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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C6CD0 it is the complementary color #73932F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C6CD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8C6CD0: #916CCB, #A27EDE, #B390F1, #C4A2FF and #D5B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C6CD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8C6CD0: #8C6CD0, #7B5ABD, #6A48AA, #593697 and #482484

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 48 / 0 / 18

HEX #8C6CD0

RGB 140 108 208

HSL 259.2, 0.52%, 0.62%

LAB 52.79, 34.44, -47.39

 

Complementary color

CMYK 22 / 0 / 68 / 42

HEX #73932F

RGB 115 147 47

HSL 79.2, 0.52%, 0.38%

LAB 56.8, -26.57, 47.31

 

CMYK 29 / 47 / 0 / 20

HEX #916CCB

RGB 145 108 203

HSL 263.37, 0.48%, 0.61%

LAB 53.01, 34.51, -44.16

 

CMYK 27 / 43 / 0 / 13

HEX #A27EDE

RGB 162 126 222

HSL 262.5, 0.59%, 0.68%

LAB 59.78, 33.61, -44.09

 

CMYK 26 / 40 / 0 / 5

HEX #B390F1

RGB 179 144 241

HSL 261.65, 0.78%, 0.75%

LAB 66.43, 32.78, -44.04

 

CMYK 23 / 36 / 0 / 0

HEX #C4A2FF

RGB 196 162 255

HSL 261.94, 1%, 0.82%

LAB 72.76, 30.86, -41.65

 

CMYK 16 / 29 / 0 / 0

HEX #D5B4FF

RGB 213 180 255

HSL 266.4, 1%, 0.85%

LAB 78.47, 26.01, -32.68

 

CMYK 33 / 48 / 0 / 18

HEX #8C6CD0

RGB 140 108 208

HSL 259.2, 0.52%, 0.62%

LAB 52.79, 34.44, -47.39

 

CMYK 35 / 52 / 0 / 26

HEX #7B5ABD

RGB 123 90 189

HSL 260, 0.43%, 0.55%

LAB 45.9, 35.49, -47.54

 

CMYK 38 / 58 / 0 / 33

HEX #6A48AA

RGB 106 72 170

HSL 260.82, 0.4%, 0.47%

LAB 38.9, 36.63, -47.69

 

CMYK 41 / 64 / 0 / 41

HEX #593697

RGB 89 54 151

HSL 261.65, 0.47%, 0.4%

LAB 31.8, 37.82, -47.8

 

CMYK 45 / 73 / 0 / 48

HEX #482484

RGB 72 36 132

HSL 262.5, 0.57%, 0.33%

LAB 24.66, 38.91, -47.74

 

CMYK 33 / 48 / 0 / 18

HEX #8C6CD0

RGB 140 108 208

HSL 259.2, 0.52%, 0.62%

LAB 52.79, 34.44, -47.39

 

CMYK 25 / 49 / 0 / 18

HEX #9C6BD0

RGB 156 107 208

HSL 269.11, 0.52%, 0.62%

LAB 54.17, 39.3, -45.09

 

CMYK 17 / 49 / 0 / 18

HEX #AD6BD0

RGB 173 107 208

HSL 279.21, 0.52%, 0.62%

LAB 56.04, 43.98, -42.02

 

CMYK 9 / 49 / 0 / 18

HEX #BE6BD0

RGB 190 107 208

HSL 289.31, 0.52%, 0.62%

LAB 58.05, 48.75, -38.71

 

CMYK 1 / 49 / 0 / 18

HEX #CE6BD0

RGB 206 107 208

HSL 298.81, 0.52%, 0.62%

LAB 60.06, 53.28, -35.43

 

CMYK 33 / 48 / 0 / 18

HEX #8C6CD0

RGB 140 108 208

HSL 259.2, 0.52%, 0.62%

LAB 52.79, 34.44, -47.39

 

CMYK 25 / 50 / 0 / 98

HEX #030204

RGB 3 2 4

HSL 270, 0.33%, 0.01%

LAB 0.65, 0.54, -0.67

 

CMYK 33 / 47 / 0 / 78

HEX #251D37

RGB 37 29 55

HSL 258.46, 0.31%, 0.16%

LAB 12.91, 10.9, -15.59

 

CMYK 33 / 48 / 0 / 58

HEX #47376A

RGB 71 55 106

HSL 258.82, 0.32%, 0.32%

LAB 27.05, 19.59, -27.38

 

CMYK 32 / 48 / 0 / 38

HEX #6A529D

RGB 106 82 157

HSL 259.2, 0.31%, 0.47%

LAB 40.46, 27.1, -37.44

 

CMYK 33 / 48 / 0 / 18

HEX #8C6CD0

RGB 140 108 208

HSL 259.2, 0.52%, 0.62%

LAB 52.79, 34.44, -47.39

 

CMYK 0 / 49 / 25 / 18

HEX #D06B9C

RGB 208 107 156

HSL 330.89, 0.52%, 0.62%

LAB 58.34, 45.52, -8.26

 

CMYK 44 / 0 / 49 / 18

HEX #74D06B

RGB 116 208 107

HSL 114.65, 0.52%, 0.62%

LAB 76, -47.23, 41.56

 

CMYK 33 / 48 / 0 / 18

HEX #8C6CD0

RGB 140 108 208

HSL 259.2, 0.52%, 0.62%

LAB 52.79, 34.44, -47.39

 

CMYK 0 / 33 / 49 / 18

HEX #D08B6B

RGB 208 139 107

HSL 19.01, 0.52%, 0.62%

LAB 64.11, 22.72, 27.81

 

CMYK 49 / 0 / 33 / 18

HEX #6BD08B

RGB 107 208 139

HSL 139.01, 0.52%, 0.62%

LAB 76.13, -44.71, 25.4

 

CMYK 33 / 48 / 0 / 18

HEX #8C6CD0

RGB 140 108 208

HSL 259.2, 0.52%, 0.62%

LAB 52.79, 34.44, -47.39

 

CMYK 0 / 49 / 25 / 18

HEX #D06B9C

RGB 208 107 156

HSL 330.89, 0.52%, 0.62%

LAB 58.34, 45.52, -8.26

 

CMYK 15 / 0 / 49 / 18

HEX #B0D06B

RGB 176 208 107

HSL 79.01, 0.52%, 0.62%

LAB 79.27, -26.48, 46.32

 

CMYK 49 / 0 / 24 / 18

HEX #6BD09F

RGB 107 208 159

HSL 150.89, 0.52%, 0.62%

LAB 76.52, -40.84, 15.38

 

CMYK 33 / 48 / 0 / 18

HEX #8C6CD0

RGB 140 108 208

HSL 259.2, 0.52%, 0.62%

LAB 52.79, 34.44, -47.39

 

CMYK 0 / 49 / 39 / 18

HEX #D06B7E

RGB 208 107 126

HSL 348.71, 0.52%, 0.62%

LAB 57.49, 41.72, 7.95

 

CMYK 15 / 0 / 49 / 18

HEX #B0D06B

RGB 176 208 107

HSL 79.01, 0.52%, 0.62%

LAB 79.27, -26.48, 46.32

 

CMYK 49 / 0 / 9 / 18

HEX #6BD0BE

RGB 107 208 190

HSL 169.31, 0.52%, 0.62%

LAB 77.25, -33.89, -0.17

 

Description

Color code: HEX #8C6CD0 | qconv.com Color code: HEX #8C6CD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 108 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 108 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 48 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 48% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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