / 18

HEX #D080C8

RGB 208 128 200

HSL 306, 0.46%, 0.66%

LAB 64.18, 41.66, -24.53

 

CMYK 0 / 4 / 38 / 18

HEX #D0C880

RGB 208 200 128

HSL 54, 0.46%, 0.66%

LAB 79.77, -7.67, 37.01

 

CMYK 38 / 0 / 35 / 18

HEX #80D088

RGB 128 208 136

HSL 126, 0.46%, 0.66%

LAB 76.97, -39.29, 28.24

 

CMYK 38 / 35 / 0 / 18

HEX #8088D0

RGB 128 136 208

HSL 234, 0.46%, 0.66%

LAB 58.74, 14.79, -38.06

 

CMYK 0 / 38 / 15 / 18

HEX #D080B0

RGB 208 128 176

HSL 324, 0.46%, 0.66%

LAB 63.33, 37.59, -12.26

 

CMYK 0 / 4 / 38 / 18

HEX #D0C880

RGB 208 200 128

HSL 54, 0.46%, 0.66%

LAB 79.77, -7.67, 37.01

 

CMYK 38 / 0 / 23 / 18

HEX #80D0A0

RGB 128 208 160

HSL 144, 0.46%, 0.66%

LAB 77.42, -34.98, 16.24

 

Description

Color code: HEX #8088D0 | qconv.com Color code: HEX #8088D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 136 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 136 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 35 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 35% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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