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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #804CEFCE it is the complementary color #7FB310CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #804CEFCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #804CEFCE shade: #854CEACE, #965EFDCE, #A770FFCE, #B882FFCE and #C994FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #804CEFCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #804CEFCE shade: #804CEFCE, #6F3ADCCE, #5E28C9CE, #4D16B6CE and #3C04A3CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #804CEFCE shade: #814DEF, #AD4DEF, #D84DEF, #EF4DDB and #EF4DAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #804CEFCE shade: #814DEF, #554DEF and #4D4DEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #804CEFCE shade matches the following richer shades: #814DEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #804CEFCE shade: #814DEF, #865CE0, #8C6CD0, #927CC0 and #978BB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #804CEFCE shade: #4D70EF, #554DEF, #804DEF, #AC4DEF and #D74DEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #804CEFCE shade: #5113D7, #6627EC, #814DEF, #9C73F3 and #B699F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #804CEFCE shade: #804CEF, #EF4D9B and #5AEF4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #804CEFCE shade: #804CEF, #EF804D and #4DEF80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #804CEFCE shade: #804CEF, #EF4D9B, #BCEF4D and #4DEFA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #804CEFCE shade: #804CEF, #EF4D6B, #BCEF4D and #4DEFD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 55 / 0 / 5

HEX #804CEFCE

RGBA 128 76 239 0.81

HSLA 259.14, 0.84%, 0.62%, 0.81

LABA 46.96, 57.57, -74.38, 0.81

 

Complementary color

CMYK 24 / 0 / 74 / 24

HEX #7FB310CE

RGBA 127 179 16 0.81

HSLA 79.14, 0.84%, 0.38%, 0.81

LABA 67.12, -38.06, 66.05, 0.81

 

CMYK 35 / 55 / 0 / 7

HEX #854CEACE

RGBA 133 76 234 0.81

HSLA 261.65, 0.79%, 0.61%, 0.81

LABA 47.1, 57.14, -71.32, 0.81

 

CMYK 33 / 51 / 0 / 1

HEX #965EFDCE

RGBA 150 94 253 0.81

HSLA 261.13, 0.98%, 0.68%, 0.81

LABA 53.58, 56.1, -71.34, 0.81

 

CMYK 28 / 45 / 0 / 0

HEX #A770FFCE

RGBA 167 112 255 0.81

HSLA 263.08, 1%, 0.72%, 0.81

LABA 59, 50.75, -63.62, 0.81

 

CMYK 23 / 40 / 0 / 0

HEX #B882FFCE

RGBA 184 130 255 0.81

HSLA 265.92, 1%, 0.75%, 0.81

LABA 64.46, 45.17, -54.79, 0.81

 

CMYK 17 / 34 / 0 / 0

HEX #C994FFCE

RGBA 201 148 255 0.81

HSLA 269.72, 1%, 0.79%, 0.81

LABA 70.05, 39.94, -45.86, 0.81

 

CMYK 38 / 55 / 0 / 5

HEX #804CEFCE

RGBA 128 76 239 0.81

HSLA 259.14, 0.84%, 0.62%, 0.81

LABA 46.96, 57.57, -74.38, 0.81

 

CMYK 40 / 60 / 0 / 11

HEX #6F3ADCCE

RGBA 111 58 220 0.81

HSLA 259.63, 0.7%, 0.55%, 0.81

LABA 40.53, 58.55, -74.19, 0.81

 

CMYK 43 / 65 / 0 / 17

HEX #5E28C9CE

RGBA 94 40 201 0.81

HSLA 260.12, 0.67%, 0.47%, 0.81

LABA 34.22, 59.14, -73.64, 0.81

 

CMYK 47 / 71 / 0 / 23

HEX #4D16B6CE

RGBA 77 22 182 0.81

HSLA 260.63, 0.78%, 0.4%, 0.81

LABA 28.19, 58.89, -72.45, 0.81

 

CMYK 51 / 79 / 0 / 29

HEX #3C04A3CE

RGBA 60 4 163 0.81

HSLA 261.13, 0.95%, 0.33%, 0.81

LABA 22.63, 57.26, -70.3, 0.81

 

CMYK 46 / 68 / 0 / 6

HEX #814DEF

RGB 129 77 239

HSL 259.26, 0.84%, 0.62%

LAB 47.24, 57.24, -73.91

 

CMYK 28 / 68 / 0 / 6

HEX #AD4DEF

RGB 173 77 239

HSL 275.56, 0.84%, 0.62%

LAB 52.31, 65.52, -65.45

 

CMYK 10 / 68 / 0 / 6

HEX #D84DEF

RGB 216 77 239

HSL 291.48, 0.84%, 0.62%

LAB 58.17, 74.44, -55.74

 

CMYK 0 / 68 / 8 / 6

HEX #EF4DDB

RGB 239 77 219

HSL 307.41, 0.84%, 0.62%

LAB 60.58, 76.31, -40.48

 

CMYK 0 / 68 / 27 / 6

HEX #EF4DAF

RGB 239 77 175

HSL 323.7, 0.84%, 0.62%

LAB 58.75, 70.35, -18.2

 

CMYK 46 / 68 / 0 / 6

HEX #814DEF

RGB 129 77 239

HSL 259.26, 0.84%, 0.62%

LAB 47.24, 57.24, -73.91

 

CMYK 64 / 68 / 0 / 6

HEX #554DEF

RGB 85 77 239

HSL 242.96, 0.84%, 0.62%

LAB 43.46, 50.59, -80.25

 

CMYK 68 / 68 / 0 / 6

HEX #4D4DEF

RGB 77 77 239

HSL 240, 0.84%, 0.62%

LAB 42.94, 49.63, -81.13

 

CMYK 46 / 68 / 0 / 6

HEX #814DEF

RGB 129 77 239

HSL 259.26, 0.84%, 0.62%

LAB 47.24, 57.24, -73.91

 

CMYK 46 / 68 / 0 / 6

HEX #814DEF

RGB 129 77 239

HSL 259.26, 0.84%, 0.62%

LAB 47.24, 57.24, -73.91

 

CMYK 40 / 59 / 0 / 12

HEX #865CE0

RGB 134 92 224

HSL 259.09, 0.68%, 0.62%

LAB 49.62, 46.29, -61.57

 

CMYK 33 / 48 / 0 / 18

HEX #8C6CD0

RGB 140 108 208

HSL 259.2, 0.52%, 0.62%

LAB 52.79, 34.44, -47.39

 

CMYK 24 / 35 / 0 / 25

HEX #927CC0

RGB 146 124 192

HSL 259.41, 0.35%, 0.62%

LAB 56.42, 22.81, -32.53

 

CMYK 15 / 21 / 0 / 31

HEX #978BB1

RGB 151 139 177

HSL 258.95, 0.2%, 0.62%

LAB 60.09, 12.21, -18.3

 

CMYK 68 / 53 / 0 / 6

HEX #4D70EF

RGB 77 112 239

HSL 227.04, 0.84%, 0.62%

LAB 51.15, 28.49, -67.74

 

CMYK 64 / 68 / 0 / 6

HEX #554DEF

RGB 85 77 239

HSL 242.96, 0.84%, 0.62%

LAB 43.46, 50.59, -80.25

 

CMYK 46 / 68 / 0 / 6

HEX #804DEF

RGB 128 77 239

HSL 258.89, 0.84%, 0.62%

LAB 47.14, 57.07, -74.08

 

CMYK 28 / 68 / 0 / 6

HEX #AC4DEF

RGB 172 77 239

HSL 275.19, 0.84%, 0.62%

LAB 52.19, 65.32, -65.67

 

CMYK 10 / 68 / 0 / 6

HEX #D74DEF

RGB 215 77 239

HSL 291.11, 0.84%, 0.62%

LAB 58.02, 74.23, -55.98

 

CMYK 62 / 91 / 0 / 16

HEX #5113D7

RGB 81 19 215

HSL 258.98, 0.84%, 0.46%

LAB 32.08, 68.21, -85.35

 

CMYK 57 / 83 / 0 / 7

HEX #6627EC

RGB 102 39 236

HSL 259.19, 0.84%, 0.54%

LAB 38.43, 69.3, -86.79

 

CMYK 46 / 68 / 0 / 6

HEX #814DEF

RGB 129 77 239

HSL 259.26, 0.84%, 0.62%

LAB 47.24, 57.24, -73.91

 

CMYK 36 / 53 / 0 / 5

HEX #9C73F3

RGB 156 115 243

HSL 259.22, 0.84%, 0.7%

LAB 57.85, 43.52, -58.89

 

CMYK 26 / 38 / 0 / 4

HEX #B699F6

RGB 182 153 246

HSL 258.71, 0.84%, 0.78%

LAB 69.03, 29.78, -42.68

 

CMYK 46 / 68 / 0 / 6

HEX #804CEF

RGB 128 76 239

HSL 259.14, 0.84%, 0.62%

LAB 46.96, 57.57, -74.38

 

CMYK 0 / 68 / 35 / 6

HEX #EF4D9B

RGB 239 77 155

HSL 331.11, 0.84%, 0.62%

LAB 58.06, 68.05, -7.6

 

CMYK 62 / 0 / 68 / 6

HEX #5AEF4D

RGB 90 239 77

HSL 115.19, 0.84%, 0.62%

LAB 84.2, -68.7, 63.93

 

CMYK 46 / 68 / 0 / 6

HEX #804CEF

RGB 128 76 239

HSL 259.14, 0.84%, 0.62%

LAB 46.96, 57.57, -74.38

 

CMYK 0 / 46 / 68 / 6

HEX #EF804D

RGB 239 128 77

HSL 18.89, 0.84%, 0.62%

LAB 65.22, 38.62, 46.07

 

CMYK 68 / 0 / 46 / 6

HEX #4DEF80

RGB 77 239 128

HSL 138.89, 0.84%, 0.62%

LAB 84.42, -65.06, 41.63

 

CMYK 46 / 68 / 0 / 6

HEX #804CEF

RGB 128 76 239

HSL 259.14, 0.84%, 0.62%

LAB 46.96, 57.57, -74.38

 

CMYK 0 / 68 / 35 / 6

HEX #EF4D9B

RGB 239 77 155

HSL 331.11, 0.84%, 0.62%

LAB 58.06, 68.05, -7.6

 

CMYK 21 / 0 / 68 / 6

HEX #BCEF4D

RGB 188 239 77

HSL 78.89, 0.84%, 0.62%

LAB 88.43, -38.72, 69.65

 

CMYK 68 / 0 / 33 / 6

HEX #4DEFA1

RGB 77 239 161

HSL 151.11, 0.84%, 0.62%

LAB 84.94, -59.26, 25.82

 

CMYK 46 / 68 / 0 / 6

HEX #804CEF

RGB 128 76 239

HSL 259.14, 0.84%, 0.62%

LAB 46.96, 57.57, -74.38

 

CMYK 0 / 68 / 55 / 6

HEX #EF4D6B

RGB 239 77 107

HSL 348.89, 0.84%, 0.62%

LAB 56.8, 63.7, 18.84

 

CMYK 21 / 0 / 68 / 6

HEX #BCEF4D

RGB 188 239 77

HSL 78.89, 0.84%, 0.62%

LAB 88.43, -38.72, 69.65

 

CMYK 68 / 0 / 12 / 6

HEX #4DEFD2

RGB 77 239 210

HSL 169.26, 0.84%, 0.62%

LAB 85.99, -48.3, 1.85

 

Description

Color code: HEX #804CEFCE | qconv.com Color code: HEX #804CEFCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 76 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 76 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 55 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 55% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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