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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #804257 it is the complementary color #7FBDA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #804257. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #804257: #854252, #965465, #A76678, #B8788B and #C98A9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #804257. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #804257: #804257, #6F3044, #5E1E31, #4D0C1E and #3C000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 32 / 50

HEX #804257

RGB 128 66 87

HSL 339.68, 0.32%, 0.38%

LAB 36.32, 29.24, -0.41

 

Complementary color

CMYK 33 / 0 / 11 / 26

HEX #7FBDA8

RGB 127 189 168

HSL 159.68, 0.32%, 0.62%

LAB 72.05, -24.53, 4.29

 

CMYK 0 / 50 / 38 / 48

HEX #854252

RGB 133 66 82

HSL 345.67, 0.34%, 0.39%

LAB 36.92, 30.48, 3.72

 

CMYK 0 / 44 / 33 / 41

HEX #965465

RGB 150 84 101

HSL 344.55, 0.28%, 0.46%

LAB 43.89, 29.49, 2.28

 

CMYK 0 / 39 / 28 / 35

HEX #A76678

RGB 167 102 120

HSL 343.38, 0.27%, 0.53%

LAB 50.77, 28.55, 1.09

 

CMYK 0 / 35 / 24 / 28

HEX #B8788B

RGB 184 120 139

HSL 342.19, 0.31%, 0.6%

LAB 57.55, 27.69, 0.07

 

CMYK 0 / 31 / 21 / 21

HEX #C98A9E

RGB 201 138 158

HSL 340.95, 0.37%, 0.66%

LAB 64.21, 26.9, -0.83

 

CMYK 0 / 48 / 32 / 50

HEX #804257

RGB 128 66 87

HSL 339.68, 0.32%, 0.38%

LAB 36.32, 29.24, -0.41

 

CMYK 0 / 57 / 39 / 56

HEX #6F3044

RGB 111 48 68

HSL 340.95, 0.4%, 0.31%

LAB 29.19, 30.19, 1.16

 

CMYK 0 / 68 / 48 / 63

HEX #5E1E31

RGB 94 30 49

HSL 342.19, 0.52%, 0.24%

LAB 22.05, 30.94, 3.31

 

CMYK 0 / 84 / 61 / 70

HEX #4D0C1E

RGB 77 12 30

HSL 343.38, 0.73%, 0.17%

LAB 15.14, 30.95, 6.6

 

CMYK 0 / 100 / 82 / 76

HEX #3C000B

RGB 60 0 11

HSL 349, 1%, 0.12%

LAB 8.86, 29.09, 9.49

 

CMYK 0 / 48 / 32 / 50

HEX #804257

RGB 128 66 87

HSL 339.68, 0.32%, 0.38%

LAB 36.32, 29.24, -0.41

 

CMYK 0 / 49 / 39 / 50

HEX #7F414D

RGB 127 65 77

HSL 348.39, 0.32%, 0.38%

LAB 35.65, 28.07, 4.96

 

CMYK 0 / 49 / 48 / 50

HEX #7F4142

RGB 127 65 66

HSL 359.03, 0.32%, 0.38%

LAB 35.37, 26.77, 11.55

 

CMYK 0 / 41 / 49 / 50

HEX #7F4B41

RGB 127 75 65

HSL 9.68, 0.32%, 0.38%

LAB 37.71, 20.87, 15.36

 

CMYK 0 / 33 / 49 / 50

HEX #7F5541

RGB 127 85 65

HSL 19.35, 0.32%, 0.38%

LAB 40.23, 14.94, 18.72

 

CMYK 0 / 48 / 32 / 50

HEX #804257

RGB 128 66 87

HSL 339.68, 0.32%, 0.38%

LAB 36.32, 29.24, -0.41

 

CMYK 0 / 49 / 32 / 30

HEX #B35C7A

RGB 179 92 122

HSL 339.31, 0.36%, 0.53%

LAB 50.27, 38.65, -0.64

 

CMYK 0 / 48 / 32 / 10

HEX #E6779C

RGB 230 119 156

HSL 340, 0.69%, 0.68%

LAB 63.69, 46.89, -0.04

 

CMYK 0 / 50 / 31 / 90

HEX #1A0D12

RGB 26 13 18

HSL 336.92, 0.33%, 0.08%

LAB 4.98, 6.36, -0.61

 

CMYK 0 / 48 / 32 / 70

HEX #4D2834

RGB 77 40 52

HSL 340.54, 0.32%, 0.23%

LAB 21.37, 18.99, -0.12

 

CMYK 0 / 48 / 32 / 50

HEX #804257

RGB 128 66 87

HSL 339.68, 0.32%, 0.38%

LAB 36.32, 29.24, -0.41

 

CMYK 0 / 7 / 49 / 50

HEX #7F7641

RGB 127 118 65

HSL 51.29, 0.32%, 0.38%

LAB 49.31, -4.39, 30.29

 

CMYK 49 / 12 / 0 / 50

HEX #41707F

RGB 65 112 127

HSL 194.52, 0.32%, 0.38%

LAB 44.58, -11.66, -13.27

 

CMYK 0 / 48 / 32 / 50

HEX #804257

RGB 128 66 87

HSL 339.68, 0.32%, 0.38%

LAB 36.32, 29.24, -0.41

 

CMYK 31 / 0 / 49 / 50

HEX #577F41

RGB 87 127 65

HSL 98.71, 0.32%, 0.38%

LAB 48.99, -26.04, 29.21

 

CMYK 49 / 31 / 0 / 50

HEX #41577F

RGB 65 87 127

HSL 218.71, 0.32%, 0.38%

LAB 36.88, 3.45, -25.13

 

CMYK 0 / 48 / 32 / 50

HEX #804257

RGB 128 66 87

HSL 339.68, 0.32%, 0.38%

LAB 36.32, 29.24, -0.41

 

CMYK 0 / 7 / 49 / 50

HEX #7F7641

RGB 127 118 65

HSL 51.29, 0.32%, 0.38%

LAB 49.31, -4.39, 30.29

 

CMYK 49 / 0 / 17 / 50

HEX #417F6A

RGB 65 127 106

HSL 159.68, 0.32%, 0.38%

LAB 48.69, -25.44, 5.27

 

CMYK 49 / 41 / 0 / 50

HEX #414B7F

RGB 65 75 127

HSL 230.32, 0.32%, 0.38%

LAB 33.33, 11.22, -30.72

 

CMYK 0 / 48 / 32 / 50

HEX #804257

RGB 128 66 87

HSL 339.68, 0.32%, 0.38%

LAB 36.32, 29.24, -0.41

 

CMYK 7 / 0 / 49 / 50

HEX #767F41

RGB 118 127 65

HSL 68.71, 0.32%, 0.38%

LAB 51.17, -13.35, 32.37

 

CMYK 49 / 0 / 17 / 50

HEX #417F6A

RGB 65 127 106

HSL 159.68, 0.32%, 0.38%

LAB 48.69, -25.44, 5.27

 

CMYK 41 / 49 / 0 / 50

HEX #4B417F

RGB 75 65 127

HSL 249.68, 0.32%, 0.38%

LAB 31.37, 20.5, -33.77

 

Description

Color code: HEX #804257 | qconv.com Color code: HEX #804257 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 66 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 66 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 32 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 32% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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